2 Idylles, Op.93 (Berens, Hermann)

Movements/SectionsMov'ts/Sec's 2 pieces
  1. Das Begräbniss der Rose. In ruhigem, aber nicht schleppenden Zeitmass,
    durchweg zart und innig vorzutragen (G minor, ends in G major)
  2. Grazien-Tänze. Allegro non troppo (C major)
First Publication 1872 – Leipzig: Robert Forberg
Genre Categories Pieces; For piano; Scores featuring the piano; For 1 player

Sheet Music

Scores

 Complete Score
#432529 - 5.51MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 71×⇩ - IS

PDF scanned by SMH
IS (2016/7/29)

 Preface and Critical Commentary
#432530 - 0.44MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 20×⇩ - IS

PDF scanned by SMH
IS (2016/7/29)

Editor First edition (corrected reprint)
Publisher. Info. Leipzig: Robert Forberg, n.d.[1872]. Plate 1280, 1281.
Reprinted Stockholm: SMH, 2015.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Prefaces and editorial notes are © Levande Musikarv and have been included here courtesy of the copyright owner.
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General Information

Work Title 2 Idylles
Alternative. Title Zwei Idyllen für das Pianoforte
Composer Berens, Hermann
Opus/Catalogue NumberOp./Cat. No. Op.93
Internal Reference NumberInternal Ref. No. IHB 16
Movements/SectionsMov'ts/Sec's 2 pieces
  1. Das Begräbniss der Rose. In ruhigem, aber nicht schleppenden Zeitmass,
    durchweg zart und innig vorzutragen (G minor, ends in G major)
  2. Grazien-Tänze. Allegro non troppo (C major)
First Publication. 1872 – Leipzig: Robert Forberg
Copyright Information Monatsbericht (1872), p.208
Dedication An Frau Jenny Sellholm in Stockholm
Average DurationAvg. Duration 5-10 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
External Links SMH
Extra Information Epigraph of No.1 (from Das Begräbniss der Rose by Adolf Stern (1835–1907))
Maiglöcklein tönen leise
Mit fernhinsäuselndem Hall
In seltsam schauriger Weise
Durch Trauerglockenklang
„Laßt uns die schöne Hülle
Begraben tief ins Moos!“
Da liegt sie kühl und stille
Von Glanz und Düften los.

Navigation etc.

Advertised in the 25 September 1872 Neue Berliner Musikzeitung. (Which fits, too, from the Robert Forberg plate table.)

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