Performances
Sheet Music
Scores and Parts
PDF typeset by composer
SaTo (2017/6/15)
| Publisher. Info.
|
Salvador Torré
|
| Copyright
|
|
| Misc. Notes
|
All four instrumentalists should play in the same general score. Please print the score in separate sheets to could slide sheets on the stand
|
| Purchase
|
Javascript is required for this feature.
|
| |
PDF typeset by composer
SaTo (2017/6/15)
| Publisher. Info.
|
Salvador Torré
|
| Copyright
|
|
| Misc. Notes
|
This is the realization in traditional writing of first three pages (3 minutes) of this work
|
| Purchase
|
Javascript is required for this feature.
|
| |
Other
PDF typeset by editor
SaTo (2017/6/17)
| Editor
|
Salvador Torre
|
| Publisher. Info.
|
Salvador Torre
|
| Copyright
|
|
| Purchase
|
Javascript is required for this feature.
|
| |
General Information
| Work Title
|
Direct-dimensional
|
| Alternative. Title
|
Directional-Dimensional for String Quartet
|
| Composer
|
Torre, Salvador
|
| I-Catalogue NumberI-Cat. No.
|
None [force assignment]
|
| Movements/SectionsMov'ts/Sec's
|
one
|
| Year/Date of CompositionY/D of Comp.
|
2017
|
| Average DurationAvg. Duration
|
10 minutes
|
| Composer Time PeriodComp. Period
|
Modern
|
| Piece Style
|
Modern
|
| Instrumentation
|
2 violins, viola, cello
|
| Extra Information
|
it may be played separately as an independent piece or with the whole String Quartet No.3 by Salvador Torré
|
Navigation etc.
"Directional – Dimensional " : In the String Quartet has been practiced throughout the history of music the aspect of “Laboratory of forms, Methods, Styles, Compositional Substrates etc.” using old methods arises from the canonical imitative forms counterpoint or harmony, all combined with the today languages, the infinity of music we hear today from which, for me the Rock music is very important, as well as electroacoustic practices are evident in this quartet, mixtures and super-positions of elements in a space time either compacted or expanded, micro-imitations are now a days called “delays” or “echoes”. Different distortions caused by the ways of attacking, rub, overpressure, pull hitting different parts of the instrument etc. All this adding an important element today: Improvisation, the interpreter then is enrolled in a state of freedom, but because we are speaking on classical music, this classical style provides the concept of structure, it brings a certain rigorous form. This generates an open-closed form. The title of this piece "Directional-Dimensional" is the juxtaposition of the directionality of lines and internal musical movements, in opposition to “static and contemplatives” (?) sections.
