Emma (Fine, Elaine)

Movements/SectionsMov'ts/Sec's 2 acts
Composition Year 2005
Genre Categories Operas; Theatrical Works; For voices, mixed chorus, clarinet, trumpet, percussion, violin, cello, piano; [10 more...]Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the clarinet; Scores featuring the trumpet; Scores featuring percussion soloists; Scores featuring the violin; Scores featuring the cello; Scores featuring the piano; For voices and chorus with solo instruments; English language

Contents

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Performances [show]

Sheet Music

Full Scores

 Act 1
#115369 - 2.41MB, 122 (ii+117) pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 451×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

 Act 2
#115372 - 2.80MB, 113 (#118–229) pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 195×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

Publisher. Info. Elaine Fine, in collaboration with Howard Zinn
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Parts

Complete

 Clarinet
#115231 - 1.09MB, 37* pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 187×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

⇒ 5 more: Trumpet • Percussion • Violin • Cello • Piano

 Trumpet
#115235 - 0.70MB, 19* pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 187×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

 Percussion
#115233 - 0.73MB, 23* pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 134×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

 Violin
#115236 - 0.92MB, 41* pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 134×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

 Cello
#115229 - 1.17MB, 48* pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 129×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

 Piano
#115234 - 1.84MB, 103* pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 133×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

Publisher. Info. Elaine Fine
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
* Some of the parts are missing pages (e.g. the second half of Act 1, Scene 3, which is in an entry below). Some of the music for one page is occasionally split across two separate pages of the PDF (they may be overprinted to combine the music on a single page).
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Act 1, Sc.3b: Emma and Sasha

 Clarinet
#195432 - 0.05MB, 2 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 114×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2012/3/30)

⇒ 5 more: Trumpet • Piano • Percussion • Violin • Cello

 Trumpet
#195433 - 0.04MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 107×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2012/3/30)

 Piano
#195434 - 0.06MB, 4 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 92×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2012/3/30)

 Percussion
#195435 - 0.04MB, 2 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 95×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2012/3/30)

 Violin
#195436 - 0.05MB, 3 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 89×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2012/3/30)

 Cello
#195437 - 0.05MB, 3 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 91×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2012/3/30)

Publisher. Info. Elaine Fine
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection. This is a scene that is missing from the parts!
Purchase
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Vocal Scores

 Act 1 Part 1
#115370 - 11.75MB, 80 (ii+78) pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 247×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

 Act 1 Part 2
#115371 - 1.59MB, 50 (#79–128) pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 165×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

 Act 2 Part 1
#473513 - 11.74MB, 80* (#129–208) pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 57×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2017/5/29)

 Act 2 Part 2
#473514 - 9.54MB, 67* (#209–275) pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 50×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2017/5/29)

Publisher. Info. Elaine Fine, in collaboration with Howard Zinn
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0
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Libretto

 Complete Libretto
#115376 - 0.17MB, 22 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 159×⇩ - Elaine Fine

PDF typeset by composer
Elaine Fine (2011/8/28)

Publisher. Info. Elaine Fine, in collaboration with Howard Zinn
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

General Information

Work Title Emma
Alternative. Title An Opera In Two Acts
Composer Fine, Elaine
Internal Reference NumberInternal Ref. No. IEF 18
Movements/SectionsMov'ts/Sec's 2 acts
Year/Date of CompositionY/D of Comp. 2005
First Publication. 2008
Librettist Composer
after Emma, 1987 revision, by Howard Zinn (1922–2010)
Language English
Average DurationAvg. Duration 127 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation voices, mixed chorus, chamber ensemble [more...]
Cast
  Principals
Emma Goldman, mezzo-soprano
Sasha (Alexander Berkman), baritone
Fedya (Modest Stein), tenor
Johann Most, tenor
Ben Reitman, baritone
Anna Minkin, soprano
Vito, bass-baritone
  Additional characters
Jenny and Rose, sopranos, Dora, mezzo-soprano (factory workers)
Vogel, bass-baritone (factory foreman)
J. Edgar Hoover, bass-baritone
Henry Clay Frick, bass-baritone
Thomas Gregory, tenor
Newspaper reporter, soprano
Woman, soprano
Receptionist, mezzo-soprano
Chorus
workers, strikers, and police
Instruments
clarinet, trumpet, violin, cello, piano, percussion

Navigation etc.

  • Emma is a two-act opera based on the play with the same name by Howard Zinn (revised in 1987) about the American Anarchist Emma Goldman (1869–1940). The narrative of the opera is woven from relationships and events in Goldman’s autobiography Living My Life. It is at once a story of a passionately-driven social and political reformer, and the story of a woman torn between her feminist ideals and her vulnerability in matters of love. The action of the opera begins 1887 when Emma is an 18-year-old factory worker in Rochester and ends in 1917 when, at age 48, she is about to be exiled to Russia. The music is mainly tonal with a musical color that often evokes the Yiddish theatre of the early 20th century.
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