Performances
Recordings
Performer Pages
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Cantores Carmeli Linz (chorus) Michael Stenov (director)
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Publisher Info.
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Michael Stenov
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Copyright
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Misc. Notes
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Live recording from the Karmelitenkirche Linz 2018
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Sheet Music
Full Scores
Editor
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First edition
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Engraver
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Leipzig: C.G. Röder.
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Publisher. Info.
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Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
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Copyright
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Misc. Notes
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File #469218: Original images: ca.140dpi, color jpg files approx. 1500 by 1830 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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Parts
⇒ 10 more: Soprano Solo • Sopranos • Altos • Tenors • Basses • Violins I • Violins II • Violas • Cellos • Double Basses
Editor
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First edition
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Publisher. Info.
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Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
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Copyright
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Misc. Notes
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Individual parts are colour scans. File #469219: Original images: ca.140dpi, color jpg files approx. 1500 by 1900 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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General Information
Work Title
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Ave Maria
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Alternative. Title
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„Ave Maria“, f. Sopransolo u. Chor m. Begl. von 2 Viol., Vcllo u. Bass (od. Orgel od. Harmonium). Neue Bearbeitung des Ave Maria Op. 132
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Composer
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Lachner, Franz Paul
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Opus/Catalogue NumberOp./Cat. No.
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Op.162
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I-Catalogue NumberI-Cat. No.
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IFL 6
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Key
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F major
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Movements/SectionsMov'ts/Sec's
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1
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First Publication.
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1873 – Leipzig: Robert Forberg
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Language
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Latin
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Dedication
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Fräulein Marie Mahlknecht gewidmet
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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Voices: soprano; mixed chorus (SATB) string orchestra (or organ or harmonium)
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Navigation etc.
- *There are 3 versions of that work which only differ in the adaptation to the respective performing conditions. The substantial defferences are marginal.
First version (autograph): SSST (S3 divisi) and organ. Comp. Tegernsee, July 1867
Second version (Op.132): soprano solo, SAAT, 2 violins, viola, cello, double bass (or organ or melodium) (between 1867 and 1870). Herrn Dr. van Elewyck gewidmet. Mainz: B. Schott's Söhne, [1870], Plate 19995.
Third version (Op.162): soprano solo, SATB, 2 violins, viola, cello, double bass (or organ or harmonium) (ca. 1872). Fräulein Marie Mahlknecht gewidmet. Leipzig: Robert Forberg, (pub.1873), Plate 1400. "Neue Bearbeitung" of Op.132.
- **cello divisi in last part of piece (pp.12-14) indicates this was most likely intended for string orchestra, not a quintet.