Opus# |
Year |
Genre |
Title |
Notes
|
Op.1 |
1879-80 |
|
5 Fantasias for piano |
|
Op.2 |
1879-82 |
|
Seven Melodies |
- Nanny, to words by Leconte de Lisle (1880)
- Le charme, to words by A. Silvestre (1879)
- Les papillons, to words by Théophile Gautier (1880)
- La dernière feuille, to words by Gautier (1880)
- Sérénade italienne, to words by Paul Bourget (1880)
- Hébé, to words by Louise Ackermann (1882)
- Le colibri, to words by Leconte de Lisle (1882)
|
Op.3 |
1881 |
|
Piano Trio in G minor |
|
Op.4 |
1882-84 |
|
Les caprices de Marianne |
lyric comedy, with libretto by Alfred de Musset, incomplete
|
Op.5 |
1882-87 |
|
Viviane, symphonic poem on a legend of the Round Table (1882, rev. 1887) |
|
Op.6 |
1883 |
|
Two Motets for voices, violin, and organ |
- Deus Abraham
- Ave verum
|
Op.7 |
1883-84 |
|
Hélène, lyric drama, in two acts, with libretto by Leconte de Lisle,incomplete |
|
Op.8 |
1882-88 |
|
Four Melodies, to words by Maurice Bouchor |
- Nocturne (1886)
- Amour d'antan (1882)
- Printemps triste (1883)
- Nos souvenirs (1888)
|
Op.9 |
1886 |
|
Hymne védique for four voices and orchestra, to words by Leconte de Lisle |
|
Op.10 |
1886 |
|
Solitude dans les bois, symphonic poem (, destroyed) |
|
Op.11 |
1883 |
|
Two duos for voices |
- La nuit, to words by Théodore de Banville
- Le réveil, to words by Honoré de Balzac
|
Op.12 |
1886 |
|
Three motets for four voices, cello, harp, and organ |
- Ave Maria
- Tota pulchra es
- Ave maris stella
|
Op.13 |
1885-87 |
|
Four Melodies |
- Apaisement, to words by Paul Verlaine (1885)
- Sérénade, to words by Jean Lahor (1887)
- L'aveu, to words by Villiers de L'Isle-Adam (1887)
- La cigale, to words by Leconte de Lisle (1887)
|
Op.14 |
1887 |
|
La caravane, song to words by Gautier (, also orch.) |
|
Op.15 |
1887-88 |
|
Chant nuptial, song for four female voices, to words by Leconte de Lisle |
|
Op.16 |
1888-91 |
|
Three Motets |
- Lauda Sion for voice, organ, and harp (1888)
- Benedictus for two sopranos and harp (1890)
- Pater noster for voice and organ (1891)
|
Op.17 |
1888 |
|
Chansons de Miarka, to words by Jean Richepin |
- Les morts
- La pluie
|
Op.18 |
1888 |
|
La tempête, incidental music for Shakespeare's The Tempest (tr. M. Bouchor), for solo voices and small orchestra; and five pieces arranged |
|
Op.19 |
1882-90 |
|
Poème de l'amour et de la mer for voice and orchestra, to words by M. Bouchor(1882-90; rev. 1893) |
|
Op.20 |
1889-90 |
|
Symphony in B-flat |
|
Op.21 |
1889-91 |
|
Concert in D for piano, violin, and string quartet |
|
Op.22 |
1891 |
|
La légende de Sainte Cécile, incidental music, to words by Bouchor |
|
Op.23 |
1886-95 |
|
Le roi Arthus, original lyric drama in three acts |
|
Op.24 |
1893-96 |
|
Serres chaudes, song cycle to words by Maurice Maeterlinck |
- Serre chaude (1896)
- Serre d'ennui (1893)
- Lassitude (1893)
- Fauves las (1896)
- Oraison (1895)
|
Op.25 |
1896 |
|
Poème for violin and orchestra |
|
Op.26 |
1896 |
|
Quelques Danses (Some Dances) for piano |
- No. 1 Dédicace
- No. 2 Sarabande
- No. 3 Pavane
- No. 4 Forlane
|
Op.27 |
1896 |
|
Three lieder, to words by Camille Mauclair |
- Les heures
- Ballade
- Les couronnes
|
Op.28 |
1890-97 |
|
Songs of Shakespeare (tr. Bouchor) |
- Chanson de clown from Twelfth Night (1890)
- Chanson d'amour from Measure for Measure (1891)
- Chanson d'Ophélie from Hamlet (1896)
- Chant funèbre from Much Ado about Nothing for four female voices (1897)
|
Op.29 |
1896-97 |
|
Ballata (orig. title Canzoniere di Dante) , to words by Dante, for four voices |
|
Op.30 |
1897 |
|
Piano Quartet in A |
|
Op.31 |
1897 |
|
Vêpres pour le commun des vierges for organ |
|
Op.32 |
1897-98 |
|
Soir de fête, symphonic poem |
|
Op.33 |
1898 |
|
Pour un arbre de Noël, song |
|
Op.34 |
1898 |
|
Deux poèmes (Two Poems), songs with words by Verlaine |
- La chanson bien douce
- Le chevalier malheur
|
Op.35 |
1897-99 |
|
String Quartet in C minor |
|
Op.36 |
1896-98 |
|
Two Melodies |
- Cantique à l'épouse, to words by A. Jounet (1896)
- Dans la forêt du charme et de l'enchantement, to words by Jean Moréas (1898)
|
Op.37 |
1898 |
|
Chanson perpétuelle for soprano and orchestra or piano quintet, to words by Charles Cros |
|
Op.38 |
1895 |
|
Paysage (Landscape) for piano |
|
Op.39 |
1897 |
|
Piece for cello or viola, and piano |
|
|
1889 |
Incidental music |
Les oiseaux, incidental music for Aristophanes' The Birds, for flute and harp |
|
|
1879 |
Voice/Orchestra |
La veuve du roi basque, ballad to words by L. Brethous-Lafargue |
|
|
1879-80 |
Voice/Orchestra |
Hylas, to words by Leconte de Lisle |
|
|
1880 |
Voice/Orchestra |
Esméralda, to words by Victor Hugo |
|
|
1881 |
Voice/Orchestra |
Hymne à la nature, to words by A. Silvestre |
|
|
1881 |
Voice/Orchestra |
L'arabe, cantata |
|
|
1899 |
Orchestral |
Symphony No. 2 (sketches, ) |
|
|
1881 |
Chamber |
Andante and Allegro for clarinet and piano |
|
|
1897 |
Chamber |
Concerto for piano, oboe, viola, and string quartet (sketches, ) |
|
|
1878 |
Piano |
Sonatinas for piano four hands |
- No. 1 in G major
- No. 2 in D minor
|
|
1880-81 |
Piano |
Eleven Fugues on Themes by Bach, Franck, Massenet, and Saint-Saëns for piano |
|
|
1884 |
Piano |
Marche militaire for piano |
|
|
1879 |
Voice |
O salutaris in B for voice and organ or piano or harp |
|
|
1877 |
Voice/Piano |
Lilas, to words by Bouchor |
|
|
1878 |
Voice/Piano |
Le petit sentier, to words by Bouchor |
|
|
1879 |
Voice/Piano |
L'albatros, to words by Charles Baudelaire |
|
|
1879 |
Voice/Piano |
Le rideau de ma voisine, to words by Alfred de Musset |
|
|
1880 |
Voice/Piano |
Jeanne d'Arc, to words by an anonymous librettist (for voice, female chorus, and piano) |
|
|
1882 |
Voice/Piano |
Nous nous aimerons, to words by anon. |
|
|
1884 |
Voice/Piano |
Le mort maudit, to words by J. Richepin |
|
|
1886 |
Voice/Piano |
Epithalame, to words by Bouchor |
|
|
1891 |
Voice |
Tantum ergo for voice, organ, violin and piano or harp |
|
|
1898 |
Voice/Piano |
Marins dévots à la Vierge, to words by L.-P. Fargue |
|