Miserere in C minor (Hasse, Johann Adolph)

Composition Year	1735, revised ca.1745-60
Genre Categories	Miserere; Religious works; Psalms; [15 more...]For 4 voices, female chorus, strings, continuo; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring female chorus; Scores featuring string ensemble; Scores with basso continuo; For voices and chorus with strings; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; Latin language

Composition Year

1735, revised ca.1745-60

Genre Categories

Miserere; Religious works; Psalms; [15 more...]For 4 voices, female chorus, strings, continuo; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring female chorus; Scores featuring string ensemble; Scores with basso continuo; For voices and chorus with strings; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; Latin language

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1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Naxos

Sheet Music

Scores

Version 1, Complete Score
*#361355 - 12.80MB, 62 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 877×⇩ - Tito Manlio

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PDF scanned by A-Wn
Tito Manlio (2015/1/16)

Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain [tag/del]
Misc. Notes	Österreichische Nationalbibliothek, Vienna (A-Wn SA.67.D.69).
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General Information

Work Title	Miserere in C minor
Alternative. Title
Composer	Hasse, Johann Adolph
Opus/Catalogue NumberOp./Cat. No.	MülH 165/6
Internal Reference NumberInternal Ref. No.	IJH 60
Key	C minor
Year/Date of CompositionY/D of Comp.	1735, revised ca.1745-60
Language	Latin
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	Version 1: 4 solo voices (SSAA), choir (SSAA), strings, continuo Version 2: 4 solo voices (SATB), choir (SATB), orchestra (2 oboes, bassoon, strings, continuo)

Navigation etc.

This was written in 1735 for the Pieta in Venice and so the "female chorus" tag has been used. It also exists in a later version, revised by Hasse himself, to include a more standard vocal ensemble of SATB soloists and choir and a larger orchestra. The autograph manuscript for this second version dates from around 1745-1760.