Chromatic Fugue for Piano (Drehmer, Earl Richard)

Composition Year	1981
Genre Categories	Fugues; For piano; Scores featuring the piano; For 1 player

1 Performances
- 1.1 Videos
- 1.2 Synthesized/MIDI
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Videos

Synthesized Performance
*#886580 - 82.90MB - 2:27 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - MP4 - Pseudotonal

MP4 file (audio/video)
Pseudotonal (2023/12/4)

Publisher Info.	Earl Richard Drehmer, 2012.
Performers	Finale 2008
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	score performed by Finale, recorded by Audacity, video created with Windows Movie Maker
Purchase	Javascript is required for this feature.

Synthesized/MIDI

Synthesized Performance
*#886579 - 2.25MB - 1:58 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - MP3 - Pseudotonal

MP3 file (audio)
Pseudotonal (2023/12/4)

Publisher Info.	Earl Richard Drehmer, 2012.
Performers	Finale 2008
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	score performed by Finale, recorded by Audacity
Purchase	Javascript is required for this feature.

Sheet Music

Scores

Complete Score
*#886578 - 0.36MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 29×⇩ - Pseudotonal

PDF typeset by composer
Pseudotonal (2023/12/4)

Publisher. Info.	Earl Richard Drehmer, 2012.
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	notated in Finale
Purchase	Javascript is required for this feature.

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General Information

Work Title	Chromatic Fugue for Piano
Alternative. Title
Composer	Drehmer, Earl Richard
I-Catalogue NumberI-Cat. No.	IED 17
Key	F major
Year/Date of CompositionY/D of Comp.	1981
First Performance.	2012/11/22
First Publication.	2012
Average DurationAvg. Duration	2 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	piano

Navigation etc.

This is a 4-voice fugue on a chromatic theme. I derived this theme from the chromatic Bass line that accompanies the minor 2/4 version of Amazing Grace that I slipped into a piano rag I composed. This fugue has the theme in inversion, augmentation, diminution, and numerous versions at once in stretto. The harmony is "pseudo" tonal.