Der Paria (Jentsch, Max)

Movements/SectionsMov'ts/Sec's	2 Acts; entr'acte
Composition Year	1894-97
Genre Categories	Operas; Theatrical Works; For voices, orchestra; Scores featuring the voice; Scores featuring the orchestra; For voices with orchestra; For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

Sheet Music

Arrangements and Transcriptions

Entreact

For Piano (Jentsch)

Entreact
*#904762 - 11.07MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - 4candles

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4candles (2024/3/16)

Arranger	Composer
Publisher. Info.	Berlin: John Henry Schwerin, 1894.
Copyright	Public Domain [tag/del]
Misc. Notes	Reproduced by permission of the owner of the original score: Landesmusikrats Baden-Württemberg.
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General Information

Work Title	Der Paria
Alternative. Title
Composer	Jentsch, Max
I-Catalogue NumberI-Cat. No.	None [force assignment]
Movements/SectionsMov'ts/Sec's	2 Acts; entr'acte
Year/Date of CompositionY/D of Comp.	1894-97
Librettist	Max Jentsch (1855–1918)
Language	German
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	vv orch

Navigation etc.

This is the sole known surviving section of this opera. The piano reduction was published in a supplement to the popular German magazine Mode und Haus, which was mainly aimed at women. This opera is based on the tragedy of the same name by poet and author Michael Beer (1800–1833). The full work was never staged (only the Prelude was ever performed in public) and the manuscript of the full score is lost.