Per sonar nel'organo li cento concerti ecclesiastici (Viadana, Lodovico da)

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Performances

Sheet Music

Scores and Parts

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Ottaviano (2014/2/16)

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Publisher. Info. Venice: Giacomo Vincenti, 1605.
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Editor Bernhard Lang
Language Italian ; English ; German
Translator Bernhard Lang, English and German text
Publisher. Info. Bernhard Lang
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Cento Concerti Ecclesiastici a Una, a Due, a Tre, & Quattro voci. Con il Basso continuo per Sonar nell'Organo
Alternative. Title
Composer Viadana, Lodovico da
Opus/Catalogue NumberOp./Cat. No. Op.12
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's ~52 ("100 Concerti" was followed by books 2 & 3, op. 17 & 24)
  • For 1 voice:
  • 1. Exaudi T
  • 2. Quem vidisti C or T
  • 3. Fratres ego enim C or T
    • 2nd parte Accipite
  • 4. Decantabat C or T
  • 5. Versa est C or T
  • 6. Gloriosa Domina C or T
  • 7. Peccavi C or T
  • 8. Voce mea C or T
  • 9. Sancta Maria C or T
  • 10 [4 falsi bordoni: tone 1, 7 or 8; 2,3,5; 4; 6] C or T
  • 11. Expurgate A
  • 12. Cantabo Domino A
  • 13. Si bona suscepimus A
  • 14. Ego sum pauper A
  • 15. Exultate A
  • 16. Confitebor tibi Domine A
  • 17. Illumina occulos A
  • 18. Non turbetur A
  • 19. Caeli enarant A
  • 20. Domine Jesu Christe A
  • 21. [Falsi bordoni] A
  • 22. Veni Domine T
  • 23. O altitudino T
  • 24. Congratulamini T
  • 25. Hunc praeclarem T
  • 26. Veni Sancte Spiritus T
  • 27. Dum complerentur T
  • 28. Ego autem T
  • 29. Memento salutis T
  • 30. Salve corpus T
  • 31. Quam dilecta T
  • 32. [falsi bordoni]
  • 33. Cantemus Domino B
  • 34. Cum apropinquaret B
  • 35. Beata Maria Magdalene B
  • 36. Hodie Christus Natur est B
  • 37. O bone Jesu B
  • 38. O Jesu dulcis B
  • 39. Misereor superturbam B
  • 40. Super alumina B
  • 41. Salve Regina B
  • 42. [falsi bordoni] B
  • Concerti a 2 voci
  • 43. Laetare Hierusalem SS or TT
  • 44.
First Publication. 1602
Language Italian / Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation SATB voices + continuo (organ)

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The preface contains the first important guide for Basso Continuo playing and is considered to be the first Basso Continuo treatise.