Concerto for Strings in G major, RV 151 (Vivaldi, Antonio)

Movements/SectionsMov'ts/Sec's	3 movements
Genre Categories	Concertos; For strings, continuo; Scores featuring string ensemble; Scores with basso continuo; For strings with continuo; For 4 recorders (arr); Scores featuring the recorder (arr); For 4 players (arr)

1 Performances
2 Sheet Music
3 General Information
4 Navigation etc.

Performances

Recordings

Complete Performance
*#434177 - 5.01MB - 4:23 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2313×⇩ - MP3 - Cypressdome

MP3 file (audio)
Cypressdome (2016/8/7)

Performer Pages	Paula Robison (flute) Gardner Chamber Orchestra (ensemble)
Performers	Orlando Cela (flute), John Gibbons (harpsichord)
Publisher Info.	Boston: Isabella Stewart Gardner Museum
Copyright	Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
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Naxos

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Synthesized/MIDI

I. Presto
*#416812 - 0.02MB - 1:35 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 465×⇩ - MID - DillonUpton1992

MID file (audio/video)
DillonUpton1992 (2016/3/26)

II. Adagio
*#416813 - 0.00MB - 0:36 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 182×⇩ - MID - DillonUpton1992

MID file (audio/video)
DillonUpton1992 (2016/3/26)

III. Allegro
*#416814 - 0.02MB - 2:13 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 220×⇩ - MID - DillonUpton1992

MID file (audio/video)
DillonUpton1992 (2016/3/26)

Performers	Dillon Upton
Publisher Info.	Dillon Upton
Copyright	Creative Commons Attribution 4.0 [tag/del]
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For 4 Recorders (Tennent)

Synthesized MIDI
*#462282 - 0.02MB - 4:00 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 135×⇩ - MID - Rdtennent

MID file (audio/video)
Rdtennent (2017/3/9)

Performers	PhotoScore
Publisher Info.	R.D. Tennent, 2017.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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Sheet Music

Full Scores

Complete Score
*#564816 - 3.52MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 84×⇩ - Giovanni Tribuzio

PDF scanned by IntCulturale
Giovanni Tribuzio (2019/3/13)

Publisher. Info.	Holograph manuscript, n.d.(ca.1701-41)
Copyright	Public Domain [tag/del]
Misc. Notes	Biblioteca Nazionale Universitaria, Turin (I-Tn): Giordano 34, f.151r-154v
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Complete Score (EU)
*#338303 - 1.33MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - C*/45*/V* - 13327×⇩ - Tito Manlio

PDF scanned by Unknown
Tito Manlio (2014/8/8)

Complete Score (improved quality) (EU)
*#557146 - 0.75MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - C*/45*/V* - 1231×⇩ - Rfabbro

PDF scanned by Unknown
Rfabbro (2019/1/15)

Editor	Gian Francesco Malipiero (1882-1973)
Publisher. Info.	Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49 Milano: G. Ricordi & C., 1949. Plate P.R. 319. URTEXT EDITION This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1995 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - Non-PD US [tag/del/mrg]
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Complete Score
*#84920 - 0.32MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 28876×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

Editor	Alonso del Arte
Publisher. Info.	Alonso del Arte
Copyright	Creative Commons Attribution Non-commercial 3.0 [tag/del]
Misc. Notes	The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.
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Parts

Violins I
*#84921 - 0.17MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 30032×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

⇒ 4 more: Violins II • Violas • Cellos • Basses

Violins II
*#84922 - 0.16MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 16348×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

Violas
*#84923 - 0.15MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13669×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

Cellos
*#84924 - 0.15MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14547×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

Basses
*#84925 - 0.15MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 9966×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

Editor	Alonso del Arte
Publisher. Info.	Alonso del Arte
Copyright	Creative Commons Attribution Non-commercial 3.0 [tag/del/mrg]
Misc. Notes	Principal violinists, violist, cellist, get a solo in the finale, but no separate part is provided, so that the solos can function as a kind of cue for the other players.
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Harpsichord (with figured bass realization)
*#84926 - 0.20MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6388×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

Harpsichord (left hand, with figures)
*#84927 - 0.17MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3522×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/11/16)

Editor	Alonso del Arte
Publisher. Info.	Alonso del Arte
Copyright	Creative Commons Attribution Non-commercial 3.0 [tag/del/mrg]
Misc. Notes	The figured bass realization is different from Malipiero's in several respects, but perhaps most importantly in that I don't believe a Picardy third is appropriate at the end of the first movement. (Unless we were to discover a natural sign below the relevant G in Vivaldi's own hand).
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