Adriano in Siria (Giacomelli, Geminiano)

Sheet Music

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Scores

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 12 Arias
*#388117 - 122.95MB, 142 pp. -  8/10 2 4 6 8 10 (1) - V/V/V - 123×⇩ - Tito Manlio

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PDF scanned by A-Wn Tito Manlio (2015/8/1)

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Publisher. Info. Manuscript, n.d.(ca.1700s). Copyright Public Domain [tag/del] Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.17566. This file is based on high-resolution images obtained from the source using a method explained on this page. Scans were made from microfilm. PDF file has bookmarks with titles of arias: 1. Act I, Sc.2. Aria of Farnaspe: Già presso al termine 2. Act I, Sc.9. Aria of Emirena: Prigioniera abbandonata 3. Act I, Sc.11. Aria of Sabina: Numi, se giusti siete 4. Act I, Sc.15. Aria of Farnaspe: Se non ti moro a lato 5. Act II, Sc.2. Aria of Emirena: Disperato agricoltore [more...] 6. Act II, Sc.3. Aria of Adriano: Quanto è misero il mio amore! 7. Act II, Sc.7. Aria of Farnaspe: Passaggier, che incerto errando 8. Act II, Sc.12. Aria of Osroa: Leon piagato a morte 9. Act II, Sc.13. Aria of Farnaspe: Amor, dover, rispetto 10. Act III, Sc.1. Aria of Sabina: Digli ch'è un infedele 10. Act III, Sc.7. Aria of Farnaspe: Mancare, oh Dio, mi sento 11. Aria of Farnaspe: Non ho nel sen costanza The only extant complete score is in D-B. Purchase Javascript is required for this feature.

 Act III, Sc.7. Aria of Farnaspe: Mancare, oh Dio, mi sento
*#373473 - 15.08MB, 12 pp. -  7.3333333333333/10 2 4 6 8 10 (3) - V/V/V - 102×⇩ - Piupianissimo

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PDF scanned by D-Dl Piupianissimo (2015/4/10)

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 Act III, Sc.7. Aria of Farnaspe: Mancare, oh Dio, mi sento (Lower resolution)
*#339783 - 1.49MB, 12 pp. -  8/10 2 4 6 8 10 (2) - V/V/V - 221×⇩ - Tito Manlio

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PDF scanned by D-Dl Tito Manlio (2014/8/15)

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Publisher. Info. Manuscript, n.d.(ca.1733). Copyright Public Domain [tag/del/mrg] Misc. Notes RISM 211010923 This file is based on high-resolution images obtained from the source using a method explained on this page. Full SLUB resolution jpgs. Purchase Javascript is required for this feature.

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Since only one excerpt of this can be found, the instrumentation for the work as a whole (chorus or not, orchestra of strings only or with winds) cannot be determined.