Ave Maria, Op.162 (Lachner, Franz Paul)

Movements/SectionsMov'ts/Sec's 1
First Publication 1873 – Leipzig: Robert Forberg
Genre Categories Ave Maria; Hymns; Sacred hymns; [13 more...]Religious works; For voice, mixed chorus, strings; For voices and chorus with strings; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring mixed chorus; Scores featuring string ensemble; For voice, mixed chorus, organ; For voices and chorus with keyboard; Scores featuring the organ; For voice, mixed chorus, harmonium; Scores featuring the harmonium; Latin language

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Sheet Music

Full Scores

Editor First edition
Engraver Leipzig: C.G. Röder.
Publisher. Info. Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
Copyright
Public Domain
Misc. Notes File #469218: Original images: ca.140dpi, color jpg files approx. 1500 by 1830 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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Parts

⇒ 10 more: Soprano Solo • Sopranos • Altos • Tenors • Basses • Violins I • Violins II • Violas • Cellos • Double Basses

Editor First edition
Publisher. Info. Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
Copyright
Public Domain
Misc. Notes Individual parts are colour scans.
File #469219: Original images: ca.140dpi, color jpg files approx. 1500 by 1900 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
Purchase

General Information

Work Title Ave Maria
Alternative. Title „Ave Maria“, f. Sopransolo u. Chor m. Begl. von 2 Viol., Vcllo u. Bass (od. Orgel od. Harmonium). Neue Bearbeitung des Ave Maria Op. 132
Composer Lachner, Franz Paul
Opus/Catalogue NumberOp./Cat. No. Op.162
Internal Reference NumberInternal Ref. No. IFL 6
Key F major
Movements/SectionsMov'ts/Sec's 1
First Publication. 1873 – Leipzig: Robert Forberg
Language Latin
Dedication Fräulein Marie Mahlknecht gewidmet
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: soprano; mixed chorus (SATB)
string orchestra (or organ or harmonium)

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  • *There are 3 versions of that work which only differ in the adaptation to the respective performing conditions. The substantial defferences are marginal.

First version (autograph): SSST (S3 divisi) and organ. Comp. Tegernsee, July 1867
Second version (Op.132): soprano solo, SAAT, 2 violins, viola, cello, double bass (or organ or melodium) (between 1867 and 1870). Herrn Dr. van Elewyck gewidmet. Mainz: B. Schott's Söhne, [1870], Plate 19995.
Third version (Op.162): soprano solo, SATB, 2 violins, viola, cello, double bass (or organ or harmonium) (ca. 1872). Fräulein Marie Mahlknecht gewidmet. Leipzig: Robert Forberg, (pub.1873), Plate 1400. "Neue Bearbeitung" of Op.132.

**cello divisi in last part of piece (pp.12-14) indicates this was most likely intended for string orchestra, not a quintet.
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