Performances
Recordings
⇒ 7 more: Full Channel No.2 • Full Channel No.3 • Full Channel No.4 • Full Channel No.5 • Full Channel No.6 • Full Channel No.7 • Full Channel No.8
| Publisher Info.
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Salvador Torré
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| Performers
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Salvador Torré
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| Copyright
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| Misc. Notes
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Instructions: To play this work correctly on an 8-channel system, you only have to set the 8 channels (mono) by putting in order from channel 1 to 8 starting everyone at the beginning in any software that reproduces them. Then connect your system on 8 outputs or loudspeakers arranged in the form of a Sound Vault, surrounding the Audience that is placed and moves in the centre of the space. The speakers are in the periphery in the form of a Spatial Cube, on one side the speakers-channels 1,3,5,7 and on the other side the speakers 2,4,6,8.
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Sheet Music
Other
PDF typeset by composer
SaTo (2017/8/29)
| Language
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English, Spanish
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| Publisher. Info.
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Salvador Torré
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| Copyright
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| Purchase
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General Information
| Work Title
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Connecting Aecstasies
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| Alternative. Title
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Connecting Aecstasies for 8 channels
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| Composer
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Torre, Salvador
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| I-Catalogue NumberI-Cat. No.
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IST 12
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| Movements/SectionsMov'ts/Sec's
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1
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| Year/Date of CompositionY/D of Comp.
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2015
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| First Performance.
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2015
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| Average DurationAvg. Duration
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17 minutes
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| Composer Time PeriodComp. Period
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Modern
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| Piece Style
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Modern
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| Instrumentation
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electro-acoustic or acousmatic music (no score)
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| Extra Information
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Instructions: To play this work correctly on an 8-channel system, you only have to set the 8 channels (mono) by putting in order from channel 1 to 8, starting everyone at the beginning in any software that reproduces them. Then connect your system in 8 outputs-loudspeakers arranged in the form of a Sound Vault, surrounding the public that is placed and moves in the centre of the space. The speakers are in the periphery in the form of a spatial cube, on one side the speakers-channels 1,3,5,7 and on the other side the speakers 2,4,6,8.
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Navigation etc.
Connecting Aecstasies for 8 channels. Are stereotypes that eventually become Styles?, Was it profane music that inspired the sacred music, or the opposite?. It is the idea of this piece by use of material from the now a days current "profane" music with its means of production, as a pretext to establish a system of musical games, or incidental entertainment on the "Drum & Bass" style placed in space Multichannel exploring densities, masses, textures, abrupt cuts, overlapping, torsions, stretches, stratified polyrhythms in a carefree speech saturated with spatial trajectories for the pure pleasure of being surrounded by the sound itself. The protagonist is, in this days technology, a cell phone from which emerged all sounds of this piece. S.T.
