Gespräche über die Evangelia, Teil 1 (Hammerschmidt, Andreas)

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Movements/SectionsMov'ts/Sec's 30 sacred songs
Composition Year 1655
Genre Categories Sacred songs; Religious works; Songs; For 4 voices, 2 cornetts, continuo; For voices with solo instruments; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring the cornett; Scores with basso continuo; For 5 voices, continuo; For voices with continuo; Scores featuring the alto voice; For 3 voices, 2 cornetts, continuo; For 5 voices, 2 violins, continuo; Scores featuring the violin; For 3 voices, 3 violins, continuo; For 4 voices, 2 violins, continuo; For 4 voices, 2 trombones, continuo; Scores featuring the trombone; For 6 voices, continuo; For 3 voices, 2 violins, continuo; For 2 voices, 2 violins, continuo; For 2 voices, 2 cornetts, continuo; For 4 voices, continuo; For 3 voices, 2 trombones, continuo; For 5 voices, 2 cornetts, continuo; For 5 voices, 2 trumpets, 2 trombones, continuo; Scores featuring the trumpet; For 5 voices, 2 recorders, continuo; Scores featuring the recorder; German language

Sheet Music

Scores and Parts

 Complete Parts
#654010 - 107.03MB, 630 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 29×⇩ - Sallen112

PDF scanned by D-Dl
Sallen112 (2020/10/24)

Publisher. Info. Dresden: Verlegts Christian Bergen, 1655.
Copyright
Public Domain [tag/del]
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General Information

Work Title Musicalische Gespräche über die Evangelia. Teil I, 1655
Alternative. Title Mit 4. 5. 6. und 7. Stimmen/ nebenst den Basso Continuo
Composer Hammerschmidt, Andreas
Opus/Catalogue NumberOp./Cat. No. HaWV 471-500
I-Catalogue NumberI-Cat. No. IAH 66
Movements/SectionsMov'ts/Sec's 30 sacred songs:
  1. Freue dich, du Tochter Zion (2 sopranos, tenor, bass, 2 cornettinos, continuo)
  2. Himmel und Erden vergehen (2 sopranos, alto, tenor, bass, continuo)
  3. Da aber Johannes die Werk Christi hörete (2 sopranos, alto, tenor, bass, continuo)
  4. Und diß ist das Zeugnüß Johannis (2 sopranos, alto, tenor, bass, continuo)
  5. O ihr lieben Hirten, fürchtet euch nicht (soprano, alto, tenor, bass, 2 cornettinos, continuo)
  6. Was meinest du wil aus dem Kindlein werden (alto, tenor, bass, 2 cornettinos, continuo)
  7. Und da acht Tage um waren (2 sopranos, alto, tenor, bass, 2 violins, continuo)
  8. Wo ist der neugeborne König der Jüden (2 sopranos, alto, tenor, bass, 2 violins, continuo)
  9. Mein Sohn, warum hast du uns das getan (soprano, alto, bass, 3 violins, continuo)
  10. Herr, sie haben nicht Wein (2 sopranos, tenor, bass, 2 violins, continuo)
  11. Herr, ich bin nicht wert (2 sopranos, tenor, bass, 2 trombones, continuo)
  12. O Herr, hilf, wir verderben (2 sopranos, alto, tenor, 2 basses, continuo)
  13. Herr, hast du nicht guten Samen (2 sopranos, bass, 2 violins, continuo)
  14. Herr, diese letzten haben nur ein Stunde gearbeitet (2 sopranos, bass, 2 violins, continuo)
  15. Höret zu, es gieng ein Seeman (soprano, alto, tenor, bass, 2 violins, continuo)
  16. Gelobet sey der Herr alleluja (alto, bass, 2 violins (or 2 cornettinos), continuo)
  17. Bist du Gottes Sohn (2 sopranos, alto, bass, continuo)
  18. Ach Herr, du Sohn David (soprano, alto, tenor, bass, continuo)
  19. O Jesu, mein Jesu, selig ist der Leib (soprano, alto, bass, 2 trombones, continuo)
  20. O Vater aller Augen (2 sopranos, bass, 2 trombones, continuo)
  21. Wer von Gott ist (2 sopranos, bass, 2 trombones, continuo)
  22. Wer waltzet uns den Stein (2 sopranos, alto, tenor, bass, 2 violins, continuo)
  23. Friede sey mit euch (2 sopranos, tenor, bass, 2 violins, continuo)
  24. Ich bin ein guter Hirte (2 sopranos, bass, 2 trombones, continuo)
  25. Warlich ich sage euch: ihr werdet weinen (2 sopranos, bass, 2 violins, continuo)
  26. Nun aber gehe ich hin (2 sopranos, alto, bass, 2 violins, continuo)
  27. Warlich ich sage euch, so ihr (3 sopranos, tenor, bass, 2 cornettinos, continuo)
  28. Gott fähret auff (2 sopranos, alto, tenor, bass, 2 trumpets, 2 trombones, continuo)
  29. So euch die Welt hasset (2 sopranos, alto, tenor, bass, 2 recorders, continuo)
  30. Herr du weissest alle Dinge (2 sopranos, alto, tenor, bass, 2 violins, continuo)
Year/Date of CompositionY/D of Comp. 1655
First Publication. 1655 (Dresden: Verlegts Christian Bergen)
Language German
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2-6 voices (with or without instruments), continuo; see above, Contents
External Links RISM (entry for the 1655 Dresden Bergen print)

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Together with Ander Theil, this forms a complete cycle of sacred concertos for the church year.

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