6 Divertimentos, Hob.IV:6-11 (Haydn, Joseph)

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Movements/SectionsMov'ts/Sec's 6 divertimentos
Composition Year 1784
Genre Categories Divertimentos; For 2 violins, cello; Scores featuring the violin; Scores featuring the cello; For 3 players; For flute, violin, cello; Scores featuring the flute; For flute, clarinet, cello (arr); Scores featuring the flute (arr); Scores featuring the clarinet (arr); Scores featuring the cello (arr); For 3 players (arr)

Contents

Performances

Sheet Music

Parts

 Nos.1-3
#23982 - 1.26MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 25220×⇩ - jobdf

PDF scanned by jobdf
jobdf (2008/11/6)

 Nos.4-6
#251547 - 1.18MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 5926×⇩ - jobdf

PDF scanned by jobdf
jobdf (2008/11/6)

Editor Richard Dittrich
Publisher. Info. Leipzig: J.H. Zimmermann, 1926. Plate Z. 11253a-b.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes 300 dpi
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Arrangements and Transcriptions

For Flute, Clarinet and Cello (Van der Grinten)

 Clarinet (B♭) Part
#902790 - 0.27MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 59×⇩ - Tom12

PDF typeset by arranger
Tom12 (2024/3/5)

Arranger Tom Van der Grinten
Publisher. Info. Tom Van der Grinten
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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General Information

Work Title 6 Divertimentos
Alternative. Title 6 Trios
Composer Haydn, Joseph
Opus/Catalogue NumberOp./Cat. No. Hob.IV:6-11
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 6 divertimentos:
  1. Divertimento in D major, Hob.IV:6
  2. Divertimento in G major, Hob.IV:7
  3. Divertimento in C major, Hob.IV:8
  4. Divertimento in G major, Hob.IV:9
  5. Divertimento in A major, Hob.IV:10
  6. Divertimento in D major, Hob.IV:11
Year/Date of CompositionY/D of Comp. 1784
First Publication. 1784 November
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation 2 violins (or flute, violin), cello
Extra Information Wigmore in "The Faber Pocket Guide to Haydn", p.233, notes that these were "hastily composed" (meaning in context presumably that they were not only published but also composed in 1784. Not implying a negative judgment as to quality, as he praises them, if mildly, in the same paragraph.).
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