Psalmen Davids sampt etlichen Moteten und Concerten, Op.2 (Schütz, Heinrich)

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Editor First edition
Publisher. Info. Dresden: Heinrich Schütz, Gimel Berg, 1619.
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Misc. Notes Sächsische Landesbibliothek, Dresden (D-Dl): Mus.Pi.8,1
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11 more: Altus, Coro I • Tenor, Coro I • Bassus, Coro I • Cantus, Coro II • Altus, Coro II • Tenor, Coro II • Bassus, Coro II • Capella Pars I • Capella Pars II • Capella Pars IV • Continuo

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Editor First edition
Publisher. Info. Dresden: Heinrich Schütz, Gimel Berg, 1619.
Copyright
Misc. Notes Bayerische Staatsbibliothek, Munich (D-Mbs): 4 Mus.pr. 2680
Capella Pars III missing
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12 more: Altus, Coro I • Tenor, Coro I • Bassus, Coro I • Cantus, Coro II • Altus, Coro II • Tenor, Coro II • Bassus, Coro II • Capella Pars I • Capella Pars II • Capella Pars III • Capella Pars IV • Continuo

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Publisher. Info. Dresden: durch Gimel Bergen, 1619.
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Misc. Notes Bibliothèque royale de Belgique - RISM A/I/8 S 2275
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Alexander Reuter (2018/9/7)

Editor Alexander Reuter (b. 1965)
Publisher. Info. Alexander Reuter, 2018.
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Misc. Notes Edited from First Edition 1619 and Spittas Edition. Note values halved on on 3/1 bars
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25 more: Warum toben die Heiden, SWV 23 • Ach, Herr, straf mich nicht, SWV 24 • Aus der Tiefe, SWV 25 • Ich freu mich des, SWV 26 • Herr, unser Herrscher, SWV 27 • Wohl dem, der nicht wandelt, SWV 28 • Wie lieblich sind deine Wohnungen, SWV 29 • Wohl dem, der den Herren fürchtet, SWV 30 • Ich hebe meine Augen auf, SWV 31 • Danket dem Herren, denn er ist freundlich, SWV 32 • Der Herr ist mein Hirt, SWV 33 • Ich danke dem Herrn, SWV 34 • Singet dem Herrn ein neues Lied, SWV 35 • Jauchzet dem Herren, alle Welt, SWV 36 • An den Wassern zu Babel, SWV 37 • Alleluja! Lobet den Herren, SWV 38 • Lobe den Herren, meine Seele, SWV 39 • Ist nicht Ephraim mein teurer Sohn, SWV 40 • Nun lob, mein Seel, den Herren, SWV 41 • Die mit Tränen säen, SWV 42 • Nicht uns, Herr, SWV 43 • Wohl dem, der den Herren fürchtet, SWV 44 • Danket dem Herren, denn er ist freundlich, SWV 45 • Zion spricht, der Herr hat mich verlassen, SWV 46 • Jauchzet dem Herren, alle Welt, SWV 47

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Editor Philipp Spitta (1841-1894)
Publisher. Info. Sämtliche Werke, Band 2, 3
Leipzig: Breitkopf und Härtel, 1886. Plate H.S. II, III.
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Editor Franz Wüllner (1832-1902)
Engraver C. G. Röder
Publisher. Info. Leipzig: C. F. Peters, n.d. Plate 10344, 920.
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General Information

Work Title Psalmen Davids sampt etlichen Moteten und Concerten
Alternative. Title
Name Translations Psalmen Davids; ダヴィデ詩篇歌集; 大卫王诗篇
Authorities WorldCat; Wikipedia; VIAF: 267675384; LCCN: no00027407; GND: 300143656; BNF: 13965920p
Composer Schütz, Heinrich
Opus/Catalogue NumberOp./Cat. No. Op.2 ; SWV 22–47
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 26 psalms:
  1. Der Herr sprach zu meinem Herren (Ps.110), SWV 22
    Coro I: SATB, Coro II: SATB, Capella: SSATB, continuo
  2. Warum toben die Heiden (Ps.2), SWV 23
    Coro I: SATB, Coro II: SATB, Capella I: SATB, Capella II: SATB, continuo
  3. Ach, Herr, straf mich nicht (Ps.6), SWV 24
    Coro I: SATB, Coro II: SATB, continuo
  4. Aus der Tiefe (Ps.130), SWV 25
    Coro I: SATB, Coro II: SATB, continuo
  5. Ich freu mich des (Ps.122), SWV 26
    Coro I: SATB, Coro II: SATB, continuo
  6. Herr, unser Herrscher (Ps.8), SWV 27
    Coro I: SATB, Coro II: SATB, Capella: SSATB, continuo
  7. Wohl dem, der nicht wandelt (Ps.1), SWV 28
    Coro I: SSTB, Coro II: ATTB, continuo
  8. Wie lieblich sind deine Wohnungen (Ps.84), SWV 29
    Coro I: SATB, Coro II: SATB, continuo
  9. Wohl dem, der den Herren fürchtet (Ps.128), SWV 30
    Coro I: SATB, Coro II: SATB, continuo
  10. Ich hebe meine Augen auf (Ps.121), SWV 31
    Coro I: SATB, Coro II: SATB, continuo
  11. Danket dem Herren, denn er ist freundlich (Ps.136), SWV 32
    Coro I: SATB, Coro II: SATB, Capella I: SATB, Capella II: SSAT, continuo
  12. Der Herr ist mein Hirt (Ps.23), SWV 33
    Coro I: SSAT, Coro II: SATB, continuo
  13. Ich danke dem Herrn (Ps.111), SWV 34
    Coro I: SATB, Coro II: SATB, Capella I: SATB, Capella II: SATB, continuo
  14. Singet dem Herrn ein neues Lied (Ps.98), SWV 35
    Coro I: SATB, Coro II: SATB, continuo
  15. Jauchzet dem Herren, alle Welt (Ps.100), SWV 36
    Coro I: SATB, continuo, Coro II: SATB, continuo
  16. An den Wassern zu Babel (Ps.137), SWV 37
    Coro I: SATB, Coro II: SATB, continuo
  17. Alleluja! Lobet den Herren (Ps.150), SWV 38
    Coro I: SATB, Coro II: SATB, Capella I: 3 cornetti/violini, trombone/bassoon, SATB voices, Capella II: cornetto/flauto, 2 trombones, trombone/bassoon, SATB voices, continuo
  18. Lobe den Herren, meine Seele, SWV 39
    Coro I: SATB, Coro II: SATB, continuo
  19. Ist nicht Ephraim mein teurer Sohn, SWV 40
    Coro I: SATB, 4 cornetti, Coro II: STTB, 3 trombones, Capella I: SATB, Capella II: SATB, continuo
  20. Nun lob, mein Seel, den Herren, SWV 41
    Coro I: SATB, Coro II: SATB, Capella I: SSATB voices OR/AND 2 violins, 2 violas, violone, Capella II: SATB voices OR/AND 4 cornetti, trombone, continuo
  21. Die mit Tränen säen, SWV 42
    Coro I: SATB, Coro II: SATB, continuo
  22. Nicht uns, Herr (Ps.115), SWV 43
    Coro I: SATB, 3 cornetti, Coro II: SATB, Coro III: STTB, 3 trombones, continuo
  23. Wohl dem, der den Herren fürchtet (Ps.128), SWV 44
    Coro I: SSATB, 4 cornetti, Coro II: SSTTB, violin, 3 trombones, Capella I: SATB, Capella II: SATB, continuo
  24. Danket dem Herren, denn er ist freundlich (Ps.136), SWV 45
    trumpet(s), timpani, Coro I: SATT, Coro II: STTB, 3 trombones, Capella: SSATB, continuo
  25. Zion spricht, der Herr hat mich verlassen, SWV 46
    Coro I: SSAATB, 3 cornetti, bassoon, Coro II: SATTB, 4 trombones, Capella I: SATB, Capella II: SATB, continuo
  26. Jauchzet dem Herren, alle Welt, SWV 47
    Coro I: SSATB, 2 traversi, 2 cornetti, bassoon, Coro II: ST, Coro III: SATB, violin, 3 violas (2 violas, violone), Capella: SSATB, continuo
First Publication. 1619
Language German
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation see above.

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According to the preface, the Cori should be performed by selected soloists, while the Capellen should be sung by ripienists (ie. choir). Instruments may also reinforce the capellen, or replace the vocalists all together, especially when the ranges of the parts are too high for vocalists. Some vocal parts of the Cori Favoriti may be played by instruments.