Matinée musicale, A 208-217 (Donizetti, Gaetano)

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Sheet Music

Scores

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IgorCello (2019/9/28)

Language Russian / Italian
Translator Grigory Gnesin (1884–1938), Russian text
Publisher. Info. St. Petersburg: Triton, 1935. Plate T. 616.
Copyright
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Іоахимъ (2019/8/22)

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Іоахимъ (2019/8/22)

Language French
Publisher. Info. Holograph manuscript, n.d.
Copyright
Misc. Notes MS-4208 (No.9), MS-4086 (No.10). This seems to be one ms containing 2 pieces: the second sheet has the end of No.9 on one page and the beginning of No.10 on another.
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Arrangements and Transcriptions

Rataplan (No.10)

For Mixed Chorus, 2 Cellos, Double Bass and 2 Pianos (Florimo)

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Іоахимъ (2019/8/22)

Arranger Francesco Florimo (1800-1888)
Publisher. Info. Manuscript, n.d.
Copyright
Misc. Notes Naples, Biblioteca del Conservatorio di musica S. Pietro a Majella, IT-NA0059.
The chorus is SATBB.
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General Information

Work Title Matinée musicale
Alternative. Title
Composer Donizetti, Gaetano
Opus/Catalogue NumberOp./Cat. No. A 208-217
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 10 songs (6 songs, 2 duets, 2 quartets):
  1. Il tuo pensiero è il mio. Romanza / Ton Dieu est mon Dieu
  2. Il cavallo arabo. Bolero / Le retour au désert
  3. Preghiera // Prière / Longue douleur (A 210)
  4. La gondoliera. Barcarola / Oh vieni al mare! // La gondolière / Le senateur et la gondolière (A 211)
  5. La corrispondenza amorosa. Romanza / Les billets doux
  6. La negra. Romanza / La nouvelle Ourika
  7. L'addio. Duetto /L'adieu
  8. La gelosia. Scherzo a due voci / Querelle d'amour
  9. La campana. Quartettino / La cloche (A 216)
  10. Rataplan (La partenza del reggimento). Quartettino (A 217)
Text Incipit see below
  1. Oh quanto in me tu puoi / Connais sur mon âme asservie
  2. O corridor / Léger coursier
  3. Dio, dio, che col cenno moderi
  4. Vieni, la barca è pronta / Ah! viens la barque est prête
  5. Cifre d'amor, sol conforto del core / O dolci righe [?] // Billets chéris, interprètes de l'âme
  6. Fin dalla culla / Dès le berceau
  7. Io resto fra le lagrime / Je reste abandonnée
  8. Non giova il sospirar / Tu n'auras rien ma foi
  9. Il sol discende, il monte s'oscura / Dejà le jour baisse
  10. Rataplan plan plan tr-ram. Convien partir / Il faut partir
First Publication. 1841 – Naples: Girard
Librettist Nos. 1-7, 9-10: Unknown; No.8: Pietro Metastasio (1698-1782)
1-2, 6. Auguste Richomme, French translation
3-5, 7-8. Émile Deschamps (1791–1871), French translation
9. Eugène de Lonlay (1815–1886), French translation
Language Italian
Dedication Queen Victoria (in 1842 Lucca's edition?)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice ; 2 voices ; 4 voices (TTBB), piano

Navigation etc.

  • French Meissonnier edition: [1]. Plates J.M.548-557.
  • In his author index Allitt lists Paul Lacroix as the librettist for No.3; however, this is a mistake: he is the author of the text for La prière, A 424. Barblan/Zanolini list Deschamps for No.7 (translator?); Allitt names him as translator of Nos.3-4.
  • In Lucca's 1842 the pieces were printed in a different order (bnf): 4-3-2-1-6-8-7-5-9-10.
  • No.1: There is an autograph in Paris with slightely diferent text: Oui, ton Dieu c’est le mien.
  • No.4 available here: [2].