6 Lieder, Op.47 (Hauptmann, Moritz)

Movements/SectionsMov'ts/Sec's 6
  1. An der Kirche wohnt der Priester.
  2. Hell ins Fenster.
  3. Der Lerchenbaum.
  4. Wenn Zweie sich gut sind.
  5. Im Holz.
  6. Neig’, schöne Knospe.
First Publication 1860 (Breitkopf & Härtel)
Genre Categories Lieder; Songs; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; For 4 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; German language

Sheet Music

Scores

No.5: Im Holz

 Complete Score
#97756 - 0.26MB, 2 (#26-27) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 382×⇩ - Ralph Theo Misch

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2011/3/30)

Editor Friedrich Hegar (1841-1927)
Publisher. Info. Gesangsübungen und Lieder
Zürich: Gebrüder Hug, 1876.
Copyright
Public Domain [tag/del]
Misc. Notes Scanned at 900dpi grayscale, improved, converted to monochrome.
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General Information

Work Title 6 Lieder
Alternative. Title Sechs vierstimmige Lieder für Sopran, Alt, Tenor und Bass, Op. 47
Composer Hauptmann, Moritz
Opus/Catalogue NumberOp./Cat. No. Op.47
I-Catalogue NumberI-Cat. No. IMH 13
Movements/SectionsMov'ts/Sec's 6
  1. An der Kirche wohnt der Priester.
  2. Hell ins Fenster.
  3. Der Lerchenbaum.
  4. Wenn Zweie sich gut sind.
  5. Im Holz.
  6. Neig’, schöne Knospe.
First Publication. 1860 (Breitkopf & Härtel)
Librettist Several.
  1. Klaus Groth (1819–1899)
  2. Klaus Groth
  3. Wincenty Pol, after folktext
  4. Klaus Groth
  5. Klaus Groth
  6. possibly Mirzə Şəfi Vazeh as translated by Friedrich Bodenstedt? *
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices a cappella (SATB)

Navigation etc.

* A song of the same title, Neig, schöne Knospe, was set by several composers- including Hauptmann himself (perhaps a different setting of the same Bodenstedt translation of Vazeh's Azerbaijani original?) in (in his case) another work called Aus "Mirza Schaffy", according to rec.music.org. It seems at least possible that no.6 here is a different setting of the same text. Lacking a copy of op.47 no.6 at the moment, one is reduced to conjecture.- ES

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