Facta est cum angelo (Aleotti, Vittoria)

Movements/SectionsMov'ts/Sec's	1 movement
Composition Year	1593 or before

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*#910541 - 0.89MB, 10 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 105×⇩ - Bbrolsma

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*#910542 - 0.02MB, ? pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 14×⇩ - Bbrolsma

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Bbrolsma (2024/4/23)

Editor	Bruce Edward Brolsma (b. 1948)
Publisher. Info.	Bruce Edward Brolsma, 2024.
Copyright	Creative Commons Attribution 4.0 [tag/del]
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Complete Score
*#910543 - 0.76MB, 10 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 57×⇩ - Bbrolsma

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Bbrolsma (2024/4/23)

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*#910544 - 0.01MB, ? pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 11×⇩ - Bbrolsma

ZIP typeset by editor
Bbrolsma (2024/4/23)

Editor	Bruce Edward Brolsma (b. 1948)
Publisher. Info.	Bruce Edward Brolsma, 2024.
Copyright	Creative Commons Attribution 4.0 [tag/del]
Purchase	Javascript is required for this feature.

Work Title	Facta est cum angelo
Alternative. Title
Composer	Aleotti, Vittoria
Internal Reference NumberInternal Ref. No.	IVA 13
Movements/SectionsMov'ts/Sec's	1 movement
Year/Date of CompositionY/D of Comp.	1593 or before
First Publication.	1593
Librettist	Luke 2:13-14 (The Nativity of Our Lord)
Language	Latin
Average DurationAvg. Duration	2 minutes
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	5 voices (SATTB); 4 voices (SSAA), continuo
Extra Information	The first woman known to have her sacred music published, in Sacrae cantiones quinque, septem, octo, & decem vocibus decantanda (“Sacred songs to be sung in five, seven, eight, and ten voices”), published in Venice by Ricciardo Amadino in 1593.