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Publisher. Info.
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Leipzig: C.F. Peters, 1913. Max Reger: Sämtliche Werke, Band 5: Orchesterwerke V Wiesbaden: Breitkopf und Härtel, 1958. Plate M.R. 5.URTEXT EDITION
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Publisher. Info.
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Bonn: Max-Reger-Institut, 1958 Max Reger: Sämtliche Werke, Band 5: Orchesterwerke V Wiesbaden: Breitkopf und Härtel, 1958. Plate M.R. 5.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Publisher. Info.
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Leipzig: C.F. Peters, 1913. Max Reger: Sämtliche Werke, Band 5: Orchesterwerke V Wiesbaden: Breitkopf und Härtel, 1958. Plate M.R. 5.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Reprinted
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Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A5190.
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Misc. Notes
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Full Score is 10x13 scan.
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Parts
⇒ 11 more: Oboe 1, 2 • Clarinet 1, 2 (A, B♭) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (F) • Timpani, Triangle • Violins I • Violins II • Violas • Cellos • Basses
Publisher. Info.
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Leipzig: C.F. Peters, 1913. Max Reger: Sämtliche Werke, Band 5: Orchesterwerke V Wiesbaden: Breitkopf und Härtel, 1958. Plate M.R. 5.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Reprinted
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Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A5190.
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Copyright
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Misc. Notes
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Parts are 10x13 scans.
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Arrangements and Transcriptions
Complete
For Piano 4 hands (Reger)
Publisher. Info.
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Leipzig: C.F. Peters, 1913. Plate 9766.
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Suitable for 2-sided printing + binding
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Editor
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[Composer's transcription]
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Publisher. Info.
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Leipzig: C.F. Peters, 1913. Plate 9766.
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Copyright
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Misc. Notes
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This file is part of the Sibley Mirroring Project.
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Valse d'amour (No.5)
For Piano solo (Reger)
Publisher. Info.
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Leipzig: C.F. Peters, n.d.[1913]. Plate 9767.
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Copyright
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This file is part of the Sibley Mirroring Project.
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General Information
Work Title
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Eine Ballett-Suite
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Alternative. Title
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Ballett-Suite
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Composer
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Reger, Max
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Opus/Catalogue NumberOp./Cat. No.
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Op.130
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I-Catalogue NumberI-Cat. No.
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IMR 52
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Key
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D major
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Movements/SectionsMov'ts/Sec's
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6 movements
- Entrée: Tempo di marcia ( = 112-116)
- Colombine: Adagietto (molto tranquillo) ( = 36)
- Harlequin: Vivace ( = 116)
- Pierrot und Pierrette: Larghetto ( = 66)
- Valse d'amour: Sostenuto ( = 72) - Tempo di Valse ( = 120-128)
- Finale: Presto ( = 108)
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First Performance.
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1912 October 30, Breslau
- Ernst Wendel, conducting
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First Publication.
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1913
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Average DurationAvg. Duration
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20-25 minutes
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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orchestra
- 2 flutes, 2 oboes, 2 clarinets (A/B♭), 2 bassoons
4 horns (F), 2 trumpets (C), timpani, triangle, strings
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External Links
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MPH preface (William Grim, 2004)*
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Navigation etc.
*Preface claims that the work was "composed in 1913" while reporting that the premiere was in 1912, and finds no contradiction. I leave it as an exercise for the reader why there is a problem there, or perhaps an undiscovered formula for a time machine.