Madrigali et symphonie, Op.2 (Marini, Biagio)

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This page is marked for cleanup because if all parts are eventually found and uploaded, a contents list with accurate instrumentations needs to be compiled so that the tags can be checked for accuracy.

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
Movements/SectionsMov'ts/Sec's 25
First Publication 1618 - Venezia: Gardano; Bartolomeo Magni
Genre Categories Madrigals; Canzonas; Sinfonias; Balletti; Dances; Galliards; Courantes; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores featuring the tenor voice; Scores with basso continuo; Scores featuring the soprano voice; For voice, 2 violins, continuo; For voices with solo instruments; Scores featuring the violin; For 2 voices, continuo; Scores featuring the bass voice; For 3 voices, continuo; For 5 voices, continuo; For 5 voices, strings, continuo; For voices with strings; Scores featuring string ensemble; For 2 instruments; Scores with open instrumentation; For 2 players; For 3 instruments; For 3 players; For 4 instruments; For 4 players; Italian language

Contents

Performances

Sheet Music

Parts

 Canto primo
#428801 - 7.51MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 115×⇩ - Vangi

PDF scanned by I-Bc
Vangi (2016/7/1)

Publisher. Info. Venezia: stampa del Gardano; appresso Bartolomeo Magni, 1618.
Copyright
Public Domain [tag/del]
Misc. Notes Museo internazionale e Bibl. della musica, Bologna (I-Bc):
AA.236 ; RISM A/I: M 658
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General Information

Work Title Madrigali et symfonie a una, 2. 3. 4. 5.
Alternative. Title
Composer Marini, Biagio
Opus/Catalogue NumberOp./Cat. No. Op.2
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 25 pieces (according to WorldCat):
  1. Le carte in ch'io primier scrissi e mostrai (Voce Sola, Tenor)
  2. Vezzosi augelli infra le verdi fronde (Voce Sola, Tenore)
  3. Perché fuggi tra' salci (Voce Sola (C1 clef))
  4. Non te'n fuggir deh spira (Voce Sola (C1 clef), con il Ritornello Per doi Violini è Basso)
  5. Perché credi o mio core (A 2, Tenori)
  6. S'io non ti toglio un bacio (A 2, Tenori)
  7. Questi languidi fiori (A 2, Canto è Basso)
  8. Deh non coglier più fiori (Dialogo a Doi, Tenor è Canto)
  9. Misero me son morto (A3 (extant part is Canto))
  10. O care stille hor che pietà vi scoglie (A3 (extant part is Canto Primo))
  11. Anzoletta del ciel senza peccà (A3 (extant part is Canto Primo))
  12. Se nel sereno viso (A5 (extant parts are Tenore, Canto Primo))
  13. Chi quella bella bocca (A5)
    (extant parts are in C1 clef (not labelled, but must be Canto,
    "Si averte quando che trovarete la chiane di Sol re ut lasciate sonar un violino
    & doppo entrarete quado si trovarete la nuona chiavede C sol fa ut"),
    and Tenore ("Questa parte Canta con i Violini"))
  14. La Rizza (Canzon A 4)
  15. La Cominciola (Synfonia è B. A 3)
  16. La Finetta (Symfonia A 3)
  17. La Philippi (Grimani) (Symfonia è balet A 3)
  18. La Bombarda (Canzon A 2)
  19. La Rossa (Gagliarda A 3)
  20. La Malipiera (Symfonia A 2)
  21. La Grilla (Symfonia A 2)
  22. Il Grimani (Bal e Simf A 3)
  23. La Scistina (Cor. A 3)
  24. La Roccha (Gagliarda A 2)
  25. Il Seccho (Corrente A 2)
First Publication. 1618 - Venezia: Gardano; Bartolomeo Magni
Language Italian
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, instruments
External Links Introduction to an edition by Thomas Dunn

Navigation etc.

  • There is no known Continuo part book surviving complete; only Canto 1, Canto 2 and Basso (voice) survive in different libraries.
  • The Canto Primo part mentions instruments such as violino and cornetto, but the instrumental works cannot be tagged for specifics, or even for ranges, unless a full set of original parts is available.
  • The contents have been taken from this Worldcat entry for an edition by Aurelio Bianco and Sara Dieci. They have reconstructed the missing parts. The only difference between their contents list and IMSLP's scan of the I-Bc Canto Primo part is that there seems to be no La Philippi in the manuscript, and in its place a La Grimani. However, since there is another La Grimani further on in the manuscript, it is likely that the first one has been mis-labelled, and the part is really for La Philippi.
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