This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details. |
Movements/SectionsMov'ts/Sec's | 4 movements |
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Composition Year | 1943 September, South Egremont or New Haven |
Genre Categories | Sonatas; For horn, piano; Scores featuring the horn; |
Contents |
Complete Score (CA)
*#310401 - 1.11MB, 19 pp. - -) (- V/52/34 - Madcapellan
PDF scanned by Unknown
Madcapellan (2014/1/7)
Alto Horn Part (CA)
*#311144 - 0.27MB, 4 pp. - -) (- V/52/34 - Madcapellan
PDF scanned by Unknown
Madcapellan (2014/1/11)
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Horn (F) (CA)
*#545587 - 0.08MB, 4 pp. - -) (- !N/52/34 - Denizakalin33
PDF typeset by denizakalin33
Denizakalin33 (2018/10/15)
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Work Title | Alto Horn Sonata |
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Alternative. Title | Sonate für Althorn (Waldhorn, Alt-Saxophon) in Es und Klavier |
Name Translations | Sonate pour saxhorn alto; Sonata in E-flat major for Alto Horn and Piano |
Name Aliases | Sonate pour saxophone alto |
Authorities | WorldCat; VIAF: 182257567; BNF: 16753435q |
Composer | Hindemith, Paul |
I-Catalogue NumberI-Cat. No. | IPH 2 |
Movements/SectionsMov'ts/Sec's | 4 movements:
|
Year/Date of CompositionY/D of Comp. | 1943 September, South Egremont or New Haven |
First Publication. | 1956 |
Average DurationAvg. Duration | 11 minutes |
Composer Time PeriodComp. Period | Modern |
Piece Style | Modern |
Instrumentation | alto horn (or saxophone), piano |
External Links | Hindemith Foundation Sheet Music Plus Wikipedia article (French) |
Wikipedia divides the finale here into two movements: "Dialogue « cor de postillon » sur un poème du compositeur:
l'ancien n'est pas bon pour la simple raison qu'il appartient au passé / le nouveau n'est pas d'avantage excellent parce que nous marchons avec lui / et personne n'a jamais éprouvé plus de bonheur / que ce qu'il était en mesure d'assumer et de comprendre /il t'appartient à toi, au delà de la hâte, du bruit et de la multitude / de retrouver et de préserver à nouveau / ce qui est permanent, le silence, le sens, la structure...
Finale"
(an unspecified finale preceded by a Dialogue. Hindemith's Horn Concerto also contains a movement with text, very occasionally - as for example on the cpo recording of the concerto - recited aloud during the work rather than e.g. read, and noted, silently for performer and audience guidance.) - Schissel