This work is likely not in the public domain in the US (due to first publication with the required notice after 1924, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years.
|Composition Year||1935-39 (most movements); 1947, 1958 (remaining movements)|
|Genre Categories||; ; ; ; ; ; ;; ; ;|
⇒ 5 more: II. An die Kämpfer in den Konzentrationslagern • IV. Erinnerung (Potsdam) • V. In Sonnenburg • VII. Begräbnis des Hetzers im Zinksarg • IX. Arbeiterkantate (Das Lied vom Klassenfeind)
|Work Title||Deutsche Symphonie, Op.50|
|Opus/Catalogue NumberOp./Cat. No.||Op.50|
|I-Catalogue NumberI-Cat. No.||IHE 19|
|Year/Date of CompositionY/D of Comp.||1935-39 (most movements); 1947, 1958 (remaining movements)|
|First Performance.||1959-04-24 at the German State Opera in East Berlin (premiere of full work)|
|Copyright Information||Under copyright in the USA until January 1, 2054 due to GATT/TRIPS restoration.|
|Librettist||Bertolt Brecht (1898-1956), the composer (1898-1962), Ignazio Silone (1900-1978) (see below)|
|Average DurationAvg. Duration||70 minutes|
|Composer Time PeriodComp. Period||Early 20th century|
|Instrumentation||Voices: 2 narrators, mezzo-soprano, baritone, bass; mixed chorus|
The title is also spelled 'Deutsche Sinfonie'.
The first two movements won a prize at the 15th Festival of the International Society for Contemporary Music (ISCM), and were supposed to be performed at the 1937 World Exhibition in Paris. As the work was strongly anti-Nazi in sentiment (the subtitle at that time was 'An Anti-Hitler Symphony'), the German government succeeded in pressuring the French into canceling the performance.
Eisler's Op.49 was written in 1936 and his Op.54 in 1937, implying that he gave the Deutsche Symphonie its opus number (Op.50) when the work was not yet complete.
For the movements with text not by Brecht, Eisler adapted texts by Ignazio Silone, whose works are still under copyright in Canada. These movements are thus not available on IMSLP.