Cantantibus organis (Kraus, Eberhard)

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Movements/SectionsMov'ts/Sec's 19 volumes
Genre Categories Pieces; For organ; Scores featuring the organ; For 1 player

Sheet Music

Scores

 Vol.1 (Advent - Christmas)
#555398 - 5.15MB, 144 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 649×⇩ - Music Addict

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⇒ 10 more: Vol.2 (Music in European Cathedrals) • Vol.3 (Music in Bavaria) • Vol.4 (Organ in Choral Service) • Vol.5. (Organ in Benedectine Abbeys) • Vol.6 (Music in European Cathedrals 2) • Vol.7. (Organ in Benedectine Abbeys 2) • Vol.8. (Organ in the Church Service. Easter) • Vol.9. (Organ in Benedectine Abbeys 3) • Vol.10. (Franciscan Organ Music) • Vol.11. (Music in European Cathedrals 3)

 Vol.2 (Music in European Cathedrals)
#555399 - 2.88MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 327×⇩ - Music Addict

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 Vol.3 (Music in Bavaria)
#555400 - 3.59MB, 41 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 265×⇩ - Music Addict

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 Vol.4 (Organ in Choral Service)
#555401 - 3.23MB, 46 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 274×⇩ - Music Addict

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 Vol.5. (Organ in Benedectine Abbeys)
#555402 - 4.83MB, 54 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 258×⇩ - Music Addict

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 Vol.6 (Music in European Cathedrals 2)
#555403 - 4.58MB, 57 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 268×⇩ - Music Addict

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 Vol.7. (Organ in Benedectine Abbeys 2)
#555404 - 2.78MB, 44 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 237×⇩ - Music Addict

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 Vol.8. (Organ in the Church Service. Easter)
#555405 - 4.88MB, 73 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 281×⇩ - Music Addict

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 Vol.9. (Organ in Benedectine Abbeys 3)
#555406 - 3.33MB, 48 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 229×⇩ - Music Addict

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 Vol.10. (Franciscan Organ Music)
#555407 - 3.95MB, 57 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 248×⇩ - Music Addict

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 Vol.11. (Music in European Cathedrals 3)
#555408 - 3.82MB, 59 pp. -  0.0/10 2 4 6 8 10 (-) - 54*/C*/74* - 274×⇩ - Music Addict

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Editor Eberhard Kraus (1931–2003)
Publisher. Info. Regensburg: Friedrich Pustet, 1958-63.
Reprinted Wilhelmshaven: Noetzel Verlag, No.3461, 1979.
Copyright
Public Domain - Non-PD Canada, Non-PD EU [tag/del/mrg]
Misc. Notes Originally submitted by Ctesibius on 20 October 2009.
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General Information

Work Title Cantantibus organis
Alternative. Title
Composer Kraus, Eberhard
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 19 volumes
Volume 1: Die Orgel im Kirchenjahr 1 (Advent/Weihnachten)
1. Jean Titelouze (1563-1633): Creator alme siderum
2. John Redford (1485-1547): Veni redemptor gentium
3. Thomas Tallis (1505-1585): Veni redemptor gentium
4. Orlando di Lasso (1532-1594) / Jacob Paix (1556-1623): Jerusalem plantabis
5. Nicolas Lebègue (1630-1702): Une vierge pucelle
6. Fra Giov. Battista Fasolo (17. Jahrhundert): Jesu redemptor omnium
7. Nicolas de Grigny (1672-1702): A solis ortus cardine
8. Christian Erbach (1570-1635): A solis ortus cardine
9. Nicolas Lebègue: Puer nobis nascitur
10. Giov. Pierl. da Palestrina (1525-1594) / Jacob Paix (1556-1623): Hodie Christus natus est
11. Louis Claude d'Aquin (1694-1772): Noel
12. Fr. Marianus Königsperger (1708-1769): Drei Pastoreli-Arien
13. Bayerische Originalhandschrift des 18. Jahrhunderts: Pastorella
14. Gottlieb Muffat (1690-1770): Zwei Pastoreil-Fugen
15. Giov. Pierl. da Palestrina / Jacob Paix: Lapidabant Stephanum
16. Jean François Dandrieu (1682-1738): Exsultet caelum laudibus
17. John Redford (1485-1547): Te Deum
18. Orlando di Lasso (1532-1594) / Bernhart Schmid d. Ä. (1520-1592): Tribus miraculis
19. Fra Giov. Battista Fasolo: Hostis Herodes
20. Giov. Pierl. da Palestrina / Jacob Paix: Senex puerum
Volume 2: Orgelmusik an europäischen Kathedralen 1
1. Claudio Merulo (1533-1604): Toccata sesta terza tuono
2. Andrea Gabrieli (1510-1586): Praeludium sexti toni
3. Giovanni Gabrieli (1557-1612): Ricercar
4. Giovanni Gabrieli: Modus Sextus Tonus tranpositus per Quartam superiorem
5. Giovanni Gabrieli: Modus Decimus Tonus
6. Gioseffo Guammi (1540-1611): Canzon
7. Christian Erbach (1570-1635): Toccata primo tuono
8. Christian Erbach: Fantasiae primorum tonorum
9. Hans Leo Haßler (1564-1612): Canzona
10. Orlando di Lasso (1532-1594) / Jacob Paix (1550-1617): Da pacem Domine
11. Johann Kaspar Kerll (1627-1693): Toccata per li pedali
12. Franz Xaver Anton Murschhauser (1663-1738): Finale et Fuga septimi toni
Volume 3: Orgelmusik im baierischen Raum
1. Anonymer baierischer Meister (18. Jh.): Praeambulum quinti toni (C-Dur)
2. Gottfried Muffat (1690-1770): Toccata nona mit 6 Versetl c-Moll
3. Johann Ernst Eberlin (1702-1762): Praeludium, Versetten und Finale D-Dur
4. Franz Xaver Anton Murschhauser (1663-1738): Praeambulum d-Moll
5. Abbé Georg Joseph Vogler (1749-1814): Prélude Es-Dur
6. Johann Caspar Ett (1788-1847) / Joseph Grätz (1760-1826): Praeludium und Versetten E-Dur
7. Franz Anton Hugl (18. Jh.): Prélude et Fugae sexti toni
8. Karlmann Kolb (1703-1765): Praeludium, Versi, Cadenza octavi toni
9. Anonymer baierischer Meister (18. Jh.): Préambulum secondi toni (g-Moll)
10. Johann Ernst Eberlin (1702-1762): Praeludium, Versetten und Finale a-Moll
11. Franz Anton Hugl (18. Jh.): Fuga ex B
12. Abbé Georg Joseph Vogler (1749-1814): Prélude h-Moll
Volume 4: Die Orgel im Choralamt - IX. Messe (Cum Jubilo)
I. Giovanni Battista Fasolo (17. Jh.): Missa Beatae Mariae Virginis
1-5 Kyrie
6-14 Gloria
15 Post Epistolam
16 Pro Offertorio
17-18 Sanctus
19 Benedictus et Elevatio
20 Agnus Dei
21 Post Agnus
II. Girolamo Cavazzoni (* um 1500): Missa De Beata Virgine
22-24 Kyrie
25-36 Gloria
37-38 Sanctus
39 Agnus Dei
III. Buxheimer Orgelbuch (1465-1475): Kyrie und Gloria „De S. Maria V.“
40-42 Kyrie
43-51 Gloria
IV. Christian Erbach (1570-1635): 52-54 Kyrie B. Virginis
V. Gilles Binchois (um 1400-1460): 55-58 Kyrie
VI. Josquin Desprez (um 1450-1521): 59-60 Zwei Kyrie der Missa Beata Virgine
VII. Josquin Desprez: 61 Kyrie der Missa de Beata Virgine
VIII. Erbach und Fasolo: Die wichtigsten Versetten der Missa B. Mariae Virginis in die gebräuchlichsten Tonarten transponiert
62-67 Kyrie und Ite missa est
68-69 Gloria
70-71 Sanctus
72-73 Agnus dei
Volume 5: Orgelmusik in Benediktinerklöstern 1 (Kremsmünster/Prüfening/Rott am Inn)
1. P. Georg Pasterwitz (1730-1803): Fuge E-Dur
2. P. Georg Pasterwitz: 6 Versetten f-Moll
3. P. Georg Pasterwitz: Fuge h-Moll
4. P. Georg Pasterwitz: 7 Versetten g-Moll
5. P. Georg Pasterwitz: Fuge A-Dur
6. Fr. Marianus Königsperger (1708-1769): Praeambulum et Fuga Septimi toni (D-Dur)
7. Fr. Marianus Königsperger: Praeambulum und Versetten quinti toni (C-Dur)
8. Fr. Marianus Königsperger: Praeambulum et Fuga tertii toni
9. Fr. Marianus Königsperger: Fingerstreit oder Klavierübung - Praeambulum und Fuge
10. Fr. Marianus Königsperger: Aria secundi toni
11. Fr. Marianus Königsperger: Aria septimi toni
12. P. Placidus Metsch (1700-1778): Praeambulum et Fuga (IV. Toni)
13. P. Placidus Metsch: Praeambulum et Fuga (G-Dur)
14. P. Placidus Metsch: Praeambulum et Fuga (d-Moll)
Volume 6: Orgelmusik an europäischen Kathedralen 2 (St. Peter in Rom)
1. Guillaume Dufay (um 1400-1474): Kyrie
2. Guillaume Dufay: Kyrie
3. Guillaume Dufay: Kyrie
4. Josquin Desprez (um 1450-1521) / Francisco Fernandez Palero (16. Jh.): Cum Sancto Spiritu – Aus der ::5. Missa de beata Virgine
6. Josquin Desprez: Virgo prudentissima
7. Marbriano de Orto (15. Jh.): Canzon – Se je perdu mon amy
8. Cristóbal de Morales (um 1500-1553) / F.F. Palero: Un verso del quinto tono
9. Jacob Arcadelt (um 1514 – vor 1572) / Valentin Bakfarc (Greffus) (1507-1576): Exaltabo te Domine
10. G. Pierluigi da Palestrina (1525-1594) / Jacob Paix (1550-1617): Cantantibus organis
11. Orlando di Lasso (1532-1594): Christ ist erstanden
12. Orlando di Lasso: Amen dico vobis
13. Tomás Luis de Victoria (um 1540-1611): GaudeVirgo Maria
14. Domenico Maria Ferrabosco (16. Jh.) / B. Schmid d. Ä. (1520-1592): Madrigal – Io mi son giovanetta
15. Luca Marenzio (1553-1599) / B. Schmid d.J. (geb. 1584): Madrigal – Madonna sua
16. Ruggiero Giovanelli (um 1560-1625) / B. Schmid d. Ä.: Madrigal – Bella d`amor
17. Girolamo Frescobaldi (1583-1643): Canzon
18. Girolamo Frescobaldi: Canzon
19. Girolamo Frescobaldi: Canzon
20. Domenico Scarlatti (1685-1757): Sonata
21. Domenico Scarlatti: Sonata
22. Domenico Scarlatti: Sonata per Organo
23. Domenico Scarlatti: Sonata Fuga
Volume 7: OM in Benediktinerklöstern 2 (Augsburg/Garsten/St.Lambrecht/Mariazell)
1. Gregor Aichinger (1564-1628): Ricercar (I) – Primi toni / A4
2. Gregor Aichinger: Ricercar (II) – Per sonare et cantare
3. Gregor Aichinger: Ricercar (III) – Per sonare et cantare / A4
4. Gregor Aichinger: Ricercar (IV) – Quarti toni
5. Gregor Aichinger: Ricercar (V) – Secundi toni
6. Gregor Aichinger: Ricercar (VI) – Primi toni
7. Gregor Aichinger / Bernhard Schmid d.J. (* 1584): Gaudeamus et exultemus – Fünfstimmige Motette
8. Gregor Aichinger: Adoro te supplex, latens deitas – Vierstimmige Motette
9. Gregor Aichinger: Duo Seraphim clamabant – Achtstimmige Motette
10. Gregor Aichinger / Johann Woltz (um 1600): Suscepimus Deus – Sechsstimmige Motette
11. P. Sebastian Ertel (†1618): Kadenzen in den acht Kirchentönen
12. P. Sebastian Ertel: Tota pulchra es amica mea – Achtstimmige Motette
Volume 8: Die Orgel im Kirchenjahr 2 (Ostern)
1. Gottlieb Muffat (1690-1770): Il Alleluia per la resurrectione - Fuga a quatro
2. Thomas Preston (16. Jh.): Orgelmesse zum Ostersonntag
Resurrexi – Introitus
Haec dies – Graduale
Fulgens praeclara – Sequenz
3. Jean Titelouze (1563-1633): Ad coenam agni providi - Hymnus zur Vesper an Ostern
4. Giovanni Battista Fasolo (17. Jh.): Ad coenam agni providi - Hymnus zur Vesper an Ostern
5. Orgelbuch von St. Ulrich und Afra (Neresheim) (16. Jh.): Resurrexi - Introitus des Osterfestes
6. Josquin Desprez (um 1450-1521) / Fridolin Sicher (1490-1546?): Victimae paschali laudes - Ostersequenz
7. Christian Erbach (1570-1635): Victimae paschali - Ostersequenz
8. Matteo Asola (†1609): Victimae paschali laudes - Ostersequenz
9. Orlando di Lasso (1532-1594) / Bernhard Schmid d. Ä. (1520-1592): Surrexit pastor bonus - 2. Responsorium der Matutin am Ostermontag
10. Heinrich Finck (1444-1527): Vita sanctorum - Osterhymnus
11. Codex Nikolaus Apel (15. Jh.): Salve festa dies - Osterhymnus
12. Jean François Dandrieu (1684-1740): O filii et filiae - Osterlied
13. Buxheimer Orgelbuch (15. Jh.): Christ ist erstanden
14. Glogauer Liederbuch (15. Jh.): Christ ist erstanden
15. Vasurto (16. Jh.) / Estevan Daça (16. Jh.): Angelus Domini - Offertorium am Ostermontag
16. Codex Nikolaus Apel (15. Jh.): Salve festa dies – In die resurrectionis
Osterhymnus Alleluia-Vers am Weißen Sonntag
Volume 9: Orgelmusik in Benediktinerklöstern 3 (Irsee/Mailand/Neresheim)
1. Orgelbuch von St. Ulrich und Afra (Neresheim) (16. Jh.): Jeprens engre
2. Orgelbuch von St. Ulrich und Afra: Preambulum octavi toni
3. Orgelbuch von St. Ulrich und Afra: Preambulum in D et A
4. Orgelbuch von St. Ulrich und Afra: Preambulum in Fa
5. Orgelbuch von St. Ulrich und Afra: Introitus in festo Nativitatis Jesu Christi
6. Orgelbuch von St. Ulrich und Afra: De beata virgine Maria (Kyrie und Gloria)
7. Orgelbuch von St. Ulrich und Afra: Christe redemptor omnium. Hymnus zur Vesper an Weihnachten
8. Orgelbuch von St. Ulrich und Afra: Gaude. Hymnus am Fest des hl. Ulrich und der hl. Afra
9. Orgelbuch von St. Ulrich und Afra: Magnificat - Octavi toni
10. Orgelbuch von St. Ulrich und Afra: Preambulum in G
11. Orgelbuch von St. Ulrich und Afra: Preambulum
12. Orgelbuch von St. Ulrich und Afra: Preambulum
13. Orgelbuch von St. Ulrich und Afra: Preambulum
14. Orgelbuch von St. Ulrich und Afra: Preambulum
15. Orgelbuch von St. Ulrich und Afra: Preambulum
16. P. Carolus Andreae (16./17. Jh.): Domine Dominus noster
17. P. Carolus Andreae: Falsibordoni tertii toni
18. P. Carolus Andreae: Magnifikat
19. P. Serafino Cantone (16./17. Jh.): Concerto (I)
20. P. Serafino Cantone: Concerto (II)
21. P. Serafino Cantone: Canzone „La Serafina“
22. P. Serafino Cantone: Ave Maria ancilla sanctae trinitas
Volume 10: Orgelmusik der Franziskaner 1
1. P. Giovanni Battista Fasolo (17. Jh.): Ricercata prima – Primo tono
2. P. Giovanni Battista Fasolo: Ricercata seconda – Secondo tono ecclesiastico
3. P. Giovanni Battista Fasolo: Ricercata terza – Terzo tono
4. P. Giovanni Battista Fasolo: Ricercata quarta – Quarto tono
5. P. Giovanni Battista Fasolo: Ricercata quinta – Quinto tono
6. P. Giovanni Battista Fasolo: Ricercata sesta – Sesto tono
7. P. Giovanni Battista Fasolo: Ricercata settima – Settimo tono
8. P. Giovanni Battista Fasolo: Ricercata ottava – Ottavo tono
9. P. Giovanni Battista Fasolo: Canzon prima – Primo tono accidentale
10. P. Giovanni Battista Fasolo: Canzon seconda – Secondo tono trasportato alla quarta alta
11. P. Giovanni Battista Fasolo: Canzon terza – Tono misto di quarto col diesis, et di Terzo per Secondo parte, con la cadenza naturale
12. P. Giovanni Battista Fasolo: Canzon quarta – Quarto tono naturale
13. P. Giovanni Battista Fasolo: Canzon quinta – Quinto tono trasportato alla quarta
14. P. Giovanni Battista Fasolo: Canzon sesta – Sesto tono naturale
15. P. Giovanni Battista Fasolo: Canzon settima – Settimo tono
16. P. Giovanni Battista Fasolo: Canzon ottava – Ottavo tono
17. P. Giulio Belli (um 1560-1613): Quem vidistis pastores
18. P. Giulio Belli: Salve Sancte Parens Patriae – De Sancto Francisco
19. P. Giulio Belli: O bone Jesu
20. P. Giulio Belli: O sacrum convivium
Volume 11: Orgelmusik an europäischen Kathedralen 3 (Bergamo/Passau)
1. Antonio Scandello (1517-1580) / Elias Nikolaus Ammerbach (um 1530-1597): Ich weiß mir ein festes gebautes Haus
1. Pietro Ponzio (1532-1595): 15 Kadenzen in den acht Kirchentönen
2. Pietro Vinci (1540-um1584): Ricercar quinto
3. Pietro Vinci: Ricercar ottava
4. Pietro Vinci: Fa mi la mi sol la
5. Giovanni Cavaccio (um 1556-1626): Ricercar secondo à 4
6. Giovanni Cavaccio: Toccata prima à 4
7. Giovanni Cavaccio: Ricercar primo à 3
8. Giovanni Cavaccio: Ricercar secondo à 3
9. Giovanni Cavaccio: Prima Canzon Francese à 4
10. Giovanni Cavaccio: Octava Canzon Francese
11. Giacomo Brignoli (um 1600): Fuga
12. Pietro Andrea Ziani (um 1620-1684): Capriccio
13. Giovanni Battista Bassani (um 1657-1716): Sonata
14. Simon Mayr (1763-1845): Trio
15. Simon Mayr: Praeludium d-Moll
16. Simon Mayr: Praeludium D-Dur
17. Simon Mayr: Praeludium D-Dur
18. Simon Mayr: Praeludium Es-Dur
19. Simon Mayr: Gran Preludio
20. Franz Anton Hugl (18. Jh.): Prelude et Fugae quarti toni
21. Franz Anton Hugl: Exercitium per ligaturas
22. Franz Anton Hugl: Fuga c-Moll
23. Paul Hofhaimer (1459-1537) / Elias Nikolaus Ammerbach (um 1530-1597): Ach edler Hort
24. Paul Hofhaimer / Elias Nikolaus Ammerbach: Tröstlicher Lieb stets ich mich üb
25. Paul Hofhaimer / Elias Nikolaus Ammerbach: Herzliebstes Bild
Copyright Information Volumes 1 through 11 are most likely public domain in the USA. Volumes 12 through 19 most likely remain under copyright in the USA (for 95 years from the date of publication) due to the automatic renewal of items issued 1964 and later.
In the USA this work is most likely in the public domain because it was published without a compliant copyright notice, no renewal was found after a thorough search of the Catalog of Copyright Entries, or it was either ineligible for "restoration" under GATT/TRIPs and/or no record of an NIE filing was found in the online records of the US Copyright Office.
Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Composer Time PeriodComp. Period Early 20th century
Piece Style Renaissance
Instrumentation organ

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Cantantibus Organis, collection of early organ music in several books by Eberhard Kraus (1931-2003)

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