Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D.407 (Schubert, Franz)

Movements/SectionsMov'ts/Sec's 1 cantata (3 sections)
Composition Year 1816 June 16
Genre Categories Secular cantatas; Cantatas; For 2 voices, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring the piano; German language

Contents

Performances

Sheet Music

Scores

Complete

 Complete Score
#73468 - 0.98MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1198×⇩ - Ivdruiz

PDF scanned by D-Mbs
Ivdruiz (2010/8/2)

Editor Eusebius Mandyczewski (1857-1929)
Publisher. Info. Franz Schubert's Werke, Serie XVI: Für Männerchor (Anhang II), No.44 (pp.211-214)
Leipzig: Breitkopf & Härtel, 1891. Plate F.S. 238.
Copyright
Public Domain [tag/del]
Misc. Notes with 1st setting of No.1 "Gütigster, Bester! Weisester, Größter!"
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Selections

Gütigster, Bester! Weisester Grösster! (No.1)

 Complete Score (2nd Setting) [formerly D.441]
#262877 - 8.86MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 520×⇩ - quicus

PDF scanned by F-Pn
quicus (2012/12/23)

Publisher. Info. Holograph manuscript, 1816..
Copyright
Public Domain [tag/del]
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 Complete Score (2nd setting) [formerly D.441]
#16555 - 0.21MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1004×⇩ - Aldona Jones

PDF scanned by Aldona Jones
Aldona Jones (2008/3/31)

Editor Josef Gänsbacher (1829-1911)
Eusebius Mandyczewski (1857-1929)
Publisher. Info. Franz Schubert's Werke, Serie XIX, No.5 (pp.53-56)
Leipzig: Breitkopf & Härtel, 1892. Plate F.S. 270.
Reprinted New York: Kalmus, No.1067, n.d.(after 1933).
Copyright
Public Domain [tag/del]
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General Information

Work Title Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri
Alternative. Title Contribution to the Fiftieth Anniversary of Mister von Salieri
Composer Schubert, Franz
Opus/Catalogue NumberOp./Cat. No. D.407 (2nd setting of No.1 "Gütigster, Bester! Weisester Grösster!" was formerly D.441)
I-Catalogue NumberI-Cat. No. IFS 122
Movements/SectionsMov'ts/Sec's 1 cantata (3 sections):
  1. "Gütigster, Bester! Weisester, Größter!" (Adagio molto) (B♭ major) (1st setting)
  2. "So Güt' als Weisheit strömen mild" (Andantino) (G major)
  3. "Unser aller Großpapa, bleibe noch recht lange da!" (Moderato) (G major)
1. "Gütigster, Bester! Weisester, Größter!" (Sostenuto) (B♭ major) (2nd setting) [formerly D.441]
Year/Date of CompositionY/D of Comp. 1816 June 16
First Publication. 1891
Librettist Composer
Language German
Dedication Antonio Salieri
Average DurationAvg. Duration 6 minutes (complete cantata with 1st setting of No.1 "Gütigster, Bester! Weisester Grösster!")

3 minutes (2nd setting of No.1 "Gütigster, Bester! Weisester Grösster!")

Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation 2 tenors, 2 basses, piano

Navigation etc.

The cantata is unusual in the sense that all of its sections call for different combinations of vocal forces. The first section ("Gütigster, Bester! Weisester, Größter!") has two settings. The first setting is scored for two tenors and two basses a capella, while the second setting is scored for two tenors, bass and piano. The second section ("So Güt' als Weisheit strömen mild") is an aria scored for tenor accompanied by piano. The third section ("Unser aller Großpapa, bleibe noch recht lange da!") is a canon (with coda) for three voices.

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