Performances
Sheet Music
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General Information
Work Title
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70 Kinderlieder
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Alternative. Title
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Gemütvolle Kindergedichte und Spielliedchen nach den schönsten Volksweisen zum Gebrauch in Vorbildungs- und Elementarklassen
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Composer
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Tschirch, Wilhelm
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I-Catalogue NumberI-Cat. No.
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IWT 3
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Movements/SectionsMov'ts/Sec's
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70 Songs
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Text Incipit
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see below
- Ringelreihen (approximately, slightly different from the text Taubert uses)
- Thaler, Tahler, du musst wandern
- Adam, der hatt' sieben Söhne
- Wollt ihr wissen, wie der Bauer
- Wer eine Gans gestohlen hat
- A, B, C, die Katz'lief in den Schnee
- Kommt ein Vogel geflogen
- Aus dem Himmel ferne
- Wer hat die schönsten Schäfchen
- Es blüht ein schönes Blümchen
- Gestern abend ging ich aus
- Zu fuss bin ich gar wohl bestellt with the words rearranged humorously?
- Uf 'm Bergli bin i gesässe
- Alle Jahre wieder kommt
- Alle Wiesen sind grün
- Trarira, der Sommer der ist da!
- Der Frühling hat sich eingestellt
- Morgen, Kinder, wird's was geben
- O Tannenbaum
- Ich bin ein Musikant
- Das kleine Bienelein
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First Publication.
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1889
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Librettist
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Various, see below
- Traditional/unknown?
- same
- same
- same
- same
- same
- same
- Traditional ; melody by Friedrich Silcher
- August Heinrich Hoffmann von Fallersleben
- Fallersleben
- Traditional/unknown
- same
- Traditional; melody by Joseph Gersbach (1787-1830)
- Traditional; melody by Silcher
- Traditional/unknown?
- Traditional Swabian folktune (melody based on CM von Weber's men's chorus J.210, see This source CH-E 133,30 describing the Weber chorus)
- Fallersleben or traditional Swabian (or Fallersleben's text, music based on Swabian melody?)
- Traditional (melody by Carl Gottlieb Hering)
- Traditional
- Traditional, to a Swabian folktune
- Traditional, to a melody by Silcher
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Language
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German
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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Child's voice, piano
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Navigation etc.
In the publication, the text author is in parentheses under the title of the song; the composer of the melody, which the composer has often borrowed from another source (traditional or otherwise), is to the top right above the first line of score.