24 Etudes, Op.29 (Bertini, Henri)




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MississippiColl... (2019/12/18)

Performer Pages Mississippi College Piano Pedagogy (piano)
Publisher Info. Mississippi College Piano Pedagogy, 2019.
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PDF scanned by Unknown
Mcroskell (2007/6/23)

Editor Heinrich Germer (1837–1913)
Publisher. Info. Braunschweig: Litolff-Verlag, No.500, n.d.
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Tmilligan (2019/8/1)

Editor Giuseppe Buonamici (1846-1914)
Max Vogrich (1852-1916)
Publisher. Info. New York: G. Schirmer, 1892. Plate 10423.
Misc. Notes Those edited by Buonamici copyright 1884
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Cypressdome (2013/8/3)

Editor Adolf Ruthardt (1849-1934)
Engraver Leipzig: C.G. Röder.
Publisher. Info. Leipzig: Edition Peters, No.182a, n.d.(ca.1893). Plate 7894.
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Timtin (2019/1/9)

Editor Wilhelm Ganz (1833-1914)
Publisher. Info. London: Edwin Ashdown, n.d.
Misc. Notes Ashdown published Op.29 as '25 Studies' with this additional D minor Study. The order was changed to 8,7,2,12,(-),3,19,9,17,14,13,16,15,18,11,24,20,22,21,4,5,6,10,23,1.
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General Information

Work Title 24 Etudes
Alternative. Title 25 Uebungen
25 Etudes doigtés
Twenty-four studies for the piano : op. 29 : preparatory to the celebrated studies of J. B. Cramer
Composer Bertini, Henri
Opus/Catalogue NumberOp./Cat. No. Op.29
I-Catalogue NumberI-Cat. No. IHB 10
Movements/SectionsMov'ts/Sec's 24 studies:
  1. Allegro
  2. Aria: Andante espressivo
  3. Allegro
  4. Aria: Andante con espressione
  5. Allegro
  6. Allegro
  7. Allegro
  8. Allegretto
  9. Allegretto quasi un poco Andante
  10. Allegretto
  11. Andante
  12. Mouvement de Valse: Allegro
  13. Andante
  14. Allegro
  15. Aria: Andante
  16. Allegro
  17. Allegro
  18. Allegretto
  19. Aria: Allegro
  20. Presto
  21. Allegro
  22. Allegretto
  23. Andante quasi Allegretto
  24. Andante
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

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Ditson's 1906 edition has 25 studies; also, the 1834 Simrock edition has

"48 Etudes (48 Studien mit Fingersatz, als Einleitung zu den 42 Uebungen von Cramer) p. Pfte. Oe. 29 et 32". (Hofmeister's Monatsbericht (1834), p.5.) Probably first published rather earlier, if only since Bertini was already up to Op.66 (+) by the late 1820s already.