3 Concertant Duets, Op.57 (Bériot, Charles-Auguste de)

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Performances

Sheet Music

Parts

Publisher. Info. Milan: Giovanni Ricordi, n.d.[1847]. Plate 19374-19376.
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Editor Carl Herrmann (1810–1890)
Publisher. Info. Leipzig: Edition Peters, No. 3061, n.d. Plate 8850.
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Editor Carl Herrmann (1810–1890) ?
Publisher. Info. New York: Carl Fischer, No. 426, 1916. Plate 10338.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Editor Karl Nowotny (1858–1940)
Publisher. Info. Wien: Universal Edition, n.d. Plate U.E. 549.
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Duet in G minor (No.1)

Publisher. Info. Bruxelles: P. Nacher, n.d. Plate P.N. 2426.
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Publisher. Info. Mainz: Schott, n.d.[1847]. Plate 9161.
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Duet in E minor (No.2)

Publisher. Info. Bruxelles: P. Nacher, n.d. Plate P.N. 2427.
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Duet in D major (No.3)

Publisher. Info. Bruxelles: P. Nacher, n.d. Plate P.N. 2428.
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Arrangements and Transcriptions

Duet in G minor (No.1)

For 2 Violins and Piano (Szerémi)
Arranger Gustave Szerémi (1877–1952), piano part
Publisher. Info. Budapest: Charles Rozsnyai, No. 628, n.d.(ca.1908). Plate R.K. 720.
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Duet in E minor (No.2)

For Violin and Piano (Composer)
See: Duo concertant No.4, Op.71

Duet in D major (No.3)

For Violin, Cello and Piano (Composer)
See: Piano Trio in D major, Op.59
For Violin and Piano (Composer)
See: Duo concertant No.1, Op.63

General Information

Work Title 3 Concertant Duets
Alternative. Title
Composer Bériot, Charles-Auguste de
Opus/Catalogue NumberOp./Cat. No. Op.57
Internal Reference NumberInternal Ref. No. ICB 14
Movements/SectionsMov'ts/Sec's 3 duets (3 movements each):
  1. Duet in G minor
    Moderato
    Adagio moderato
    Rondo. Allegro con spirito
  2. Duet in E minor
    Moderato con spirito
    Andante
    Rondo. Allegro
  3. Duet in D major
    Moderato
    Adagio
    Allegretto
First Publication. 1847
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation 2 violins

Navigation etc.

Monatsbericht (1847), p.94 - published in 1847, so first published no later than 1847 . Quite a few of the earlier sets in HMB seem to be noted as having been co-composed with Ed. Wolff or another, but the Schott edition of Op.57 apparently is Beriot's alone.