Brè brè (Cottrau, Teodoro)

Movements/SectionsMov'ts/Sec's	1
Genre Categories	Ritournelles; Dances; Canzoni; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; Italian language
Related Works	"A la guerra!", included in the collection Eco di Napoli by Vincenzo de Meglio (No.44), listed as Anonymous, with Neapolitan lyrics and a bit different piano part. Included in the collection Eco del Vesuvio (No. 72).

1 Performances
- 1.1 Recordings
- 1.2 Synthesized/MIDI
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Recordings

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Synthesized/MIDI

Synthesized performance
*#308393 - 0.00MB - 0:59 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 148×⇩ - MID - Sergio De Liso

MID file (audio/video)
Sergio De Liso (2013/12/26)

Publisher Info.	Sergio De Liso, 2013
Performers	computer
Copyright	Creative Commons Attribution 4.0 [tag/del]
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Sheet Music

Scores

Complete Score
*#316434 - 0.97MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 116×⇩ - Sergio De Liso

PDF scanned by E-Mn
Sergio De Liso (2014/2/19)

Publisher. Info.	Naples: T. Cottrau, n.d.(ca.1872). Plate 16317.
Copyright	Public Domain [tag/del]
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General Information

Work Title	Brè brè
Alternative. Title	Ritornello popolare
Composer	Cottrau, Teodoro
I-Catalogue NumberI-Cat. No.	ITC 3
Key	B♭ major
Movements/SectionsMov'ts/Sec's	1
Language	Italian
Average DurationAvg. Duration	2 minutes
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voice, piano
Related Works	"A la guerra!", included in the collection Eco di Napoli by Vincenzo de Meglio (No.44), listed as Anonymous, with Neapolitan lyrics and a bit different piano part. Included in the collection Eco del Vesuvio (No. 72).

Navigation etc.

Though a "ritournelle" is a 17th century dance, it was in quick triple time. This song is in a fast 6/8, which would have a triple feel, and although a century or two later than the dance form, it could be argued that this is a descendant of it.

Probably the key in the score is wrong: it should be B♭ -

no, not really! It is arguably in E-flat but ends on the dominant (see e.g. 2nd movement of Beethoven sym.8). (That, or is in B-flat with a heavy 7th-tone influence. I'll hum it soon and see which interpretation makes more sense. Please use the K template, though, not the Key, when doing that- Key should only be used once, for the "decided" key of a work, K for interim keys or for keys being discussed in, well, a discussion- because K formats while Key also adds the page to a category (e.g. all pages in the collection of pages in E-flat/B-flat major)...