Private Musicke (Peerson, Martin)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.

Sheet Music

Scores and Parts

PDF typeset by editor
Reccmo (2020/4/19)

PDF typeset by editor
Reccmo (2020/4/19)

PDF typeset by editor
Reccmo (2020/4/19)

ZIP typeset by editor
Reccmo (2020/4/19)

Editor Christian Mondrup (b. 1947)
Publisher. Info. Christian Mondrup
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Private Music
Alternative. Title Private Musicke. Or the First Booke of Ayres and Dialogues. Contayning Songs of 4. 5. and 6. parts, of severall sorts, and being Verse and Chorus, is fit for Voyces and Viols. And for want of Viols, they may be performed to either the Virginall or Lute, where the proficient can play upon the Ground, or for a shift to the Base Viol alone. All made and composed, according to the rules of Art, by M. P. Batchelar of musicke.
Composer Peerson, Martin
Opus/Catalogue NumberOp./Cat. No. RISM A/I: P 1135
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 24 songs:
  • Of 4 parts
1. Open the door
2. Resolved to love
3. Ah were she pityful
4. Disdain that so doth fill me
5. O precious time
6. Can a maid
7. O I do love
8. Since just disdain
9. At her fair hands
10. Now Robin laugh and sing
11. Hey the Horn
12. Upon my lap my sovereign sits
13. Look up fair lids
14. Love her no more
  • Of 5 parts
15-16. Come pretty wag and sing / Then with reports most sprightly
17. Pretty wantons, sweetly sing
18. Sing, love is blind
19. What need the morning rise
20-21. Gaze not on youth / True pleasure is in chastity
22. The spring of joy is dry
  • Of 6 parts
23. Is not that my fancy's queen?
24. See, O see, who is here come a-maying
Year/Date of CompositionY/D of Comp. 1620 or before
First Publication. 1620 - London: Thomas Snodham
Language English
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, viols