Caprices en forme de valses, Op.2 (Schumann, Clara)

Incipit movements:
  • 1: { \tempo "Allegro Moderato" \time 3/4 \key c \major << \relative c''{ \override Rest.staff-position = 0 \stemNeutral r8 <g g'>-._\markup { \left-align \hspace#-1.2 \concat { \italic ( \hspace#0.3 \dynamic f \italic " con fuoco)" }} <a g'>-. <b g'>-. <c g'>-. <d g>-. | \stemUp g4 g \stemNeutral <c e>8( g) | <g e' g> r <g d'! f>2-> | 8 r <g c e>2-> | } \\ \relative c'' { s2. | dis8[( e]) f( e) s s | } >> }
  • 2: { \tempo "Allegro Moderato" \time 3/4 \key d \major << \relative c''{ \override Rest.staff-position = 0 cis2.->_\markup { \left-align \hspace#-1.2 \concat { \italic ( \hspace#0.3 \dynamic mf \italic " con grazia)" }} | d-> | c-> | b-> } \\ \relative c'' { r4 <g a> q | r <fis a> q | r <d fis> q | r <d g> q | } >> }
  • 3: \relative c'' { \tempo Andantino \time 3/4 \key ees \major \partial 4 bes8.\p a16 | \override Script.padding = #1 c4-! bes2-^ | \revert Script.padding bes4~ 4\turn f'8. ees16 | d4( c2->) | }
  • 4: \relative c' { \tempo Allegro \time 3/8 \key aes \major \override Beam.positions = #'(2.8 . 2.8) ees16_\markup { \left-align \concat { \dynamic p \italic " espressivo" }} \shape #'((0 . 0)(0 . -0.7)(0 . -0.7)(0 . 0))( aes c, des d ees) | <c' c'>4. | ees,16\shape #'((0 . 0)(0 . -0.7)(0 . -0.7)(0 . 0))( aes c, des d ees) | <c' c'>4. | }
  • 5: \relative c' { \tempo Allegretto \time 3/4 \key bes \major \override TupletBracket.bracket-visibility = ##t \partial 4 r8 \tuplet 3/2 8 { f16_\markup { \left-align \hspace#-1.5 \concat { \italic ( \hspace#0.5 \dynamic p \italic " espressivo)" }} f f } | \repeat unfold 2 { f4 r r8 \tuplet 3/2 8 { f16 f f } | } <f f'>8 q <g f'> <a f'> <bes f'> <c f> | <d f>2 <d f aes>4-> | <ees g>2 <c ees ges>4-> | }
  • 6: \relative c' { \tempo "Allegro risoluto" \time 3/4 \key c \major \slurDashed <c c'>2.\f | <ees ees'> | <g g'>8 8 4 4 | q q \afterGrace q { g16^( f' } | \afterGrace <c e>2.->)_\markup { \italic marcato } { b16^( g' } | <d f>2.->) | }
  • 7: \relative c'' { \tempo "Allegro ma non troppo" \time 3/4 \key aes \major r4 aes16\p( c8) r16 ees,( aes8) r16 | \slashedGrace { c,8( } ees2.->) | r8 ees( aes c f ees) | ees4.( d8 des4) | }
  • 8: \relative c'' { \tempo "Allegro assai" \time 3/8 \key ees \major bes4.\p | g'16( 16 8) r | f16( 16 8) r | f16( e ees8) r | des16 16 8 r | }
  • 9: \relative c'' { \tempo "Allegretto" \time 3/4 \key des \major aes4_\markup { \left-align \hspace#-1.2 \concat { \italic ( \hspace#0.5 \dynamic p \hspace#0.2 \italic ) }} des8. ees16 f8. des16 | f4-.\< ees2-> | aes4-. g2-> | bes4-. aes2->\! | }
Movements/SectionsMov'ts/Sec's 9 caprices
Composition Year 1832
Genre Categories Caprices; Waltzes; Dances; [3 more...]For piano; Scores featuring the piano; For 1 player

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Editor First edition
Publisher. Info. Leipzig: Hofmeister, n.d.[1832]. Plate 1675.
Copyright
Public Domain
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Editor Owain Evans (b. 1978)
Publisher. Info. Owain Evans, 2024.
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General Information

Work Title Caprices en forme de valses
Alternative. Title
Composer Schumann, Clara
Opus/Catalogue NumberOp./Cat. No. Op.2
Internal Reference NumberInternal Ref. No. ICS 1
Key C major
Movements/SectionsMov'ts/Sec's 9 caprices
Year/Date of CompositionY/D of Comp. 1832
First Publication. 1832
Dedication Madame Henriette Foerster, née Weicke.
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
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