Performances
Recordings
Ergebung (No.5)
For Mixed Chorus (Stenov)
Performer Pages
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Cantores Carmeli Linz (chorus) Michael Stenov (director)
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Publisher Info.
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Michael Stenov
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Copyright
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Misc. Notes
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Live recording from the Karmelitenkirche Linz 2014, Transposition to Bb major
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Naxos
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Sheet Music
Scores
Complete
Editor
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Eugen Thomas (1863-1922)
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Publisher. Info.
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Leipzig: Lauterbach & Kuhn, 1903.
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Copyright
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Misc. Notes
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An English singing translation in the original edition has been removed in this copy.
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Editor
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Hans Jancik
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Publisher. Info.
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Published under licence by Wien: Ludwig Doblinger (Bernhard Herzmansky), No. 44750, 1972. Plate D. 14.466 Sämtliche Werke, Vol.X Vienna: Musikwissenschaftlicher Verlag, 1974.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
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Copyright
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Misc. Notes
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Printed from the scientific „Hugo-Wolf-Gesamtausgabe“.
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Aufblick (No.1)
Resignation (No.3)
Editor
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Paul-Gustav Feller
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Publisher. Info.
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Ritter von Schleyer Verlag
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Copyright
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Ergebung (No.5)
Arrangements and Transcriptions
Selections
For Voice and Piano or Harmonium (Schneider)
Arranger
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Friedrich Hermann Schneider (1860-1930)
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Language
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German / English
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Translator
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Edward Oxenford (1846-1929), English text
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Publisher. Info.
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Berlin: Bote & Bock, 1921. Plate B. & B. 19099, 19098.
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Copyright
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Misc. Notes
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Scanned at 600dpi grayscale, converted to monochrome.
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Ergebung (No.5)
For Mixed Chorus (Stenov)
Arranger
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Michael Stenov
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Publisher. Info.
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Michael Stenov
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Copyright
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Misc. Notes
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Transposition to Bb major
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General Information
Work Title
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6 geistliche Lieder nach Gedichten von Eichendorff
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Alternative. Title
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Composer
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Wolf, Hugo
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I-Catalogue NumberI-Cat. No.
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IHW 9
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Movements/SectionsMov'ts/Sec's
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6 sacred songs:
- Aufblick
- Einklang
- Resignation
- Letzte Bitte
- Ergebung
- Erhebung
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Year/Date of CompositionY/D of Comp.
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1881
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First Publication.
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1903
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Librettist
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Joseph von Eichendorff (1788-1857)
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Language
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German
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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mixed chorus (SATB?)
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Navigation etc.
The published version in 1902/1903 contained minor revisions by Eugen Thomas. A copy of the choruses was found among the papers of Arnold Mendelssohn, and a description the variants is published in The Music Review, 1941. This version, however shows an earlier version of the choruses, and Wolf's letters indicate he considered publishing the works in 1892 and 1894. It is likely he revised the works around this time, becoming the basis for the published copy.
Eugen Thomas conducted the chorus "Ergebung" at Wolf's funeral in 1903. The popularity of Wolf's works upon his death spurred interest in these choruses' publication. Wolf had been seriously ill since 1899 and unlikely to assist in the preparation of the first edition; therefore, Thomas's revisions should not be readily dismissed. Thomas was a well-regarded choral conductor, and the revisions clean a few spots of awkward choral voice-leading. The only arguable variation from Wolf's score is the removal of a low b for the basses at the end of Ergebung – outside the range of most choruses, and understandably excised by Thomas for practical reasons.