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Category:Godowsky, Leopold.
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Contents
- 1 Original Compositions
- 2 Arrangements, Transcriptions and Paraphrases
- 2.1 Collections
- 2.2 Albéniz, Isaac (1860–1909)
- 2.3 Bach, Johann Sebastian (1685–1750)
- 2.4 Beethoven, Ludwig van (1770–1827)
- 2.5 Bellini, Vincenzo (1801–1835)
- 2.6 Bizet, Georges (1838–1875)
- 2.7 Bohm, Carl (1844–1920)
- 2.8 Brahms, Johannes (1833–1897)
- 2.9 Chopin, Frédéric (1810–1849)
- 2.10 Godard, Benjamin (1849–1895)
- 2.11 Gounod, Charles (1818–1893)
- 2.12 Handel, George Frideric (1685–1759)
- 2.13 Henselt, Adolf von (1814–1889)
- 2.14 Kreisler, Fritz (1875–1962)
- 2.15 Lassen, Eduard (1830–1904)
- 2.16 Mozart, Wolfgang Amadeus (1756–1791)
- 2.17 Palestrina, Giovanni Pierluigi da (1525–1594)
- 2.18 Saint-Saëns, Camille (1835–1921)
- 2.19 Schubert, Franz (1797–1828)
- 2.20 Schumann, Robert (1810–1856)
- 2.21 Smith, John Stafford (1750–1836)
- 2.22 Stradella, Alessandro (1639–1682)
- 2.23 Strauss Jr., Johann (1825–1899)
- 2.24 Strauss, Richard (1864–1949)
- 2.25 Thomas, Ambroise (1811–1896)
- 2.26 Verdi, Giuseppe (1813–1901)
- 2.27 Weber, Carl Maria von (1786–1826)
- 3 Educational Adaptions
- 4 Revised Editions
- 4.1 Balakirev, Mily (1837–1910)
- 4.2 Beethoven, Ludwig van (1770–1827)
- 4.3 Bizet, Georges (1838–1875)
- 4.4 Chopin, Frédéric (1810–1849)
- 4.5 Dvořák, Antonín (1841–1904)
- 4.6 Grieg, Edvard (1843–1907)
- 4.7 Henselt, Adolf von (1814–1889)
- 4.8 Jensen, Adolf (1837–1879)
- 4.9 Lyadov, Anatoly (1855–1914)
- 4.10 Liszt, Franz (1811–1886)
- 4.11 Mendelssohn, Felix (1809–1847)
- 4.12 Moszkowski, Moritz (1854–1925)
- 4.13 Rachmaninoff, Sergei (1873–1943)
- 4.14 Raff, Joachim (1822–1882)
- 4.15 Rubinstein, Anton (1829–1894)
- 4.16 Schubert, Franz (1797–1828)
- 4.17 Schumann, Robert (1810–1856)
- 4.18 Sinding, Christian (1856–1941)
- 4.19 Strauss, Richard (1864–1949)
- 4.20 Tausig, Carl (1841–1871)
- 4.21 Tchaikovsky, Pyotr (1840–1893)
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Original Compositions
All for solo piano unless otherwise stated.
With Opus Number
- Op.11 — 3 Concert Studies (1899):
- 1. Study in C major
- 2. Study in C minor [unpublished]
- 3. Study in E♭ major
- Op.12 — 3 Pieces (1899):
- 1. Sarabande in C♯ minor
- 2. Menuet in A♭ major
- 3. Courante in E minor
- Op.13 — Toccata in G♭ major (1899) [revision of Moto perpetuo] (1889)
- Op.14 — 4 Pieces (1899)
- 1. Ein Dämmerungsbild in E♭ major
- 2. Mazurka mélancolique
- 3. Valse-idylle in E major
- 4. Scherzino in C♯ minor
- Op.15 — 3 Pieces (1899):
- 1. Mélodie méditative in E♭ major
- 2. Nuit de printemps [unpublished]
- 3. Capriccio in C minor
- Op.16 — 4 Pieces (1899):
- 1. Sérénade [unpublished]
- 2. Arabesque in F major
- 3. Rêverie russe [unpublished]
- 4. Barcarolle valse in F major–A major
Without Opus Number
- Capriccio (Patetico) in C♯ minor, for the left hand (1928); also for 2 hands (1929)
- Elegy in B minor, for the left hand (1929)
- Etude macabre in D minor, for the left hand (1929); also for 2 hands (1929)
- French Suite No.1, 3 pieces after French folksongs (1915):
- 1. O My Tender Musette
- 2. Phyllis, More Greedy Than Kind
- 3. Little Maiden
- German Suite No.1, 6 pieces after German folksongs (1915):
- 1. A Joyful Message
- 2. The Fir-Tree
- 3. The Ring
- 4. To the Moon
- 5. The Lowlander's Longing
- 6. Three Horsemen
- Hungarian Suite No.1, 4 pieces after Hungarian folksongs (1915):
- 1. The Departure of the Students
- 2. Twelve, Thirteen, Fourteen
- 3. The Sad Village
- 4. The Foolish Youth
- 12 Impressions, for violin and piano (1916):
- 1. Larghetto lamentoso in B minor [also for cello and piano]
- 2. Profile (Chopin) in B minor
- 3. Legende in E minor
- 4. Tyrolean (Schuhplattler) in C major
- 5. Poëme (Andante cantabile) in C major
- 6. Perpetuum mobile in G major
- 7. Elegie in B minor [also for cello and piano]
- 8. Valse (Französisch) in D major
- 9. Valse macabre in B minor [also for cello and piano]
- 10. Orientale in E minor [also for cello and piano]
- 11. Saga in A minor
- 12. Viennese (Wienerisch) in F major
- Impromptu in E♭ minor, for the left hand (1929); also for 2 hands (1929)
- Intermezzo (Malinconico) in E major, for the left hand (1928); also for 2 hands (1929)
- Irish Suite No.1, 4 pieces after Irish folksongs (1915):
- 1. The Minstrel Boy
- 2. The First Swallow
- 3. The Faithless Maiden
- 4. The Emigrants
- Java Suite (Phonoramas), tonal journeys for the pianoforte (1924–25)
- Meditation in E♭ major, for the left hand (1929); also for 2 hands (1929)
- Menuet No.1 in E major (1891)
- Miniatures, for piano 4 hands (1918); 5 numbers also arranged for solo piano (1918–20)
- Netherland Suite, 3 pieces after Dutch folksongs (1915):
- 1. Dutch Battle Song
- 2. To a Violet
- 3. Pierlala
- 4 Poems (1927–31):
- 1. Devotion
- 2. Avowal [also arranged for violin and piano]
- 3. Adoration
- 4. Yearning
- Russian Suite No.1, 4 pieces after Russian folksongs (1915):
- 1. The Thistle
- 2. Kamarinskaja
- 3. On the Mountain of Mack
- 4. The Maiden Making Garlands
- Russian Suite No.2, 4 pieces after Russian folksongs (1915):
- 1. In the Green Forest
- 2. The Gypsy
- 3. Blond Locks
- 4. The Dance Before the Battle
- Santa Lucia, barcarolle after an Italian folksong (1915)
- Swedish Suite No.1, 3 pieces after Swedish folksongs (1915):
- 1. The Judge-dance
- 2. The Dancing Maiden
- 3. There is Light in Easterland
- Twilight Thoughts, 6 pieces (1880):
- 1. Impressions sur le fleuve de Hudson [revised as Op.14/1]
- 2. Une nuit de printemps
- 3. Au jardin des fleurs [revised as Frühlingsnacht]
- 4. Devotion [unpublished]
- 5. Sérénade [published as No.4]
- 6. Rêverie du soir [unpublished]
- 6 Waltz-Poems (1928–29):
- 1. Waltz Poem No.1 in G♭ major [also versions in G major for piano 2 hands, and for violin and piano]
- 2. Waltz Poem No.2 in B♭ major
- 3. Waltz Poem No.3 in G major
- 4. Waltz Poem No.4 in E♭ major [also version for piano 2 hands]
- 5. Waltz Poem No.5 in A♭ major [also versions in A major for piano 2 hands, and for violin and piano (as "No.2")]
- 6. Waltz Poem No.6 in C major
Arrangements, Transcriptions and Paraphrases
Collections
- Airs of the Eighteenth Century, 7 pieces for piano, 1 by Pergolesi and the rest anonymous
- Renaissance, 16 free transcriptions of old masterpieces, specifically several keyboard pieces by Rameau and Lully, as well as single pieces by Schobart, Corelli, Dandrieu, Loeilly, and Domenico Scarlatti
- España, Op.165, 6 Hojas de album, for solo piano (1890):
- Tango in D major (No.2) — concert arrangement for solo piano (1921)
- Iberia, 12 Impresiones Españolas, for solo piano (1905–08):
- Triana (No.6) — concert arrangement for solo piano (1922)
- Concert arrangement for solo piano (1923)
- Concert arrangement for solo piano (1923)
- Concert arrangement for solo piano (1923)
- Concert arrangement for solo piano (1923)
- Concert arrangement for solo piano (1923)
- Concert arrangement for solo piano (1923)
- Cadenzas for 1st and 3rd movements (1909)
- Arrangement for solo piano (1915)
- Arrangement for solo piano (1915)
- Norma, opera in 2 acts (1831):
- Arrangements of 5 extracts for solo piano as Norma Suite No.1 (1915)
- Adagietto (No.3) — concert arrangement for solo piano (1927)
- 143 Lieder, Op.326, for voice and piano trio (1885?):
- Still wie die Nacht (No.27) — concert arrangement for solo piano, as Calm as the Night (1921)
- Wiegenlied (No.4) — arrangement arranged for solo piano (1915)
- Concert arrangement for solo piano (1899)
- Concert paraphrase for solo piano (1899)
- No.1 in D♭ major ("Minute Waltz") — concert arrangement for solo piano (1922)
- No.3 in A♭ major — concert arrangement for solo piano (1927)
- Waltzes, Op.69, for solo piano (1829–35):
- No.1 in A♭ major — concert arrangement for solo piano (1927)
- Waltzes, Op.70, for solo piano (1829–42):
- No.2 in F minor — concert arrangement for solo piano (1927)
- No.3 in D♭ major — concert arrangement for solo piano (1920)
- Arrangement for solo piano, as Florian's Song (1915)
- Canzonetta (movt.III) — concert transcription for solo piano (1927)
- Faust, opera in 5 acts (1860):
- Arrangements of 4 extracts for solo piano as Faust Suite No.1 (1915)
- Air "But Who May Abide the Day" (No.6) — arrangement for solo piano (1915)
- Si oiseau j’étais (No.6) — concert transcriptions for piano with cadenza (1899, revised 1931)
Kreisler, Fritz (1875–1962)
- Rondino on a Theme by Beethoven, for violin and piano (1905):
- Concert arrangement for solo piano (1916)
- Arrangement for solo piano, as Ah! 'Tis a Dream! (1915)
- Arrangement for solo piano, as Thine Eyes so Blue and Tender (1915)
- 2 cadenzas for the first movement (1920)
- Cadenzas for the first and last movements (1905)
- Cadenza for the first movement (1927)
- Arrangement for solo piano (1915)
- Arrangement for solo piano (1915)
- Le cygne (No.14) — concert arrangement for solo piano (1927); arrangement for violin and piano (1929)
- arrangement for solo piano (1926), as Litanei
- arrangement for solo piano (1926)
- arrangement for solo piano (1915)
- concert arrangement for solo piano (1926)
- arrangement for solo piano (1926)
- arrangement for solo piano (1926)
- No.3 in F minor — concert arrangement (in F♯ minor) for solo piano (1922)
- Ballett (No.9) — concert arrangement for solo piano (1922)
- Das Wandern (No.1) — arrangement for solo piano (1915); concert arrangement for solo piano (1926)
- Wohin? (No.2) — arrangement for solo piano (1926)
- Ungeduld (No.7) — arrangement for solo piano (1926)
- Morgengrüss (No.8) — arrangement for solo piano (1926)
- Liebesbotschaft (No.1) — arrangement for solo piano (1926)
- opening of 1st movement used as the basis for Passacaglia (1927)
- arrangement for solo piano (1926)
- Gute Nacht (No.1) — arrangement for solo piano (1926)
- Lieb' Liebchen (No.4) — arrangement for solo piano, as Dearest Beloved (1915)
- Lied der Braut II (No.12) — arrangement for solo piano, as Song of the Bride (1915)
- Du bist wie eine Blume (No.24) — concert arrangement for solo piano (1921)
- Concert arrangement for solo piano (1921)
- Arrangement for solo piano, as Church Melody (1915)
- Themes used in No.2 of Symphonische Metamorphosen Johann Strauss’scher Themen, for solo piano (1912)
- Themes used in No.1 of Symphonische Metamorphosen Johann Strauss’scher Themen, for solo piano (1912)
- Schatz-Waltzer, Op.418, for orchestra (1885):
- Themes used in Symphonic Metamorphoses of the Schatz-Walzer from Der Zigeunerbaron, for piano left hand (1928)
- Themes used in No.3 of Symphonische Metamorphosen Johann Strauss’scher Themen, for solo piano (1912)
- 6 Lieder, Op.17, for high voice and piano (1887):
- Ständchen (No.2) — concert arrangement for solo piano (1922)
- Mignon, opera in 3 acts (1866):
- Romance "Connais-tu le pays?" (Act I) — arrangement for solo piano as Mignon's Song (1915)
- Aida, opera in 4 acts (1870–71):
- "Celeste Aida" (Act I) — arrangement for solo piano (1915)
- Various themes used in Rigoletto Suite No.1, for solo piano (1915)
- Concert arrangement for solo piano (1905)
- Themes used in Contrapuntal Paraphrase on Weber's "Invitation to the Dance" (1922)
- Concert arrangement for solo piano (1904)
- Rondo (Perpetuum mobile) — concert arrangement for solo piano (1903)
Educational Adaptions
Revised Editions
These Editions contain fingering, phrasing, pedaling, general information, and instructive annotations on form, structure, & interpretation by Godowsky.
- Impromptu Op.90 No.4
- Impromptu Op.142 No.3
- Scenes from Childhood, Op.15
- Nachtstücke, Op.23 No.4
- Romance, Op.28 No.2
- Forest Scenes Op.82 No.7 - Bird as Prophet
- Novelette from Op.99