Des Meeres und der Liebe Wellen Overture, Op.59 (Fuchs, Robert)

Movements/SectionsMov'ts/Sec's	1 (Mässig langsam - Leidenschaftlich bewegt)
First Publication	1897
Genre Categories	Overtures; For orchestra; Scores featuring the orchestra; For piano 4 hands (arr); Scores featuring the piano (arr); Scores featuring the piano 4 hands (arr); For 2 players (arr)

Sheet Music

Full Scores

Complete Score
*#103768 - 4.62MB, 30 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 366×⇩ - Caprotti

PDF scanned by NL-Hlr
Caprotti (2011/6/1)

Editor	First edition
Engraver	Leipzig: C.G. Röder.
Publisher. Info.	Leipzig: Josef Weinberger, 1897. Plate J.W. 893.
Copyright	Public Domain [tag/del]
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Arrangements and Transcriptions

For Piano 4 hands

Complete Score
*#439597 - 3.98MB, 24 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 23×⇩ - LinBoHe

PDF scanned by Unknown
LinBoHe (2016/9/18)

Arranger	composer (?)
Publisher. Info.	Leipzig: Josef Weinberger, 1897. Plate J.W. 887.
Copyright	Public Domain [tag/del]
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General Information

Work Title	Des Meeres und der Liebe Wellen Overture
Alternative. Title	Ouverture zu "Des Meeres und der Liebe Wellen" von Fr. Grillparzer
Composer	Fuchs, Robert
Opus/Catalogue NumberOp./Cat. No.	Op.59
I-Catalogue NumberI-Cat. No.	IRF 17
Key	C minor (introduction in modal C)
Movements/SectionsMov'ts/Sec's	1 (Mässig langsam - Leidenschaftlich bewegt)
First Performance.	1897 December 5, Vienna Philharmonic conducted by Hans Richter (possibly earlier)
First Publication.	1897
Dedication	Hans Richter (1843-1916)
Average DurationAvg. Duration	16 minutes
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Orchestra: 2 flutes, 2 oboes, 2 clarinets in B♭, 2 bassoons, contrabassoon, 4 horns (2 in F, 2 in C), trumpets in C, trombones, timpani, harp, strings
External Links	Vienna Philharmonic Archive

Navigation etc.

For Grillparzer (Franz Seraphicus Grillparzer) (1791–1872) see Franz Grillparzer.

Given in London June 4 1898, but Musikalisches Wochenblatt volume 29 page 261 indicates it was given? would be given? by the Vienna Philharmonic during the 1897/98 season (in both cases conducted by Hans Richter, probably before the London performance.)