Dardanus (Sacchini, Antonio)

Movements/SectionsMov'ts/Sec's	Tragédie lyrique in 4 (3) acts
Genre Categories	Lyric tragedies; Theatrical Works; Operas; Lyric operas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; French language; For flute, piano (arr); Scores featuring the flute (arr); Scores featuring the piano (arr); For 2 players (arr)

Sheet Music

Full Scores

Complete Score
*#269750 - 38.91MB, 274 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 251×⇩ - Fynnjamin

PDF scanned by US-PRV
Fynnjamin (2013/2/15)

Complete Score
*#108470 - 78.90MB, 270 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 328×⇩ - Caprotti

PDF scanned by US-DN
Caprotti (2011/7/8)

Publisher. Info.	Paris: Le Duc, successeur de Mr. de la Chevardiere, No.6, n.d. Plate 85A.
Copyright	Public Domain [tag/del/mrg]
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Arrangements and Transcriptions

Air

For Flute and Piano (Leeuwen)

Complete Score
*#893250 - 0.62MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5×⇩ - Afp0815

PDF scanned by afp0815
Afp0815 (2024/1/7)

Arranger	Ary van Leeuwen (1875–1953)
Publisher. Info.	Leipzig: Zimmermann, n.d. Plate Z. 10530.
Copyright	Public Domain [tag/del]
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General Information

Work Title	Dardanus
Alternative. Title
Name Translations	Dardanus (Sacchini); ダルダニュス (サッキーニ)
Name Aliases	Dárdano (Sacchini)
Authorities	WorldCat; Wikipedia; VIAF: 183779300; GND: 1215043864; BNF: 13978241n
Composer	Sacchini, Antonio
I-Catalogue NumberI-Cat. No.	IAS 9
Movements/SectionsMov'ts/Sec's	Tragédie lyrique in 4 (3) acts
First Performance.	1784-09-18 in Versailles, Royal Opera
Librettist	Nicolas-François Guillard after Charles-Antoine Leclerc de La Bruère
Language	French
Composer Time PeriodComp. Period	Classical
Piece Style	Classical
Instrumentation	solo voices, choir, orchestra (see below)

Navigation etc.

The instrumentation according to RISM is 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, strings, basso. However, Sacchini revised the opera in 1785 for performance in 1786, and it is possible there were also changes to the orchestration.