Geistlicher Concerten und Harmonien, Theil 2 (Profe, Ambrosius)

Movements/SectionsMov'ts/Sec's 25 Pieces
First Publication 1641
Genre Categories Sacred concertos; Concertos; Religious works; [26 more...]Motets; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; For 2 voices, continuo; For 3 voices, continuo; For 4 voices, continuo; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; For 5 voices, continuo; For 7 voices, continuo; For mixed chorus, continuo; Scores featuring mixed chorus; For chorus with continuo; For 2 voices, 2 violins, continuo; For voices with solo instruments; Scores featuring the violin; For 5 voices, 2 violins, continuo; For 6 voices, 2 violins, continuo; For mixed chorus, 2 violins, continuo; For chorus with solo instruments; Latin language; German language

Sheet Music

Scores and Parts

⇒ 6 more: Altus • Tenor • Bassus • Quinta Vox & Violino 1 • Sexta Vox & Violino 2 • Bassus pro Organo

Publisher. Info. Leipzig: Henning Köler, 1641.
Copyright
Public Domain
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 Complete Score
#880532 - 0.21MB, 11 pp. -  6/10 2 4 6 8 10 (1) - !N/!N/!N - 254×⇩ - Rômulo Mello

PDF typeset by editor
Rômulo Mello (2023/10/17)

Editor Rômulo De Assunção Rondon Mello (b. 2007)
Publisher. Info. Brasília: R. A. R. Mello, 2023.
Copyright
Creative Commons Attribution 4.0
Misc. Notes XV. Benignissime Jesu. Henning Köler, 1641
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General Information

Work Title Ander Theil Geistlicher Concerten und Harmonien
Alternative. Title
Composer Profe, Ambrosius
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 25 Pieces
  1. Giovanni Rovetta: Freuet euch alle ; Gaudete omnes (soprano/tenor, continuo)
  2. Giovanni Felice Sances: Ardet cor meum (soprano/tenor, continuo)
  3. Sances: Laetamini (soprano/tenor, continuo)
  4. Giovanni Giacomo Arrigoni: Vulnerasti cor meum (soprano/tenor, continuo)
  5. Arrigoni: Benedicta (soprano/tenor, 2 violins, continuo)
  6. Arrigoni: O sponsa (alto, continuo)
  7. Arrigoni: Anima mea (bass, 2 violins, continuo)
  8. Alessandro Grandi: Bone Jesu (2 sopranos/tenors, 2 violins, continuo)
  9. Rovetta: Deus propitius (soprano/tenor, alto, continuo)
  10. Gasparo Casati: Trahe post te (alto, tenor, continuo)
  11. Giovanni Priuli: Peccavi (2 sopranos/tenors, continuo)
  12. Orazio Tarditi: Missa (SSB, continuo)
  13. Rovetta: Domine in virtute (TTB, continuo)
  14. Giovanni Battista Chinelli: O dulcis (SST, continuo)
  15. Giovanni Pierluigi da Palestrina: Benignissime Jesu (2 sopranos/tenors, bass, continuo)
  16. Galeazzo Sabbatini: O nomen Jesu (SAT, continuo)
  17. Rovetta: Exaltabo te Domine (SATB, continuo)
  18. Tarquinio Merula: Quam dilecta (SATB, continuo)
  19. Johann Vierdanck: Meine harffe ist zur Klage (SATB, continuo)
  20. Ignazio Donati: Paratum cor meum (SATTB, continuo)
  21. Nicolò Fontei: Laudate Dominum (SATTB, continuo)
  22. Claudio Monteverdi: Pascha concelebranda, Pars I (SSATTB, 2 violins, continuo)
  23. Monteverdi: Pascha concelebranda, Pars II (SSATTB, 2 violins, continuo)
  24. Heinrich Schütz: Tutoniam dudum ; Adveniunt Pascha (CATTB, 2 violins, continuo)
  25. Schütz: Ich beschwere euch (SSSSATB, continuo)
First Publication. 1641
Language Latin, German
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 1-5 voices, continuo; 7 voices, continuo; 2 voices, 2 violins, continuo; 5-6 voices, 2 violins, continuo

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