Adieu! (Weyrauch, August Heinrich von)

Authorship Note
Erroneously attributed to Franz Schubert or François Schubert, with the title "Adieu!".
See publication history below.


Sheet Music

Scores

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Fynnjamin (2020/11/5)

Editor First edition
Publisher. Info. Dorpat (Tartu): Akademische Buchhandlung, n.d.[1824]. Plate 30.
Copyright
Misc. Notes from 12 Deutsche Lieder ... 4te Sammlung
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Fynnjamin (2020/11/5)

Language German
Publisher. Info. Berlin: Challier & Co., n.d. Plate C. e G. 639.
Copyright
Misc. Notes Includes an account by Weyrauch regarding the misattribution to Schubert.
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Jurabe (2013/12/17)

Language French
Translator Bélanger
Publisher. Info. Paris: Richault, n.d. Plate R. 3310 (? illegible).
Copyright
Misc. Notes Misattributed to Schubert. Text incipit: Voici, l'instant supreme
From the uploader's library.
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Fynnjamin (2020/11/5)

Language French, German
Translator Émile Deschamps, French text.
Unattributed, German text
Publisher. Info. Berlin: Bote & Bock, n.d. Plate B. & B. 2425.
Copyright
Misc. Notes French text incipit: Adieu! des voix étranges. German text incipit: Die Augenlider sinken.
Music misattributed to Schubert.
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Fynnjamin (2020/11/5)

Language Italian
Translator Unidentified
Publisher. Info. London: D'Almaine & Co., n.d. Plate 8756.
Copyright
Misc. Notes "L'Addio, Melodia Musica, di F. Schubert."
Copy includes Belanger's French text handwritten above the Italian.
Text incipit: Ecco il suprem istante.
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Arrangements and Transcriptions

For Cello and Piano (Vogel and Guérout)

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Generoso (2010/5/30)

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Generoso (2010/5/30)

Arranger Charles Vogel (1808–1892)
Henri Guérout (d. ca.1900?)
Publisher. Info. Brunswick: Henry Litolff's Verlag, n.d. Plate 10123.B.
Copyright
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For 7-String Guitar (Rusanov)

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Town explorer (2022/9/16)

Arranger Valerian Alekseevich Rusanov (1866-1918)
Editor Alexei Maksimovich Afromeev (1868-1920)
Publisher. Info. Tyumen: A. M. Afromeev, 1907. Plate A. 65 P.
Copyright
Misc. Notes excerpt from the magazine "Guitarist Music" 1907 No.9-10
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For Guitar (Biagi)

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Stefan Apke (2016/7/7)

Arranger Manlio Biagi (1896-1942)
Publisher. Info. Milan: A. Monzino & Garlandini, n.d. Plate 78.
Copyright
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For Guitar (Tárrega)

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Stefan Apke (2016/7/7)

Arranger Francisco Tárrega (1852-1909)
Publisher. Info. Madrid: Ildefonso Alier, n.d.[1924]. Plate 5516.
Copyright
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PDF typeset by editor
Stefan Apke (2016/7/7)

Arranger Francisco Tárrega (1852-1909)
Editor Stefan Apke
Publisher. Info. Vlotho: Stefan Apke, 2016
Copyright
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For Piano (Heller)
See: 30 Lieder von Franz Schubert übertragen by Stephen Heller
For Piano (Liszt)
See: 6 Melodien von Franz Schubert, S.563, by Franz Liszt
For Piano (Spindler)
See: Lieder von Franz Schubert, Op.183, by Fritz Spindler
For Piano (Thomé)
See: Transcriptions pour piano de 40 mélodies de F. Schubert by Francis Thomé
For Piano (Trojelli)
See: Choix de mélodies de Schubert by Angelino Trojelli

Other

PDF scanned by Wikimedia
Feduol (2021/4/21)

Copyist Vicente López (1772-1850)
Publisher. Info. Portrait of the Young Luisa Fernanda de Borbón (1832-1897)
Oil on canvas, 1842.
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General Information

Work Title Nach Osten!
Alternative. Title Adieu! ; Lebe wohl ; L'Addio
Composer Weyrauch, August Heinrich von
I-Catalogue NumberI-Cat. No. IAW 1
Key E-flat major
Movements/SectionsMov'ts/Sec's 4 verses (Nach Osten)
2 verses (Adieu / Lebe wohl / L'Addio)
Text Incipit Nach Osten geht, nach Osten, Der Erde stiller Flug (Wetzel)
Voici, l'instant supreme (Belanger)
Adieu! des voix étranges
Schon naht, um uns zu scheiden
Die Augenlider sinken
E' giunta de l'addio l'ora
Ecco il suprem istante
Year/Date of CompositionY/D of Comp. 1823
Librettist Nach Osten: Karl Friedrich Gottlob Wetzel (1779–1819), German text
Voici, l'instant supreme: Mr Bélanger, French text
Adieu! des voix étranges: Émile Deschamps, French text
Die Augenlider sinken: Anonymous German text
E' giunta de l'addio l'ora: Achille de Lauzières, Italian text
Ecco il suprem istante: Anonymous Italian text
Language German ; French
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
Extra Information Mistakenly attributed to Franz Schubert, made more confusing by Richault's translation of the Austrian composer's first name, so also confused with François Schubert.