Ballet de la Royne, TMA 263 (Praetorius, Michael)

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Performances

Recordings

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Synthesized/MIDI

For 4 Recorders (Upton)

16 more: Part II • Part III • Part IV • Part V • Part VI • Part VII • Part VIII • Part IX • Part X • Part XI • Part XII • Part XIII • Part XIV • Part XV • Part XVI • Part XVII

Publisher Info. Dillon Upton
Performers Dillon Upton
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For Oboe and Harpsichord (Rondeau)

Publisher Info. Michel Rondeau
Performers MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Parts

Editor Marc Lanoiselée (b. 1944)
Publisher. Info. Marc Lanoiselée
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

For Strings (Lanoiselée)
Arranger Marc Lanoiselée (b. 1944)
Publisher. Info. Marc Lanoiselée
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For 4 Accordions and Double Bass ad lib. (Pasztor)
Arranger Ernö Pasztor
Publisher. Info. SONOPTIKON, 2020.
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Misc. Notes Parts and Feedback
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For 4 Recorders (Upton)

16 more: Part II • Part III • Part IV • Part V • Part VI • Part VII • Part VIII • Part IX • Part X • Part XI • Part XII • Part XIII • Part XIV • Part XV • Part XVI • Part XVII

Arranger Dillon Upton
after Michael Praetorius (1571-1621)
Publisher. Info. Dillon Upton
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For 4 Flutes (Lanoiselée)
Arranger Marc Lanoiselée (b. 1944)
Publisher. Info. Marc Lanoiselée
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For Oboe and Harpsichord (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Ballet de la Royne
Alternative. Title
Composer Praetorius, Michael
Opus/Catalogue NumberOp./Cat. No. TMA 263 ; RISM A/I, P 5366.263
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 1 (17 subdivisions)
First Publication. 1612 in Terpsichore, Musarum Aoniarum (No.263)
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4 instruments
Extra Information These pieces were assembled and arranged by Praetorius for his 1612 collection. It is unknown how many, or if any, of the works in the collection were actually composed by Praetorius as opposed to being popular dance tunes arranged by him. The instrumentation is not specified in the original, and simply listed as "à 4".