Sources:
NB: There are many gaps in the series of Lalo's opus numbers that appear not to have been allocated to any work, and these numbers have been omitted from the list below. Click on the column headings to sort by opus number or alphabetically by title.
Opus | Title |
---|---|
Op. | 1Fantaisie originale in A major, for violin and piano (ca.1848) |
Op. | 2Allegro maestoso in C minor, for violin and piano (ca.1848) |
Op. | 4 Impromptus (2), for violin and piano (ca.1848):
|
Op. | 5Le novice, scene, for baritone and piano to words by Hippolyte Stupuy (pub. 1849 by Paris: Launer) |
Op. | 7Piano Trio No.1 in C minor (by 1851) |
Op. | 8 Impromptus (2), for violin and piano (by 1851):
|
Op.12 | Violin Sonata in D major (1853) Originally called Grand duo concertant |
Op.14 | 2 Pièces, for violin (or cello) and piano (1854):
|
Op.16 | Allegro for cello and piano (1856?) Later arranged for cello and orchestra as Op.27, and again as Allegro symphonique |
Op.17 | Mélodies (6), for voice and piano (by 1856):
|
Op.18 | Soirées parisiennes, 3 morceaux caractéristiques, for violin and piano (1856) Composed with Charles Wehle
|
Op.19 | String Quartet in E♭ major (1859) Revised as the String Quartet, Op.45 |
Op.20 | Violin Concerto in F major (1873) |
Op.21 (Durand) Op.22 (Schott) |
Symphonie espagnole in D minor, for violin and orchestra (1874) |
Op.26 | Piano Trio No.3 in A minor (1880) See also the Scherzo for orchestra (1884) |
Op.27 | Allegro appassionato, for cello and orchestra (1875) Arranged from Op.16; also arranged for orchestra as Allegro symphonique |
Op.28 | Guitare in B minor, for violin and piano (1882) |
Op.29 | Concerto russe, for violin and orchestra (1879) |
Op.31 | Chant breton, for voice, piano, and flute/oboe (1884) |
Op.32 | La mère et l'enfant, 2 pieces for piano 4 hands (1873):
|
Op.33 | Marine, for voice and piano (1884) |
Op.34 | O salutaris, for female chorus and organ (1884) |
Op.35 | Dansons, duet for soprano, mezzo-soprano and piano (1884) Arranged from the ballet Namouna |
Op.45 | String Quartet in E♭ major (1884) Revision of the String Quartet, Op.19 |
— | Adagio (or Fantaisie-quintette No.2), for piano and string quartet (date unknown) |
— | Adieux au désert, for voice and piano (1848) |
— | Allegro symphonique, for orchestra (date unknown) Arranged from the Allegro appassionato, Op.27 |
— | Andantino, for violin and orchestra (date unknown) Arranged from the ballet Namouna |
— | Arlequin, esquisse humoristique in G major, for violin/cello and piano/orchestra (ca.1848) |
— | Aubade, for voice and piano (1872) |
— | Aubades (2), for 10 instruments (1872) Arranged from the opera Fiesque
|
— | Au fond des halliers, for soprano, tenor and piano (1887) Arranged from the opera Fiesque |
— | Ballade à la lune, for voice and piano (1860) |
— | Cello Concerto in D minor (1877) |
— | Cello Sonata in A minor (1856) |
— | Divertissement, for orchestra (1872) Arranged from the opera Fiesque |
— | Fantasie-ballet for violin and orchestra (1885) Arranged from the ballet Namouna. |
— | Fantaisie norvégienne, for violin and orchestra (1878) |
— | Fiesque, grand opéra in 3 acts (1866–68) |
— | Humoresque, for voice and piano (1867?) |
— | La jacquerie, opera in 4 acts (1891–92] Unfinished; completed by Arthur Coquard (1846–1910) |
— | Le roi d'Ys, opera in 3 acts (1875–88) |
— | Le rouge-gorge, for voice and piano (1887) |
— | Lieder (5), for voice and piano (1879):
|
— | Litanies de la sainte Vierge, for mixed chorus and organ/piano (1876) |
— | L'ombre de Dieu, for voice and piano (1848?) |
— | Mélodies (3), for voice and piano (1870?):
|
— | Mélodies (3), for voice and piano (1887):
|
— | Namouna, ballet in 2 acts (1881–82) |
— | Namouna Suite No.1, for orchestra (1881–82) |
— | Namouna Suite No.2, for orchestra (1881–82) |
— | Néron, pantomime in 3 acts (1891) |
— | Piano Concerto in F minor (1888–89) |
— | Piano Quintet in A♭ major (date unknown) |
— | Piano Trio No.2 in B minor (1852?) |
— | Rapsodie norvégienne, for orchestra (1879) |
— | Romance-sérénade in G major, for violin and orchestra (1879) |
— | Romances populaires (6), for voice and piano (1849):
|
— | Scherzo in D minor, for orchestra (1884) Arranged from Piano Trio No.3, Op.26 |
— | Sérénade for piano (1864) |
— | Sérénade, for string quartet (date unknown) Arranged from the ballet Namouna |
— | Symphony in G minor (1886) |
— | Valse, for cello and piano (date unknown) |
— | Veni, Creator (d’après un thème bohème), for alto and piano or organ (date unknown) |