Mater patris et filia (Brumel, Antoine)

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Performances

Recordings

Addfilenum[1]

See: Motets et Chansons des XVe et XVIe siècles, OL-LD 91 (Various), Editions de L’Oiseau-Lyre OL-LD 91, 1955, for a recording by La Maîtrise de la Chapelle de Bourgogne (chorus), Bernardin Van Eeckhout (conductor).

Naxos

Synthesized/MIDI

Original (Grayson)
Publisher Info. Martin Grayson
Performers Sibelius
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For 3 Recorders (Grayson)
Publisher Info. Martin Grayson
Performers Sibelius
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores and Parts

Editor Martin Grayson
Publisher. Info. Martin Grayson
Copyright
Misc. Notes Source: see below, but Petrucci only provides text incipits; the text has been restored from manuscripts.These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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4 more: Tenor 1 (C clef) • Tenor 2 • Tenor 2 (C clef) • Bass

Editor Martin Grayson
Publisher. Info. Martin Grayson
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Editor Clemens Goldberg
Publisher. Info. Chansonnier Bologna Q 18, No.74
Goldberg Stiftung, 2018.
Copyright
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Arrangements and Transcriptions

For 3 Recorders (Grayson)

6 more: Bass 1 • Treble 1 • Bass 2 • Treble 2 • Bass 3 • Treble 3

Arranger Martin Grayson
Publisher. Info. Martin Grayson
Copyright
Misc. Notes For BBB or TrTrTr recorders
These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Mater patris et filia
Alternative. Title
Composer Brumel, Antoine
Internal Reference NumberInternal Ref. No. IAB 15
Movements/SectionsMov'ts/Sec's 2 parts:
  1. Mater patris et filia
  2. Et precibus nostris
First Publication. 1501 in Harmonice Musices Odhecaton (fol.68)
Librettist Liturgical, substitute antiphon for the Officium B.V.M. in Sabbato
Language Latin
Average DurationAvg. Duration 3 minutes
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 3 voices (AAT) (“Superius”, “Contratenor” and “Tenor” usually C3, C3, C4 clefs in most sources)
External Links DIAMM