Ach wie nichtig, ach wie flüchtig, GWV 1157∕28 (Graupner, Christoph)

Movements/SectionsMov'ts/Sec's	8 movements
Composition Year	1728
Genre Categories	Sacred cantatas; Cantatas; Religious works; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; German language

Sheet Music

Complete Score and Parts
*#87540 - 5.94MB, 27 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 286×⇩ - Boccaccio

PDF scanned by D-DS
Boccaccio (2010/12/17)

Publisher. Info.	Holograph manuscript, 1728. (September)
Copyright	Public Domain [tag/del]
Purchase	Javascript is required for this feature.

Complete Score
*#48563 - 6.25MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V*/V* - 471×⇩ - ctesibius

PDF scanned by D-Mbs
ctesibius (2009/12/11)

Editor	Friedrich Noack (1890-1958)
Publisher. Info.	Denkmäler deutscher Tonkunst, Erste Folge; Bd.51-52 Leipzig: Breitkopf und Härtel, 1926. Plate D.D.T. LI. LII.
Copyright	Public Domain [tag/del]
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Complete Score
*#606023 - 0.27MB, 24 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 124×⇩ - PAK

PDF typeset by editor
PAK (2020/1/17)

Editor	Per Arne Karlsson
Publisher. Info.	Per Arne Karlsson, 2020.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	Voices with modern clefs
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Work Title	Ach wie nichtig, ach wie flüchtig
Alternative. Title
Composer	Graupner, Christoph
Opus/Catalogue NumberOp./Cat. No.	GWV 1157/28
I-Catalogue NumberI-Cat. No.	ICG 50
Key	G minor
Movements/SectionsMov'ts/Sec's	8 movements
Year/Date of CompositionY/D of Comp.	1728
First Performance.	1728
Librettist	Johann Conrad Lichtenberg (1689-1751)
Language	German
Dedication	16th Sunday after Trinity
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	Voices: soprano, alto, tenor, bass; mixed chorus (SATB) Orchestra: 2 oboes, strings, continuo

for Sunday 16th after Trinity, 1728