Symphony for Strings, Op.7 (Ferreri, Ernesto)

Contents

Performances

Recordings

MP3 file (audio)
EFerreri (2023/5/12)

Publisher Info. Ferreri Pub., Ltd.
Performers Connecticut Virtuosi, Adrian Sylveen Mackiewicz
Copyright
Misc. Notes March 31, 2022
Purchase
Javascript is required for this feature.

Sheet Music

Full Scores

PDF typeset by composer
EFerreri (2011/9/6)

Publisher. Info. Ferreri Pub., Ltd.
Copyright
Misc. Notes This autograph score has a few minor errors; parts were never made from this 1981 version.
Purchase
Javascript is required for this feature.

PDF typeset by composer
EFerreri (2012/8/16)

Publisher. Info. Ferreri Pub., Ltd.
Copyright
Misc. Notes Computer notated in 2012, so that parts could be extracted and minor errors resolved.
Purchase
Javascript is required for this feature.

Parts

PDF typeset by composer
EFerreri (2012/8/16)

Publisher. Info. Ferreri Pub., Ltd.
Copyright
Misc. Notes Computer notated in 2012, so that parts could be extracted and minor errors resolved.
Purchase
Javascript is required for this feature.

Arrangements and Transcriptions

For Keyboard

PDF typeset by arranger
EFerreri (2012/1/18)

Arranger Composer
Publisher. Info. Ferreri Pub., Ltd.
Copyright
Misc. Notes This keyboard reduction was done in 1979, from the original pencil score for string orchestra. It can be used for performance by 2 players on a single piano.
Purchase
Javascript is required for this feature.

Free Recordings

Javascript is required to submit files.

General Information

Work Title Symphony for Strings
Alternative. Title
Composer Ferreri, Ernesto
Opus/Catalogue NumberOp./Cat. No. Op.7
I-Catalogue NumberI-Cat. No. IEF 33
Key A minor
Movements/SectionsMov'ts/Sec's 1 movement
Year/Date of CompositionY/D of Comp. 1978–79
First Performance. March 31, 2022
First Publication. 2010
Dedication Adrian Sylveen Mackiewicz
Average DurationAvg. Duration 15 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation strings
Extra Information Symphony for Strings could be termed a double fugue in symphonic manner, building dramatic developmental and symphonic phrase structures in its episodes. The high Baroque is alloyed with classical and post-romantic textures and harmony; sonata treatment can be discerned in the overall architecture. The themes (subjects) are J.S. Bach themes, the first from the famous Chaconne for solo violin, the second from Die Kunst der Fuge.