The table below gives the following information (where applicable):
D. | Opus | Title | Key | Date | Scoring | Librettists | Published | Notes |
---|---|---|---|---|---|---|---|---|
D. | 1Fantasy | G major | 1810 | pf4h | 1888 | a discarded 1st version of the "Finale" is also extant | ||
D. | 1aGesang (“?”) | C minor | 1810 ante | bass pf | 1969 | sketch without text | ||
D. | 1bFantasy | G major | 1810 or 1811(?) | pf4h | 2007 | fragment | ||
D. | 1cSonata | F major | 1810 or 1811(?) | pf4h | 2007 | fragment of movt. I is extant | ||
D. | 2now D.Anh.I/4 | |||||||
D. | 2a [996]Overture | D major | 1811? | orch | 2012 | fragment | ||
D. | 2b [997]Symphony | D major | 1811? | orch | 2002 | fragment of movt. I is extant | ||
D. | 2c [998]String Quartet Movement | D minor or F major | 1811? | 2vn va vc | 1979 | fragment | ||
D. | 2d [995]Minuets (6) | 1811 | 2ob 2cl 2bn 2hn tpt | 1956 | Nos.1–3 are complete; piano sketches for Nos.1-2 and 4-6 | |||
D. | 2e [993]Fantasy | C minor | 1811 | pf | 1979 | |||
D. | 2fTrio of a Minuet | C major | 1811 | 2ob 2cl 2bn 2hn tpt (?) | 1991 | piano sketch | ||
D. | 2gOverture | D major | 1810 or 1811(?) | orch | 2012 | fragment | ||
D. | 3String Quartet Movement | C major | 1812? | 2vn va vc | 1979 | fragment; version for string quartet of D.29 | ||
D. | 4Overture to the Vocal Comedy "Der Teufel als Hydraulicus" | D major | 1812? | orch | 1886 | overture to the vocal comedy by J.F.E. Albrechts | ||
D. | 5Hagars Klage (“Hier am Hügel heissen Sandes”) | C minor/ A♭ major | 1811 | v pf | Clemens August Schücking | 1894 | ||
D. | 6Des Mädchens Klage (“Der Eichwald brauset”) | D minor/ C major | 1811 or 1812 | v pf | Friedrich Schiller | 1894 | 1st setting | |
D. | 7Leichenfantasie (“Mit erstorbnem Scheinen”) | D minor/ G minor | 1811? | v pf | Friedrich Schiller | 1894 | also appears as "Eine Leichenfantasie" | |
D. | 8Overture | C minor | 1811 | 2vn 2va vc | 1948 | |||
D. | 8aOverture | C minor | 1811 | 2vn va vc | 1970 | version for string quartet of D.8 | ||
D. | 9Fantasy | G minor | 1811 | pf4h | 1888 | |||
D. | 10Der Vatermörder (“Ein Vater starb von des Sohnes Hand”) | C minor | 1811 | v pf | Gottlieb Konrad Pfeffel | 1894 | ||
D. | 11Der Spiegelritter | 1811? | 5sop 3ten 4bass ch orch | August von Kotzebue | 1893 | singspiel in 3 acts?; unfinished – overture, 5 numbers and 3 fragments from Act I are extant | ||
D. | 11 [966]Der Spiegelritter No.3 "Arie: Der Sonne Strahl ist warm" | C major | 1811? | bass orch | August von Kotzebue | |||
D. | 12Overture | D major | 1811 or 1812 | orch | 1897 | |||
D. | 13Fugue | D minor | 1812-13(?) | pf | 1988 | |||
D. | 14Overture | 1812 ca. | orch | lost | piano sketch | |||
D. | 15Der Geistertanz (“Die bretterne Kammer der Toten erbebt”) | C minor | 1812 ca. | v pf | Friedrich von Matthisson | 1895 | 1st setting; fragment | |
D. | 15a [15]Der Geistertanz (“Die bretterne Kammer der Toten erbebt”) | F minor | 1812 ca. | v pf | Friedrich von Matthisson | 1895 | 2nd setting; fragment | |
D. | 16Counterpoint Exercises (7) | 1827-28(?) | 1940 | 7 exercises in double counterpoint; sketches | ||||
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | F major | 1812? | sop | Pietro Metastasio | 1940 | composition exercise; 1st setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | F major | 1812? | 2sop | Pietro Metastasio | 1940 | composition exercise; 2nd setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | F major | 1812? | sop alt ten | Pietro Metastasio | 1940 | composition exercise; 3rd setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | F major | 1812? | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 4th setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | G major | 1812? | sop alt ten | Pietro Metastasio | 1940 | composition exercise; 5th setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | G major | 1812? | sop alt ten | Pietro Metastasio | 1940 | composition exercise; 6th setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | F major | 1812? | sop alt ten bass | Pietro Metastasio | 1986 | composition exercise; 7th setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | F major | 1812? | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 8th setting | |
D. | 17Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo | G major | 1812? | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 9th setting | |
D. | 18String Quartet (No.1) | G minor/ B♭ major | 1810 or 1811 | 2vn va vc | 1893 | |||
D. | 19String Quartet | 1810 or 1811 | 2vn va vc | lost | ||||
D. | 19aString Quartet | 1810 or 1811 | 2vn va vc | lost | ||||
D. | 19bSeveral Waltzes and a March | 1812 or 1813(?) | pf | lost | ||||
D. | 20Overture | B♭ major | 1812 | 2vn va vc | lost | |||
D. | 21Variations (6) | E♭ major | 1812 | pf | lost | |||
D. | 22Minuets with Trios (12) | 1812 | pf | lost | ||||
D. | 23Op.131/3(p) | Klaglied (“Meine Ruh’ ist dahin”) | G minor | 1812 | v pf | Friedrich Rochlitz | 1830 | |
D. | 24Variations (7) | F major | 1812? | pf | lost | fragment | ||
D. | 24aFugue | C major | 1812? | pf/org | 1978 | |||
D. | 24bFugue | G major | 1812? | pf/org | 1978 | |||
D. | 24cFugue | D minor | 1812-13(?) | pf/org | 1978 | |||
D. | 24dFugue | C major | 1812? | pf | 1979 | fragment | ||
D. | 24eMass | F major | 1812? | ch org orch | 1998 | fragments of 2 movts., "Gloria" and "Credo" are extant | ||
D. | 25Counterpoint Exercises (11) | 1812? | 1986 | 4 two-part and 3 three-part counterpoint exercises, and 4 two-part imitation exercises | ||||
D. | 25aCounterpoint Exercises (2) | 1812? | 1986 | 2 four-part counterpoint exercises | ||||
D. | 25bCounterpoint Exercises (15) | 1812? | 1986 | 15 three-part counterpoint exercises | ||||
D. | 25cFugue | F major | 1812? | 2vv | 1986 | counterpoint exercise; fragment | ||
D. | 26Overture | D major | 1812 | orch | 1886 | |||
D. | 27Salve Regina (“Salve Regina”) | F major | 1812 | sop org orch | 1928 | antiphon | ||
D. | 28Piano Trio, Sonatensatz | B♭ major | 1812 | vn vc pf | 1923 | an "Allegro" movt. is extant | ||
D. | 29Andante | C major | 1812 | pf | 1888 | version for piano of D.3; also used in a sketch for movt. II of D.36 | ||
D. | 30Der Jüngling am Bache (“An der Quelle sass der Knabe”) | F major | 1812 | v pf | Friedrich Schiller | 1894 | 1st setting | |
D. | 31Kyrie (“Kyrie eleison”) | D minor | 1812 | sop ten ch org orch | 1888 | |||
D. | 32String Quartet (No.2) | C major | 1812 | 2vn va vc | 1893 | |||
D. | 33Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo | E minor | 1812 | sop | Pietro Metastasio | 1940 | composition exercise; 1st setting | |
D. | 33Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo | D minor | 1812 | sop alt | Pietro Metastasio | 1940 | composition exercise; 2nd setting | |
D. | 33Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo | D minor | 1812 | sop alt ten | Pietro Metastasio | 1940 | composition exercise; 3rd setting | |
D. | 33Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo | G minor | 1812 | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 4th setting | |
D. | 33Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo | G major | 1812 | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 5th setting | |
D. | 33Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo | G minor | 1812 | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 6th setting | |
D. | 34Te solo adoro (“Te solo adoro”) | D major | 1812 | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 1st setting | |
D. | 34Te solo adoro (“Te solo adoro”) | D major | 1812 | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 2nd setting; fragment | |
D. | 35Serbate, o Dei custodi (“Serbate, o Dei custodi”) | D major | 1812 | sop alt ten bass | Pietro Metastasio | 1940 | composition exercise; 1st setting | |
D. | 35Serbate, o Dei custodi (“Serbate, o Dei custodi”) | C major | 1812 | ch | Pietro Metastasio | 1940 | composition exercise; 2nd setting | |
D. | 35Serbate, o Dei custodi (“Serbate, o Dei custodi”) | C major | 1812 | ten vlne | Pietro Metastasio | 1940 | composition exercise; 3rd setting | |
D. | 36String Quartet (No.3) | B♭ major | 1812-13 | 2vn va vc | 1893 | |||
D. | 37Op. | 74Die Advokaten (“Mein Herr, ich komm mich anzufragen”) | G major | 1812 | 2ten bass pf | Baron Engelhart | 1827 | |
D. | 37a [967]Fugal Sketches (4) | B♭ major | 1813? | pf? | 1986 | fragment | ||
D. | 38Totengräberlied (“Grabe, Spaten, grabe!”) | E minor | 1813? | 2ten bass | Ludwig Christoph Heinrich Hölty | 1892 | 1st setting | |
D. | 39Lebenstraum (“Ich sass an einer Tempelhalle”) | C major | 1810? | v pf | Gabriele von Baumberg | 1969 | sketch; also appears as "Ich sass an einer Tempelhalle" | |
D. | 39aMinuets with Trios (3) | 1813 | orch | lost | ||||
D. | 40now D.Anh.I/1 | |||||||
D. | 41Minuets with Trios (30) | 1813 | pf | 1889 | Nos.1–8, 11–18 and 20–23 are extant | |||
D. | 41aFugue | E minor | 1813 | pf | 1988 | fragment | ||
D. | 42Misero pargoletto (“Misero pargoletto”) | G minor | 1813? | sop pf | Pietro Metastasio | 1969 | 1st setting - 1st version; fragment | |
D. | 42Misero pargoletto (“Misero pargoletto”) | G minor | 1813? | sop pf | Pietro Metastasio | 1969 | 1st setting - 2nd version; fragment | |
D. | 42Misero pargoletto (“Misero pargoletto”) | G minor | 1813? | sop pf | Pietro Metastasio | 1895 | 2nd setting | |
D. | 43Dreifach ist der Schritt der Zeit (“Dreifach ist der Schritt der Zeit”) | E minor | 1813 | 2ten bass | Friedrich Schiller | 1897 | 1st setting | |
D. | 44Totengräberlied (“Grabe, Spaten, grabe!”) | E minor/ G major | 1813 | bass pf | Ludwig Christoph Heinrich Hölty | 1894 | 2nd setting | |
D. | 45Kyrie (“Kyrie eleison”) | B♭ major | 1813 | ch | 1888 | |||
D. | 46String Quartet (No.4) | C major | 1813 | 2vn va vc | 1893 | |||
D. | 47Dithyrambe (“Nimmer, das glaubt mir, erscheinen die Götter”) | D major | 1813 | ten bass ch pf | Friedrich Schiller | 1963 | 1st setting; fragment | |
D. | 48Fantasy, Grande Sonate | C minor | 1813 | pf4h | 1871 | |||
D. | 49Kyrie (“Kyrie eleison”) | D minor | 1813 | ch orch | 1888 | |||
D. | 50Die Schatten (“Freunde, deren Grüfte sich schon bemoosten!”) | A major/ C major | 1813 | v pf | Friedrich von Matthisson | 1894 | ||
D. | 51Unendliche Freude durchwallet das Herz (“Unendliche Freude durchwallet das Herz”) | D major | 1813 | 2ten bass | Friedrich Schiller | 1897 | 1st setting | |
D. | 52Sehnsucht (“Ach, aus dieses Tales Gründen”) | D minor/ F major | 1813 | bass pf | Friedrich Schiller | 1868 | 1st setting | |
D. | 53Vorüber die stöhnende Klage (“Vorüber, vorüber die stöhnende Klage”) | A major | 1813 | 2ten bass | Friedrich Schiller | 1892 | ||
D. | 54Unendliche Freude durchwallet das Herz (“Unendliche Freude durchwallet das Herz”) | E♭ major | 1813 | 3vv | Friedrich Schiller | 1873 | canon for male voices; 2nd setting | |
D. | 55Selig durch die Liebe (“Selig durch die Liebe Götter”) | A major | 1813 | 2ten bass | Friedrich Schiller | 1892 | ||
D. | 56Sanctus (“Sanctus”) | B♭ major | 1813 | 3vv | 1986 | canon; 1st version | ||
D. | 56Sanctus (“Sanctus”) | B♭ major | 1813 | 3vv | 1892 | canon; 2nd version | ||
D. | 57Hier strecket der wallende Pilger (“Hier strecket der wallende Pilger”) | B♭ major | 1813 | 2ten bass | Friedrich Schiller | 1897 | ||
D. | 58Dessen Fahne Donnerstürme wallte (“Dessen Fahne Donnerstürme wallte”) | D major | 1813 | 2ten bass | Friedrich Schiller | 1892 | ||
D. | 59Verklärung (“Lebensfunke, vom Himmel erglüht”) | A minor | 1813 | v pf | Johann Gottfried Herder, after Alexander Pope | 1832 | ||
D. | 60Hier umarmen sich getreue Gatten (“Hier umarmen sich getreue Gatten”) | B♭ major | 1813 | 2ten bass | Friedrich Schiller | 1892 | ||
D. | 61Ein jugendlicher Maienschwung (“Ein jugendlicher Maienschwung”) | B♭ major | 1813 | 3vv | Friedrich Schiller | 1897 | canon | |
D. | 62Thronend auf erhabnem Sitz (“Thronend auf erhabnem Sitz”) | C major | 1813 | 2ten bass | Friedrich Schiller | 1897 | fragment | |
D. | 63Wer die steile Sternenbahn (“Wer die steile Sternenbahn”) | C major/ E major | 1813 | 2ten bass | Friedrich Schiller | 1892 | ||
D. | 64Majestätsche Sonnenrosse (“Majestätsche Sonnenrosse”) | C major | 1813 | 2ten bass | Friedrich Schiller | 1897 | ||
D. | 65Schmerz verzerret ihr Gesicht (“Schmerz verzerret ihr Gesicht”) | C minor | 1813 | 2ten bass | Friedrich Schiller | 1892 | canon; sketch | |
D. | 66Kyrie (“Kyrie eleison”) | F major | 1813 | ch org orch | 1888 | |||
D. | 67Frisch atmet des Morgens lebendiger Hauch (“Frisch atmet des Morgens lebendiger Hauch”) | D major | 1813 | 2ten bass | Friedrich Schiller | 1897 | 1st setting; D.402 is the 2nd setting, with a different title | |
D. | 68String Quartet (No.5) | B♭ major | 1813 | 2vn va vc | 1893 | 2 "Allegro" movts. are extant; middle movts. are lost? | ||
D. | 69Dreifach ist der Schritt der Zeit (“Dreifach ist der Schritt der Zeit”) | E♭ major/ B♭ major | 1813 | 3vv | Friedrich Schiller | 1892 | canon; 2nd setting | |
D. | 70Dreifach ist der Schritt der Zeit (“Dreifach ist der Schritt der Zeit”) | A♭ major | 1813 | 2ten bass | Friedrich Schiller | 1974 | 3rd setting; fragment | |
D. | 71Die zwei Tugendwege (“Zwei sind der Wege”) | C major | 1813 | 2ten bass | Friedrich Schiller | 1892 | ||
D. | 71aAlleluja (“Alleluja”) | F major | 1813? | 3vv | 1956 | canon | ||
D. | 71bFugue | E minor | 1813 | pf | 1986 | fragment | ||
D. | 71c [966a]Orchestra Piece | D major | 1813 | orch | 2012 | fragment | ||
D. | 72Octet | F major | 1813 | 2ob 2cl 2bn 2hn | 1889 | unfinished – a complete "Menuetto" and "Finale", and fragment of an "Allegro" movt. are extant | ||
D. | 73Thekla (eine Geisterstimme) (“Wo ich sei, und wo mich hingewendet”) | G major | 1813 | v pf | Friedrich Schiller | 1868 | 1st setting | |
D. | 74String Quartet (No.6) | D major | 1813 | 2vn va vc | 1893 | |||
D. | 74aOrchestra Piece | D major | 1813? | orch | 2012 | fragment | ||
D. | 75Trinklied (“Freunde, sammelt euch im Kreise”) | C major | 1813 | bass mch pf | Friedrich Schäffer | 1850 | ||
D. | 76Pensa, che questo istante (“Pensa, che questo istante”) | D major | 1813 | bass pf | Pietro Metastasio | 1969 | 1st version | |
D. | 76Pensa, che questo istante (“Pensa, che questo istante”) | D major | 1813 | bass pf | Pietro Metastasio | 1871 | 2nd version | |
D. | 77Der Taucher (“Wer wagt es, Rittersmann oder Knapp”) | C major/ D minor | 1814 | bass pf | Friedrich Schiller | 1831 | 1st version | |
D. | 77 [111]Der Taucher (“Wer wagt es, Rittersmann oder Knapp”) | C major/ D minor | 1815 | bass pf | Friedrich Schiller | 1894 | 2nd version | |
D. | 78Son fra l’onde (“Son fra l’onde in mezzo al mare”) | C minor | 1813 | sop pf | Pietro Metastasio | 1895 | ||
D. | 79Nonet "Franz Schuberts Begräbniss-Feyer", Eine kleine Trauermusik | E♭ minor | 1813 | 2cl 2bn cbn 2hn 2tbn | 1889 | |||
D. | 80Zur Namensfeier meines Vaters (“Ertöne, Leier, zur Festesfeier!”) | A major | 1813 | 2ten bass gtr | Franz Schubert | 1892 | also appears as "Zur Namensfeier des Vaters" | |
D. | 81Auf den Sieg der Deutschen (“Verschwunden sind die Schmerzen”) | F major | 1813 | v 2vn vc | anonymous | 1895 | 1st setting; D.88 is the 2nd setting, with a different title | |
D. | 82Symphony No.1 | D major | 1813 | orch | 1884 | |||
D. | 83Zur Namensfeier des Herrn Andreas Siller (“Des Phöbus Strahlen”) | G major | 1813 | v hp vn | anonymous | 1895 | ||
D. | 84Des Teufels Lustschloss | 1813-14 | 3sop 2ten 3bass nar ch orch | August von Kotzebue | 1888 | singspiel in 3 acts; 1st version; overture and 19 numbers | ||
D. | 84Des Teufels Lustschloss | 1813-14 | 3sop 2ten 3bass nar ch orch | August von Kotzebue | 1888 | singspiel in 2 acts; 2nd version; overture and 17 numbers | ||
D. | 85now D.Anh.III/6 | |||||||
D. | 86Minuet | D major | 1813? | 2vn va vc | 1886 | |||
D. | 87Op.125/1(p) | String Quartet (No.10) | E♭ major | 1813 | 2vn va vc | 1840 | ||
D. | 87aVocal or Instrumental Movement | C major | 1813 | 2vn va vc (?) | 1994 | fragment; also appears as "Andante" | ||
D. | 88Verschwunden sind die Schmerzen (“Verschwunden sind die Schmerzen”) | G major | 1813 | 2ten bass | anonymous | 1892 | canon; 2nd setting of D.81, with a different title | |
D. | 89Minuets with Trios (5, 6) | 1813 | 2vn va vc | 1886 | 2 versions of Minuet No.3 | |||
D. | 89 [90]German Dances with Trios and Coda (5, 7) | 1813 | 2vn va vc | 1886 | 2 versions of Trio I from German Dance No.5 | |||
D. | 90now belongs to D.89 | |||||||
D. | 91Minuets (2) | 1813 | pf | 1956 | 2 Minuets, each with 2 Trios | |||
D. | 92now D.Anh.III/11 | |||||||
D. | 93Don Gayseros | 1815? | v pf | Friedrich de la Motte Fouqué | 1894 | |||
D. | 93/1Don Gayseros I (“Don Gayseros, wunderlicher, schöner Ritter”) | F major/ A♭ major | 1815? | v pf | Friedrich de la Motte Fouqué | 1894 | ||
D. | 93/2Don Gayseros II (“Nächtens klang die süsse Laute”) | F major/ C major | 1815? | v pf | Friedrich de la Motte Fouqué | 1894 | piano postlude incomplete according to Deutsch | |
D. | 93/3Don Gayseros III (“An dem jungen Morgenhimmel”) | C major/ E♭ major | 1815? | v pf | Friedrich de la Motte Fouqué | 1894 | piano introduction incomplete according to Deutsch | |
D. | 94String Quartet (No.7) | D major | 1811 or 1812(?) | 2vn va vc | 1871 | |||
D. | 94aOrchestra Piece | B♭ major | 1814 ca. | orch | 1990 | fragment; discarded overture for Act III of D.84 | ||
D. | 94bMinuets and German Dances with Trios (5, 6) | 1814 | 2hn 2vn va vc | lost | ||||
D. | 95Adelaide (“Einsam wandelt dein Freund”) | A♭ major | 1814 | v pf | Friedrich von Matthisson | 1848 | ||
D. | 96now D.Anh.II/2 | |||||||
D. | 97Trost. An Elisa (“Lehnst du deine bleichgehärmte Wange”) | C major | 1814 | v pf | Friedrich von Matthisson | 1894 | ||
D. | 98Erinnerungen (“Am Seegestad, in lauen Vollmondnächten”) | B♭ major | 1814 | v pf | Friedrich von Matthisson | 1968 | 1st setting - 1st version; fragment | |
D. | 98Erinnerungen (“Am Seegestad, in lauen Vollmondnächten”) | B♭ major | 1814 | v pf | Friedrich von Matthisson | 1894 | 1st setting - 2nd version | |
D. | 99Andenken (“Ich denke dein, wenn durch den Hain”) | F major | 1814 | v pf | Friedrich von Matthisson | 1894 | 1st setting | |
D.100 | Geisternähe (“Der Dämm’rung Schein durchblinkt den Hain”) | E♭ major | 1814 | v pf | Friedrich von Matthisson | 1894 | ||
D.101 | Erinnerung (“Kein Rosenschimmer leuchtet”), Todtenopfer | E minor/ E major |
1814 | v pf | Friedrich von Matthisson | 1894 | ||
D.102 | Die Betende (“Laura betet!”) | B major | 1814 | v pf | Friedrich von Matthisson | 1840 | ||
D.103 | String Quartet Movement | C minor | 1814 | 2vn va vc | 1939 | fragment | ||
D.104 | Die Befreier Europas in Paris (“Sie sind in Paris!”) | G major | 1814 | bass pf | Johann Christian Mikan | 1968 | 1st version | |
D.104 | Die Befreier Europas in Paris (“Sie sind in Paris!”) | G major | 1814 | bass pf | Johann Christian Mikan | 1968 | 2nd version | |
D.104 | Die Befreier Europas in Paris (“Sie sind in Paris!”) | G major | 1814 | bass pf | Johann Christian Mikan | 1895 | 3rd version | |
D.105 | Mass (No.1) | F major | 1814 | 2sop alt 2ten bass ch org orch | 1856 | |||
D.105 [185] | Mass (No.1) No.6: Dona nobis pacem (“Dona nobis pacem”) | F major | 1815 | sop alt ten bass ch org orch | 1887 | 2nd setting of the "Dona nobis pacem" | ||
D.106 | Salve Regina (“Salve Regina”) | B♭ major | 1814 | ten org orch | 1888 | antiphon | ||
D.107 | Lied aus der Ferne (“Wenn in des Abends letztem Scheine”) | E major | 1814 | v pf | Friedrich von Matthisson | 1894 | 1st version | |
D.107 | Lied aus der Ferne (“Wenn in des Abends letztem Scheine”) | D major | 1816? | v pf | Friedrich von Matthisson | 1968 | 2nd version | |
D.108 | Der Abend (“Purpur malt die Tannenhügel”) | D minor | 1814 | v pf | Friedrich von Matthisson | 1894 | ||
D.109 | Lied der Liebe (“Durch Fichten am Hügel”) | B♭ major | 1814 | v pf | Friedrich von Matthisson | 1894 | ||
D.110 | Wer ist gross? (“Wer ist wohl gross?”) | F major | 1814 | bass mch orch | anonymous | 1891 | ||
D.111 | now D.77 (2nd version) | |||||||
D.111a | String Trio | B♭ major | 1814 | vn va vc | 1981 | fragment of an "Allegro" movt. is extant | ||
D.112 | Op.168(p) | String Quartet (No.8) | B♭ major | 1814 | 2vn va vc | 1862 | ||
D.113 | An Emma (“Weit in nebelgrauer Ferne”) | F major | 1814 | v pf | Friedrich Schiller | 1894 | 1st version | |
D.113 | An Emma (“Weit in nebelgrauer Ferne”) | F major | 1814 | v pf | Friedrich Schiller | 1821 | 2nd version | |
D.113 | Op. | 58/2An Emma (“Weit in nebelgrauer Ferne”) | F major | v pf | Friedrich Schiller | 1826 | 3rd version | |
D.114 | Romanze (“Ein Fräulein klagt’ im finstern Turm”) | G minor/ B♭ major | 1814 | v pf | Friedrich von Matthisson | 1901 | 1st version | |
D.114 | Romanze (“Ein Fräulein klagt’ im finstern Turm”) | G minor | 1814 | v pf | Friedrich von Matthisson | 1968 | variant of the 1st version; fragment | |
D.114 | Romanze (“Ein Fräulein klagt’ im finstern Turm”) | G minor/ B♭ major | 1814 | v pf | Friedrich von Matthisson | 1868 | 2nd version | |
D.115 | An Laura, als sie Klopstocks Auferstehungslied sang (“Herzen, die gen Himmel sich erheben”) | E major | 1814 | v pf | Friedrich von Matthisson | 1840 | ||
D.116 | Der Geistertanz (“Die bretterne Kammer der Toten erbebt”) | C minor | 1814 | v pf | Friedrich von Matthisson | 1840 | 3rd setting | |
D.117 | Das Mädchen aus der Fremde (“In einem Tal bei armen Hirten”) | A major | 1814 | v pf | Friedrich Schiller | 1894 | 1st setting | |
D.118 | Op. | 2Gretchen am Spinnrade (“Meine Ruh’ ist hin, mein Herz ist schwer”) | D minor | 1814 | v pf | Johann Wolfgang von Goethe | 1821 | |
D.119 | Nachtgesang (“O! gieb, vom weichen Pfühle”) | A♭ major | 1814 | v pf | Johann Wolfgang von Goethe | 1850 | ||
D.120 | Trost in Tränen (“Wie kommt’s, dass du so traurig bist”) | F major | 1814 | v pf | Johann Wolfgang von Goethe | 1835 | ||
D.121 | Op. | 3/1Schäfers Klagelied (“Da droben auf jenem Berge”) | C minor | 1814 | v pf | Johann Wolfgang von Goethe | 1821 | 1st version |
D.121 | Schäfers Klagelied (“Da droben auf jenem Berge”) | E minor | 1819? | v pf | Johann Wolfgang von Goethe | 1894 | 2nd version | |
D.122 | Ammenlied (“Am hohen, hohen Turm”) | G minor | 1814 | v pf | Michael Lubi | 1872 | ||
D.123 | Sehnsucht (“Was zieht mir das Herz so?”) | G major | 1814 | v pf | Johann Wolfgang von Goethe | 1842 | ||
D.124 | Am See (“Sitz’ ich im Gras am glatten See”) | G minor | 1814 | v pf | Johann Mayrhofer | 1968 | 1st version; fragment | |
D.124 | Am See (“Sitz’ ich im Gras am glatten See”) | G minor | 1814 | v pf | Johann Mayrhofer | 1885 | 2nd version | |
D.125 | Symphony No.2 | B♭ major | 1814–15 | orch | 1884 | |||
D.126 | Szene aus ‘Faust' (“Wie anders, Gretchen, war dir’s”) | C major/ B♭ major | 1814 | v/2vv (ch) pf | Johann Wolfgang von Goethe | 1873 | 1st version | |
D.126 | Szene aus ‘Faust' (“Wie anders, Gretchen, war dir’s”) | C major/ B♭ major | 1814 | v/2vv (ch) pf | Johann Wolfgang von Goethe | 1832 | 2nd version | |
D.127 | now D.Anh.III/12 | |||||||
D.128 | Viennese German Dances (12) | 1812? | pf | 1897 | ||||
D.129 | Mailied (“Grüner wird die Au und der Himmel”) | C major | 1815? | 2ten bass | Ludwig Christoph Heinrich Hölty | 1892 | 1st setting | |
D.130 | Der Schnee zerrinnt (“Der Schnee zerrinnt, der Mai beginnt”) | C major | 1815? | 3vv | Ludwig Christoph Heinrich Hölty | 1892 | canon; 1st setting; D.202 is the 2nd setting, with a different title | |
D.131 | Lacrimoso son io (“Lacrimoso son io”) | A minor | 1815? | 3vv | anonymous | 1892 | canon for male voices; 1st version | |
D.131 | Lacrimosa son io (“Lacrimosa son io”) | A minor | 1815? | 3vv | anonymous | 1892 | canon for female voices; 2nd version | |
D.132 | now D.Anh.I/18 | |||||||
D.133 | now D.Anh.I/19 | |||||||
D.134 | Op.126(p) | Ballade (“Ein Fräulein schaut vom hohen Turm”) | G minor/ E minor | 1815? | v pf | Joseph Kenner | 1830 | |
D.135 | German Dance with Trio | E major | 1815 | pf | 1930 | 1st version of D.146/3 | ||
D.136 | Op. | 46Offertory (Totus in corde) (“Totus in corde langueo”), Erstes Offertorium | C major | 1815? | sop/ten cl/vn org orch | 1825 | ||
D.137 | Adrast | 1817-19? | sop ten bass mch orch | Johann Mayrhofer | 1893 | singspiel in 2 or 3 acts?; unfinished – 8 numbers and 5 sketches are extant | ||
D.138 | Op. | 5/1Rastlose Liebe (“Dem Schnee, dem Regen, dem Wind entgegen”) | E major | 1815 | v pf | Johann Wolfgang von Goethe | 1821 | 1st version |
D.138 | Rastlose Liebe (“Dem Schnee, dem Regen, dem Wind entgegen”) | D major | 1821 | v pf | Johann Wolfgang von Goethe | 1970 | 2nd version | |
D.139 | German Dance with Trio | C♯ major | 1815 | pf | 1930 | with Trio in A major | ||
D.140 | Klage um Ali Bey (“Lasst mich! Lasst mich! Ich will klagen”) | E♭ minor | 1815 | 2ten bass (pf)/fch pf | Matthias Claudius | 1850 | 1st version | |
D.141 | Op.131/1(p) | Der Mondabend (“Rein und freundlich lacht der Himmel”) | A major | 1815 | v pf | Johann Gottfried Kumpf | 1830 | |
D.142 | Geistes-Gruss (“Hoch auf dem alten Turme”) | E♭ major/ G♭ major | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 1st version | |
D.142 | Geistes-Gruss (“Hoch auf dem alten Turme”) | E♭ major/ G♭ major | 1816 | v pf | Johann Wolfgang von Goethe | 1885 | 2nd version | |
D.142 | Geistes-Gruss (“Hoch auf dem alten Turme”) | D major/ F major | 1820 or 1821(?) | v pf | Johann Wolfgang von Goethe | 1985 | 3rd version | |
D.142 | Geistes-Gruss (“Hoch auf dem alten Turme”) | E♭ major/ G♭ major | 1821 | v pf | Johann Wolfgang von Goethe | 1895 | 4th version | |
D.142 | Geistes-Gruss (“Hoch auf dem alten Turme”) | E♭ major/ G♭ major | 1821-23 | v pf | Johann Wolfgang von Goethe | 1985 | 5th version | |
D.142 | Op. | 92/3Geistes-Gruss (“Hoch auf dem alten Turme”) | E major/ G major | 1815 or 1816 | v pf | Johann Wolfgang von Goethe | 1828 | 6th version |
D.143 | Op.109/2(p) | Genügsamkeit (“Dort raget ein Berg aus den Wolken her”) | C♯ minor/ E major | 1815 | v pf | Franz von Schober | 1829 | |
D.144 | Romanze (“In der Väter Hallen ruhte”) | E major | 1816 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1895 | sketch | |
D.145 | Op. | 18Waltzes, Ländler and Ecossaises (12, 17, 9) | 1815-21 | pf | 1823 | D.145/7 = D.970/2; D.145/30 = D.299/1; D.145/34 = D.421/1; D.145/35 = D.697/5 | ||
D.146 | Op.127 (p) | Waltzes (20), Letzte Walzer | 1815-23 | pf | 1830 | 2 versions for Nos.2, 3 (1st version is D.135), 5, and 13 | ||
D.147 | Bardengesang (“Rolle, du strömigter Carun”) | B♭ major | 1816? | 2ten bass | Edmund von Harold, after James Macpherson ("Ossian") | 1892 | ||
D.148 | Op.131/2(p) | Trinklied (“Brüder! unser Erdenwallen”) | C major | 1815 | ten mch pf | Ignaz Franz Castelli | 1830 | |
D.149 | Der Sänger (“Was hör’ ich draussen vor dem Tor”) | D major/ B♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1894 | 1st version | |
D.149 | Op.117(p) | Der Sänger (“Was hör’ ich draussen vor dem Tor”) | D major/ B♭ major | v pf | Johann Wolfgang von Goethe | 1829 | 2nd version | |
D.150 | Lodas Gespenst (“Der bleiche, kalte Mond erhob sich in Osten”) | G minor/ B♭ major | 1816 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1830 | ||
D.151 | Auf einen Kirchhof (“Sei gegrüsst, geweihte Stille”) | A major | 1815 | v pf | Franz Xaver von Schlechta | 1850 ca. | ||
D.152 | Minona (“Wie treiben die Wolken so finster und schwer”) | A minor | 1815 | v pf | Friedrich Anton Franz Bertrand | 1894 | ||
D.153 | Als ich sie erröten sah (“All’ mein Wirken, all’ mein Leben”) | G major | 1815 | v pf | Bernhard Ambros Ehrlich | 1845 | ||
D.154 | Piano Sonata | E major | 1815 | pf | 1897 | fragment; early version of movt. I from D.157 | ||
D.155 | Op.165/3(p) | Das Bild (“Ein Mädchen ist’s”) | F major | 1815 | v pf | anonymous | 1862 | |
D.156 | Variations (10) | F major | 1815 | pf | 1887 | 2 versions of the Theme and Variation II | ||
D.157 | Piano Sonata | E major | 1815 | pf | 1888 | unfinished? – movts. I-III are extant | ||
D.158 | Ecossaise | D minor/ F major | 1815 | pf | 1889 | |||
D.159 | Die Erwartung (“Hör’ ich das Pförtchen nicht gehen?”) | B♭ major/ G major | 1816 | v pf | Friedrich Schiller | 1968 | 1st version | |
D.159 | Op.116(p) | Die Erwartung (“Hör’ ich das Pförtchen nicht gehen?”) | B♭ major | v pf | Friedrich Schiller | 1829 | 2nd version | |
D.160 | Am Flusse (“Verfliesset, vielgeliebte Lieder”) | D minor | 1815 | v pf | Johann Wolfgang von Goethe | 1894 | 1st setting | |
D.161 | An Mignon (“Über Tal und Fluss getragen”) | G♯ minor | 1815 | v pf | Johann Wolfgang von Goethe | 1894 | 1st version | |
D.161 | Op. | 19/2An Mignon (“Über Tal und Fluss getragen”) | G minor | v pf | Johann Wolfgang von Goethe | 1825 | 2nd version | |
D.162 | Nähe des Geliebten (“Ich denke dein, wenn mir der Sonne Schimmer”) | G♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1894 | 1st version | |
D.162 | Op. | 5/2Nähe des Geliebten (“Ich denke dein, wenn mir der Sonne Schimmer”) | G♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1821 | 2nd version |
D.163 | Sängers Morgenlied (“Süsses Licht! aus goldenen Pforten”) | G major | 1815 | v pf | Theodor Körner | 1894 | 1st setting | |
D.164 | Liebesrausch (“Glanz des Guten und des Schönen strahlt mir dein hohes Bild”) | G major | 1815 | v pf | Theodor Körner | 1965 ca. | 1st setting; fragment | |
D.165 | Sängers Morgenlied (“Süsses Licht! aus goldenen Pforten”) | C major | 1815 | v pf | Theodor Körner | 1872 | 2nd setting | |
D.166 | Amphiaraos (“Vor Thebens siebenfach gähnenden Toren”) | G minor | 1815 | v pf | Theodor Körner | 1894 | ||
D.167 | Mass (No.2) | G major | 1815 | sop ten bass ch str org | 1846 | |||
D.168 | Nun lasst uns den Leib begraben (“Begrabt den Leib in seiner Gruft”), Bergräbnislied | C minor | 1815 | ch pf | Friedrich Gottlieb Klopstock | 1872 | ||
D.168a [987] | Jesus Christus unser Heiland, der den Tod überwand (“Überwunden hat der Herr den Tod!”), Osterlied | E♭ major | 1815 | ch pf | Friedrich Gottlieb Klopstock | 1872 | ||
D.169 | Trinklied vor der Schlacht (“Schlacht, du brichst an!”) | A minor | 1815 | 2uch pf | Theodor Körner | 1894 | ||
D.170 | Schwertlied (“Du Schwert an meiner Linken”) | C major | 1815 | v uch pf | Theodor Körner | 1873 | ||
D.171 | Gebet während der Schlacht (“Vater, ich rufe dich!”) | B♭ major | 1815 | v pf | Theodor Körner | 2009 | 1st version | |
D.171 | Gebet während der Schlacht (“Vater, ich rufe dich!”) | G major | v pf | Theodor Körner | 1831 | 2nd version | ||
D.172 | Der Morgenstern (“Stern der Liebe, Glanzgebilde!”) | G♭ major | 1815 | v pf | Theodor Körner | 1983 | 1st setting; sketch | |
D.173 | String Quartet (No.9) | G minor | 1815 | 2vn va vc | 1871 | |||
D.174 | Das war ich (“Jüngst träumte mir”) | G major | 1815 | v pf | Theodor Körner | 1845 ca. | 1st setting | |
D.174 | Das war ich (“Jüngst träumte mir”) | D major | 1816? | v pf | Theodor Körner | 1894 | 2nd setting; sketch | |
D.175 | Stabat Mater (“Stabat mater”) | G minor | 1815 | ch org orch | 1888 | sequence | ||
D.176 | Die Sterne (“Was funkelt ihr so mild mich an?”) | A♭ major | 1815 | v pf | Johann Georg Fellinger | 1872 | ||
D.177 | Op.173/3(p) | Vergebliche Liebe (“Ja, ich weiss es, diese treue Liebe”) | C minor | 1815 | v pf | Josef Karl Bernard | 1867 | |
D.177a | Am ersten Mai (“Ich ging mit ihr im Freien”) | 1821 ante | v pf | Josef Karl Bernard | lost | |||
D.178 | Adagio | G major | 1815 | pf | 1897 | 1st version | ||
D.178 | Adagio | G major | 1815 | pf | 1897 | 2nd version; fragment | ||
D.179 | Liebesrausch (“Dir, Mädchen, schlägt mit leisem Beben”) | G major | 1815 | v pf | Theodor Körner | 1872 | 2nd setting | |
D.180 | Sehnsucht der Liebe (“Wie die Nacht mit heil’gem Beben”) | E minor/ G major | 1815 | v pf | Theodor Körner | 1894 | ||
D.181 | Offertory (Tres sunt) (“Tres sunt, qui testimonium dant in coelo”) | A minor | 1815 | ch org orch | 1888 | |||
D.182 | Die erste Liebe (“Die erste Liebe füllt das Herz”) | C major | 1815 | v pf | Johann Georg Fellinger | 1842 | ||
D.183 | Trinklied (“Ihr Freunde und du gold’ner Wein”) | G major | 1815 | v uch pf | Alois Zettler | 1887 | ||
D.184 | Op.150(p) | Gradual (Benedictus es, Domine) (“Benedictus es, Domine”) | C major | 1815 | ch org orch | 1843 ca. | ||
D.185 | now belongs to D.105 | |||||||
D.186 | Die Sterbende (“Heil! dies ist die letzte Zähre”) | A♭ major | 1815 | v pf | Friedrich von Matthisson | 1894 | ||
D.187 | Stimme der Liebe (“Abendgewölke schweben hell”) | F major | 1815 | v pf | Friedrich von Matthisson | 1894 | 1st setting | |
D.188 | Naturgenuss (“Im Abendschimmer wallt der Quell”) | B♭ major | 1815 | v pf | Friedrich von Matthisson | 1887 | 1st setting | |
D.189 | Op.111/1(p) | An die Freude (“Freude, schöner Götterfunken”) | E major | 1815 | v uch pf | Friedrich Schiller | 1829 | |
D.190 | Der vierjährige Posten | 1815 | sop 3ten bass nar ch orch | Theodor Körner | 1888 | singspiel in 1 act: overture and 8 numbers | ||
D.190 | Der vierjährige Posten No.5 "Arie: Gott! höre meine Stimme" | E♭ major | 1815? | sop pf | Theodor Körner | 1988 | version for soprano and piano of No.5 from the singspiel | |
D.191 | Des Mädchens Klage (“Der Eichwald braust”) | C minor | 1815 | v pf | Friedrich Schiller | 1894 | 2nd setting - 1st version | |
D.191 | Op. | 58/3Des Mädchens Klage (“Der Eichwald braust”) | C minor | v pf | Friedrich Schiller | 1826 | 2nd setting - 2nd version | |
D.192 | Der Jüngling am Bache (“An der Quelle sass der Knabe”) | F minor | 1815 | v pf | Friedrich Schiller | 1887 | 2nd setting | |
D.193 | An den Mond (“Geuss, lieber Mond, geuss deine Silberflimmer”) | F minor | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1982 | 1st version | |
D.193 | Op. | 57/3An den Mond (“Geuss, lieber Mond, geuss deine Silberflimmer”) | F minor | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1826 | 2nd version |
D.194 | Die Mainacht (“Wann der silberne Mond”) | D minor | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1894 | ||
D.195 | Op.173/1(p) | Amalia (“Schön wie Engel voll Walhallas Wonne”) | A major/ A minor | 1815 | v pf | Friedrich Schiller | 1867 | |
D.196 | Op.172/3(p) | An die Nachtigall (“Geuss nicht so laut der liebentflammten Lieder”) | F♯ minor | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1865 | |
D.197 | An die Apfelbäume, wo ich Julien erblickte (“Ein heilig Säuseln und ein Gesangeston”) | A major | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1850 | ||
D.198 | Seufzer (“Die Nachtigall singt überall”) | G minor | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1894 | ||
D.199 | Mailied (“Grüner wird die Au und der Himmel”) | E♭ major | 1815 | 2vv/2hn | Ludwig Christoph Heinrich Hölty | 1885 | 2nd setting | |
D.200 | Symphony No.3 | D major | 1815 | orch | 1884 | |||
D.201 | Auf den Tod einer Nachtigall (“Sie ist dahin”) | F♯ minor | 1815 | v pf | Ludwig Christoph Heinrich Hölty, Johann Heinrich Voss | 1970 | 1st setting; sketch | |
D.202 | Mailied (“Der Schnee zerrinnt, der Mai beginnt”) | E♭ major | 1815 | 2vv/2hn | Ludwig Christoph Heinrich Hölty | 1885 | 2nd setting of D.130, with a different title | |
D.203 | Der Morgenstern (“Stern der Liebe, Glanzgebilde!”) | E♭ major | 1815 | 2vv/2hn | Theodor Körner | 1892 | 2nd setting | |
D.204 | Jägerlied (“Frisch auf, ihr Jäger”) | E♭ major | 1815 | 2vv/2hn | Theodor Körner | 1892 | ||
D.204a | Das Traumbild (“Geliebtes Bild, das mir mit Feurentzücken”) | 1815 | v pf | Ludwig Christoph Heinrich Hölty | lost | |||
D.205 | Lützows wilde Jagd (“Was glänzt dort vom Walde im Sonnenschein?”) | E♭ major | 1815 | 2vv/2hn | Theodor Körner | 1892 | ||
D.206 | Liebeständelei (“Süsses Liebchen, komm zu mir!”) | E♭ major | 1815 | v pf | Theodor Körner | 1872 | ||
D.207 | Der Liebende (“Beglückt, beglückt, wer dich erblickt”) | B♭ major | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1894 | ||
D.208 | Die Nonne (“Es liebt’ in Welschland irgendwo”) | A♭ major | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1897 | 1st version; fragment | |
D.208 [212] | Die Nonne (“Es liebt’ in Welschland irgendwo”) | A♭ major/ F minor | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1895 | 2nd version | |
D.209 | Op. | 38Der Liedler (“Gib, Schwester, mir die Harf herab”) | A minor/ A♭ major | 1815 | v pf | Joseph Kenner | 1825 | |
D.210 | Die Liebe (“Freudvoll und leidvoll, gedankenvoll sein”), Klärchens Lied | B♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1838 | ||
D.211 | Adelwold und Emma (“Hoch, und ehern schier von Dauer”) | F major/ B major |
1815 | v pf | Friedrich Anton Franz Bertrand | 1894 | ||
D.212 | now D.208 (2nd version) | |||||||
D.213 | Op.172/1(p) | Der Traum (“Mir träumt’ ich war ein Vögelein”) | A major | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1865 | |
D.214 | Op.172/2(p) | Die Laube (“Nimmer werd’ ich, nimmer dein vergessen”) | A♭ major | 1815 | v pf | Ludwig Christoph Heinrich Hölty | 1865 | |
D.215 | Jägers Abendlied (“Im Felde schleich’ ich still und wild”) | F major | 1815 | v pf | Johann Wolfgang von Goethe | 1906 | 1st setting | |
D.215a [216] | Meeres Stille (“Tiefe Stille herrscht im Wasser”) | C major | 1815 | v pf | Johann Wolfgang von Goethe | 1952 | 1st setting | |
D.216 | Op. | 3/2Meeres Stille (“Tiefe Stille herrscht im Wasser”) | C major | 1815 | v pf | Johann Wolfgang von Goethe | 1821 | 2nd setting |
D.217 | Kolmas Klage (“Rund um mich Nacht”) | C minor/ F minor | 1815 | v pf | James Macpherson ("Ossian") | 1830 | ||
D.218 | Grablied (“Er fiel den Tod fürs Vaterland”) | F minor | 1815 | v pf | Joseph Kenner | 1848 | ||
D.219 | Das Finden (“Ich hab’ ein Mädchen funden”) | B♭ major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1848 | ||
D.220 | Fernando | 1815 | 2sop ten 2bass nar orch | Albert Stadler | 1888 | singspiel in 1 act: 7 numbers | ||
D.221 | Op.118/2(p) | Der Abend (“Der Abend blüht, Temora glüht”) | B major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1829 | |
D.222 | Lieb Minna (“Schwüler Hauch weht mir herüber”) | F minor | 1815 | v pf | Albert Stadler | 1885 | also appears as "Lieb Minna. Romanze" | |
D.223 | Salve Regina, Zweites Offertorium | F major | 1815 | sop org str | offertory; 1st version | |||
D.223 | Op. | 47Salve Regina, Zweites Offertorium | F major | 1823 | sop org orch | 1825 | offertory; 2nd version | |
D.224 | Op. | 4/3Wandrers Nachtlied (“Der du von dem Himmel bist”) | G♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1821 | |
D.225 | Der Fischer (“Das Wasser rauscht’, das Wasser schwoll”) | B♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1970 | 1st version | |
D.225 | Op. | 5/3Der Fischer (“Das Wasser rauscht’, das Wasser schwoll”) | B♭ major | 1816 | v pf | Johann Wolfgang von Goethe | 1821 | 2nd version |
D.226 | Op. | 5/4Erster Verlust (“Ach, wer bringt die schönen Tage”) | F minor | 1815 | v pf | Johann Wolfgang von Goethe | 1821 | |
D.227 | Idens Nachtgesang (“Vernimm es, Nacht”) | B♭ major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1885 | ||
D.228 | Von Ida (“Der Morgen blüht, der Osten glüht”) | F minor | 1815 | v pf | Ludwig Gotthard Kosegarten | 1894 | ||
D.229 | Op.108/3 | Die Erscheinung (“Ich lag auf grünen Matten”) | E major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1829 | |
D.230 | Op.165/4(p) | Die Täuschung (“Im Erlenbusch, im Tannerhain”) | E major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1862 | |
D.231 | Op.172/4(p) | Das Sehnen (“Wehmut, die mich hüllt”) | A minor | 1815 | v pf | Ludwig Gotthard Kosegarten | 1865 | |
D.232 | Op.112/3(p) | Hymne an den Unendlichen (“Zwischen Himmel und Erd’ ”) | C minor | 1815 | sop alt ten bass pf | Friedrich Schiller | 1829 | |
D.233 | Op.118/1(p) | Geist der Liebe (“Wer bist du, Geist der Liebe”) | E major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1829 | |
D.234 | Op.118/3(p) | Tischlied (“Mich ergreift, ich weiss nicht wie, himmlisches Behagen”) | C major | 1815 | v pf | Johann Wolfgang von Goethe | 1829 | |
D.235 | Abends unter der Linde (“Woher, o namenloses Sehnen”) | F major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1894 | 1st setting | |
D.236 | Das Abendrot (“Der Abend blüht, der Westen glüht!”) | A major | 1815 | 2sop bass pf | Ludwig Gotthard Kosegarten | 1892 | ||
D.237 | Abends unter der Linde (“Woher, o namenloses Sehnen”) | F major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1872 | 2nd setting - 1st version | |
D.237 | Abends unter der Linde (“Woher, o namenloses Sehnen”) | F major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1894 | 2nd setting - 2nd version | |
D.238 | Die Mondnacht (“Siehe, wie die Mondesstrahlen”) | F♯ major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1894 | ||
D.239 | Claudine von Villa Bella | 1815 | 2sop 2ten 2bass ch orch | Johann Wolfgang von Goethe | 1893 | singspiel in 3 acts; incomplete – Act I: overture and 8 numbers, 1 number from Act II and 1 number from Act III are extant; remaining numbers were written, but are now lost | ||
D.240 | Huldigung (“Ganz verloren, ganz versunken in dein Anschaun”) | E major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1894 | ||
D.241 | Alles um Liebe (“Was ist es, das die Seele füllt?”) | E major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1894 | ||
D.242 | Trinklied im Winter (“Das Glas gefüllt!”) | F♯ minor | 1815? | 2ten bass | Ludwig Christoph Heinrich Hölty | 1892 | 1st setting; "Winterlied", D.deest is the 2nd setting, with a different title | |
D.243 | Frühlingslied (“Die Luft ist blau, das Tal ist grün”) | C major | 1815? | 2ten bass | Ludwig Christoph Heinrich Hölty | 1892 | 1st setting | |
D.244 | Wilkommen, lieber schöner Mai (“Willkommen, lieber schöner Mai”) | A major | 1815 | 3vv | Ludwig Christoph Heinrich Hölty | 1892 | canon in two parts | |
D.245 | now D.587 (2nd version) | |||||||
D.246 | Die Bürgschaft (“Zu Dionys, dem Tyrannen”) | G minor/ G major | 1815 | v pf | Friedrich Schiller | 1830 | ||
D.247 | Op.118/6(p) | Die Spinnerin (“Als ich still und ruhig spann”) | B minor | 1815 | v pf | Johann Wolfgang von Goethe | 1829 | |
D.248 | Op.118/4(p) | Lob des Tokayers (“O köstlicher Tokayer, o königlicher Wein”) | B♭ major | 1815 | v pf | Gabriele von Baumberg | 1829 | |
D.249 | Die Schlacht (“Schwer und dumpfig”) | B minor | 1815 | vv? pf | Friedrich Schiller | 1996 | 1st setting; sketch | |
D.250 | Das Geheimnis (“Sie konnte mir kein Wörtchen sagen”) | A♭ major | 1815 | v pf | Friedrich Schiller | 1872 | 1st setting | |
D.251 | Hoffnung (“Es reden und träumen die Menschen viel”) | G♭ major | 1815 | v pf | Friedrich Schiller | 1872 | 1st setting | |
D.252 | Das Mädchen aus der Fremde (“In einem Tal bei armen Hirten”) | F major | 1815 | v pf | Friedrich Schiller | 1887 | 2nd setting | |
D.253 | Punschlied. Im Norden zu singen (“Auf der Berge freien Höhen”) | B♭ major | 1815 | v pf | Friedrich Schiller | 1887 | 1st version | |
D.253 | Punschlied. Im Norden zu singen (“Auf der Berge freien Höhen”) | B♭ major | 1815 | 2vv | Friedrich Schiller | 1887 | 2nd version | |
D.254 | Der Gott und die Bajadere (“Mahadöh, der Herr der Erde”) | E♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1887 | also appears as "Der Gott und die Bajadere. Indische Legende" | |
D.255 | Der Rattenfänger (“Ich bin der wohlbekannte Sänger”) | G major | 1815 | v pf | Johann Wolfgang von Goethe | 1850 | ||
D.256 | Der Schatzgräber (“Arm am Beutel, krank am Herzen”) | D minor/ D major | 1815 | v pf | Johann Wolfgang von Goethe | 1887 | ||
D.257 | Op. | 3/3Heidenröslein (“Sah ein Knab’ ein Röslein stehn”) | G major | 1815 | v pf | Johann Wolfgang von Goethe | 1821 | |
D.258 | Bundeslied (“In allen guten Stunden”) | B♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1887 | ||
D.259 | An den Mond (“Füllest wieder Busch und Tal”) | E♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1850 | 1st setting | |
D.260 | Op.115/2(p) | Wonne der Wehmut (“Trocknet nicht, trocknet nicht, Tränen der ewigen Liebe”) | C minor | 1815 | v pf | Johann Wolfgang von Goethe | 1829 | |
D.261 | Wer kauft Liebesgötter? (“Von allen schönen Waren”) | C major | 1815 | v pf | Johann Wolfgang von Goethe | 2009 | 1st version | |
D.261 | Wer kauft Liebesgötter? (“Von allen schönen Waren”) | C major | 1816 | v pf | Johann Wolfgang von Goethe | 1850 | 2nd version | |
D.262 | Die Fröhlichkeit (“Wess’ Adern leichtes Blut durchspringt”) | E major | 1815 | v pf | Martin Joseph Prandstätter | 1895 | ||
D.263 | Cora an die Sonne (“Nach so vielen trüben Tagen”) | E♭ major | 1815 | v pf | Gabriele von Baumberg | 1848 | ||
D.264 | Der Morgenkuss (“Durch eine ganze Nacht sich nah zu sein”) | E♭ major | 1815 | v pf | Gabriele von Baumberg | 1872 | 1st version | |
D.264 | Der Morgenkuss (“Durch eine ganze Nacht sich nah zu sein”) | C major | v pf | Gabriele von Baumberg | 1850 | 2nd version | ||
D.265 | Abendständchen. An Lina (“Sei sanft wie ihre Seele”) | B♭ major | 1815 | v pf | Gabriele von Baumberg | 1895 | ||
D.266 | Morgenlied (“Willkommen, rotes Morgenlicht!”) | F major | 1815 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1895 | ||
D.267 | Trinklied (“Auf! Jeder sei nun froh und sorgenfrei!”) | B♭ major | 1815 | 2ten 2bass pf | anonymous | 1872 | ||
D.268 | Bergknappenlied (“Hinab, ihr Brüder, in den Schacht!”) | D minor | 1815 | 2ten 2bass pf | Gotthold Friedrich Stäudlin | 1872 | ||
D.269 | Das Leben (“Das Leben ist ein Traum”) | B♭ major | 1815 | 2ten bass | Johann Christoph Wannovius | 1st version | ||
D.269 | Das Leben (“Das Leben ist ein Traum”) | B♭ major | 1815 | 2sop alto pf | Johann Christoph Wannovius | 1849 | 2nd version | |
D.270 | Op.118/5(p) | An die Sonne (“Sinke, liebe Sonne”) | E♭ major | 1815 | v pf | Gabriele von Baumberg | 1829 | |
D.271 | Der Weiberfreund (“Noch fand von Evens Töchterscharen ich keine”) | A major | 1815 | v pf | Joseph Franz Ratschky, after Abraham Cowley | 1895 | ||
D.272 | An die Sonne (“Königliche Morgensonne”) | E♭ major | 1815 | v pf | Christoph August Tiedge | 1872 | ||
D.273 | Lilla an die Morgenröte (“Wie schön bist du, du güldne Morgenröte”) | D major | 1815 | v pf | anonymous | 1895 | ||
D.274 | Tischlerlied (“Mein Handwerk geht durch alle Welt”) | C major | 1815 | v pf | anonymous | 1850 | 1st version | |
D.274 | Tischlerlied (“Mein Handwerk geht durch alle Welt”) | C major | v pf | anonymous | 2011 | 2nd version | ||
D.275 | Totenkranz für ein Kind (“Sanft wehn, im Hauch der Abendluft”) | G minor | 1815 | v pf | Friedrich von Matthisson | 1895 | ||
D.276 | Abendlied (“Gross und rotentflammet”) | A major | 1815 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1895 | ||
D.277 | Punschlied (“Vier Elemente, innig gesellt”) | C major | 1815 | 2ten bass pf | Friedrich Schiller | 1892 | ||
D.277a | Minuet with Trio | A minor | 1815? | pf | 1925 | alternative movt. III for D.279 (with Trio in F major) | ||
D.278 | Ossians Lied nach dem Falle Nathos (“Beugt euch aus euren Wolken nieder”) | E major | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1897 | 1st version; fragment | |
D.278 | Ossians Lied nach dem Falle Nathos (“Beugt euch aus euren Wolken nieder”) | E major | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 2011 | 2nd version | |
D.278 | Ossians Lied nach dem Falle Nathos (“Beugt euch aus euren Wolken nieder”) | E major | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1830 | 3rd version | |
D.279 | Piano Sonata | C major | 1815 | pf | 1888 | unfinished – movts. I-III are extant; D.346 is probably movt. IV; see also D.277a | ||
D.280 | Das Rosenband (“Im Frühlingsgarten fand ich sie”) | A♭ major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1837 | ||
D.281 | Das Mädchen von Inistore (“Mädchen Inistores, wein auf dem Felsen”) | C minor | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 2011 | 1st version | |
D.281 | Das Mädchen von Inistore (“Mädchen Inistores, wein auf dem Felsen”) | C minor | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1830 | 2nd version | |
D.282 | Cronnan (“Ich sitz’ bei der moosigten Quelle”) | C minor | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 2011 | 1st version | |
D.282 | Cronnan (“Ich sitz’ bei der moosigten Quelle”) | C minor | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1830 | 2nd version | |
D.283 | Op.172/5(p) | An den Frühling (“Willkommen, schöner Jüngling!”) | F major | 1815 | v pf | Friedrich Schiller | 1865 | 1st setting |
D.284 | Lied (Es ist so angenehm) (“Es ist so angenehm, so süss”) | G major | 1815 | v pf | Friedrich Schiller? | 1895 | ||
D.285 | Furcht der Geliebten (An Cidli) (“Cidli, du weinest”) | A♭ major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1895 | 1st version | |
D.285 | An Cidli (Furcht der Geliebten) (“Cidli, du weinest”) | A♭ major | v pf | Friedrich Gottlieb Klopstock | 1885 | 2nd version | ||
D.286 | Selma und Selmar (“Weine du nicht”) | F major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1895 | 1st version | |
D.286 | Selma und Selmar (“Weine du nicht”) | F major | v pf | Friedrich Gottlieb Klopstock | 1837 | 2nd version | ||
D.287 | Vaterlandslied (“Ich bin ein deutsches Mädchen”) | C major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1895 | 1st version | |
D.287 | Vaterlandslied (“Ich bin ein deutsches Mädchen”) | C major | v pf | Friedrich Gottlieb Klopstock | 1895 | 2nd version | ||
D.288 | An Sie (“Zeit, Verkündigerin der besten Freuden”) | A♭ major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1895 | ||
D.289 | Die Sommernacht (“Wenn der Schimmer von dem Monde”) | C major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1895 | 1st version | |
D.289 | Die Sommernacht (“Wenn der Schimmer von dem Monde”) | C major | v pf | Friedrich Gottlieb Klopstock | 1895 | 2nd version | ||
D.290 | Die frühen Gräber (“Willkommen, o silberner Mond”) | A minor | 1815 | v pf | Friedrich Gottlieb Klopstock | 1837 | ||
D.291 | Dem Unendlichen (“Wie erhebt sich das Herz”) | F major/ E♭ major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1895 | 1st version | |
D.291 | Dem Unendlichen (“Wie erhebt sich das Herz”) | F major/ E♭ major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1831 | 2nd version | |
D.291 | Dem Unendlichen (“Wie erhebt sich das Herz”) | G major/ E♭ major | 1815 | v pf | Friedrich Gottlieb Klopstock | 1895 | 3rd version | |
D.292 | now D.371 (1st version) | |||||||
D.293 | Shilric und Vinvela (“Mein Geliebter ist ein Sohn des Hügels”) | B♭ major/ A major | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1895 | 1st version | |
D.293 | Shilric und Vinvela (“Mein Geliebter ist ein Sohn des Hügels”) | B♭ major/ A major | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1830 | 2nd version | ||
D.294 | Namensfeier (“Erhabner! Verehrter Freund der Jugend!”), Gratulations-Kantate | E♭ major | 1815 | sop ten bass ch orch | anonymous | 1892 | also appears as "Namensfeier fur Franz Michael Vierthaler" | |
D.295 | Hoffnung (“Schaff, das Tagwerk meiner Hände”) | F major | 1820 | v pf | Johann Wolfgang von Goethe | 1872 | 1st version | |
D.295 | Hoffnung (“Schaff, das Tagwerk meiner Hände”) | E major | 1820 | v pf | Johann Wolfgang von Goethe | 1895 | 2nd version | |
D.296 | An den Mond (“Füllest wieder Busch und Tal”) | A♭ major | 1820 | v pf | Johann Wolfgang von Goethe | 1868 | 2nd setting | |
D.297 | Augenlied (“Süsse Augen, klare Bronnen!”) | F major | 1817? | v pf | Johann Mayrhofer | 1895 | 1st version | |
D.297 | Augenlied (“Süsse Augen, klare Bronnen!”) | F major | v pf | Johann Mayrhofer | 1850 | 2nd version | ||
D.297 | Augenlied (“Süsse Augen, klare Bronnen!”) | F major | v pf | Johann Mayrhofer | 2011 | modified 2nd version | ||
D.298 | Liane (“Hast du Lianen nicht gesehen?”) | C major | 1815 | v pf | Johann Mayrhofer | 1895 | ||
D.299 | Ecossaises (12) | 1815 | pf | 1897 | D.299/1 = D.145/30 | |||
D.300 | Der Jüngling an der Quelle (“Leise, rieselnder Quell”) | A major | 1816 or 1817(?) | v pf | Johann Gaudenz von Salis-Seewis | 1842 | ||
D.301 | Lambertine (“O Liebe, die mein Herz erfüllet”) | E♭ major | 1815 | v pf | Josef Ludwig Stoll | 1842 | ||
D.302 | Labetrank der Liebe (“Wenn im Spiele leiser Töne”) | F major | 1815 | v pf | Josef Ludwig Stoll | 1895 | ||
D.303 | An die Geliebte (“O, dass ich dir vom stillen Auge”) | G major | 1815 | v pf | Josef Ludwig Stoll | 1887 | ||
D.304 | Wiegenlied (“Schlumm’re sanft! Noch an dem Mutterherzen”) | F major | 1815 | v pf | Theodor Körner | 1895 | ||
D.305 | Mein Gruss an den Mai (“Sei mir gegrüsst, o Mai”) | B♭ major | 1815 | v pf | Johann Gottfried Kumpf | 1895 | ||
D.306 | Skolie (“Lasst im Morgenstrahl des Mai’n”) | B♭ major | 1815 | v pf | Johann Ludwig Ferdinand von Deinhardstein | 1895 | ||
D.307 | Die Sternenwelten (“Oben drehen sich die grossen unbekannten Welten dort”) | F major | 1815 | v pf | Johann Georg Fellinger, after Urban Jarnik | 1895 | ||
D.308 | Die Macht der Liebe (“Überall, wohin mein Auge blicket”) | B♭ major | 1815 | v pf | Johann von Kalchberg | 1895 | ||
D.309 | Das gestörte Glück (“Ich hab’ ein heisses junges Blut”) | F major | 1815 | v pf | Theodor Körner | 1872 | ||
D.309a | Rondo | C major | 1815 | pf | 2000 | fragment | ||
D.310 | Sehnsucht (“Nur wer die Sehnsucht kennt”) | A♭ major | 1815 | v pf | Johann Wolfgang von Goethe | 1895 | 1st setting - 1st version | |
D.310 | Sehnsucht (“Nur wer die Sehnsucht kennt”) | F major | 1815 | v pf | Johann Wolfgang von Goethe | 1895 | 1st setting - 2nd version | |
D.311 | An den Mond (“?”) | A major | 1815? | v pf | 1959 | sketch without text | ||
D.312 | Hektors Abschied (“Will sich Hektor ewig von mir wenden”) | F minor | 1815 | v pf | Friedrich Schiller | 1895 | 1st version | |
D.312 | Op. | 58/1Hektors Abschied (“Will sich Hektor ewig von mir wenden”) | F minor | v pf | Friedrich Schiller | 1826 | 2nd version | |
D.313 | Die Sterne (“Wie wohl ist mir im Dunkeln!”) | B♭ major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1895 | ||
D.314 | Nachtgesang (“Tiefe Feier schauert um die Welt”) | E♭ major | 1815 | v pf | Ludwig Gotthard Kosegarten | 2011 | 1st version | |
D.314 | Nachtgesang (“Tiefe Feier schauert um die Welt”) | E♭ major | 1816? | v pf | Ludwig Gotthard Kosegarten | 1887 | 2nd version | |
D.315 | An Rosa I (“Warum bist du nicht hier”) | A♭ major | 1815 | v pf | Ludwig Gotthard Kosegarten | 2011 | 1st version | |
D.315 | An Rosa I (“Warum bist du nicht hier”) | A♭ major | 1816? | v pf | Ludwig Gotthard Kosegarten | 1895 | 2nd version | |
D.316 | An Rosa II (“Rosa, denkst du an mich?”) | A♭ major | 1815 | v pf | Ludwig Gotthard Kosegarten | 1895 | 1st version | |
D.316 | An Rosa II (“Rosa, denkst du an mich?”) | A♭ major | 1816? | v pf | Ludwig Gotthard Kosegarten | 1895 | 2nd version | |
D.317 | Idens Schwanenlied (“Wie schaust du aus dem Nebelflor”) | F minor | 1815 | v pf | Ludwig Gotthard Kosegarten | 2011 | 1st version | |
D.317 | Idens Schwanenlied (“Wie schaust du aus dem Nebelflor”) | F minor | v pf | Ludwig Gotthard Kosegarten | 1895 | 2nd version | ||
D.318 | Schwangesang (“Endlich stehn die Pforten offen”) | F minor | 1815 | v pf | Ludwig Gotthard Kosegarten | 1895 | ||
D.319 | Luisens Antwort (“Wohl weinen Gottes Engel”) | B♭ minor | 1815 | v pf | Ludwig Gotthard Kosegarten | 1895 | 1st version | |
D.319 | Luisens Antwort (“Wohl weinen Gottes Engel”) | B♭ minor | 1816? | v pf | Ludwig Gotthard Kosegarten | 2011 | 2nd version | |
D.320 | Der Zufriedene (“Zwar schuf das Glück hienieden”) | A major | 1815 | v pf | Christian Ludwig Reissig | 1895 | ||
D.321 | Mignon (“Kennst du das Land”) | A major | 1815 | v pf | Johann Wolfgang von Goethe | 2011 | 1st version | |
D.321 | Mignon (“Kennst du das Land”) | A major | 1816? | v pf | Johann Wolfgang von Goethe | 1832 | 2nd version | |
D.322 | Hermann und Thusnelda (“Ha, dort kömmt er”) | E♭ major/ B♭ major | 1815 | v pf | Friedrich Gottlieb Klopstock | 2011 | 1st version | |
D.322 | Hermann und Thusnelda (“Ha, dort kömmt er”) | E♭ major/ B♭ major | 1816? | v pf | Friedrich Gottlieb Klopstock | 1837 | 2nd version | |
D.323 | Klage der Ceres (“Ist der holde Lenz erschienen?”) | G major/ B♭ major | 1815-16 | v pf | Friedrich Schiller | 1895 | original version | |
D.323 | Klage der Ceres (“Ist der holde Lenz erschienen?”) | G major/ G minor | v pf | Friedrich Schiller | 2011 | modified version | ||
D.323 | Klage der Ceres (“Ist der holde Lenz erschienen?”) | G minor/ A major | 1816 | v pf | Friedrich Schiller | 2011 | variant of measures 142-203 | |
D.323 [991] | Klage der Ceres (“O so lasst euch froh begrüssen”) | B♭ major | 1815-16 | v pf | Friedrich Schiller | 1895 | fragment; last verse of the song | |
D.324 | Op.141(p) | Mass (No.3) | B♭ major | 1815 | sop alt ten bass ch org orch | 1837 | ||
D.325 | Harfenspieler (“Wer sich der Einsamkeit ergibt”) | A minor | 1815 | v pf | Johann Wolfgang von Goethe | 1895 | 1st setting | |
D.326 | Die Freunde von Salamanka | 1815 | 3sop 3ten 6bass ch orch | Johann Mayrhofer | 1888 | singspiel in 2 acts: overture and 18 numbers | ||
D.327 | Lorma (“Lorma sass in der Halle von Aldo”) | A minor | 1815 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1965 | 1st setting; fragment | |
D.328 | Erlkönig (“Wer reitet so spät durch Nacht und Wind?”) | G minor | 1815 | v pf | Johann Wolfgang von Goethe | 1895 | 1st version | |
D.328 | Erlkönig (“Wer reitet so spät durch Nacht und Wind?”) | G minor | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 2nd version | |
D.328 | Erlkönig (“Wer reitet so spät durch Nacht und Wind?”) | G minor | 1816? | v pf | Johann Wolfgang von Goethe | 1895 | 3rd version | |
D.328 | Op. | 1Erlkönig (“Wer reitet so spät durch Nacht und Wind?”) | G minor | v pf | Johann Wolfgang von Goethe | 1821 | 4th version | |
D.329 | Die drei Sänger (“Der König sass beim frohen Mahle”) | A major | 1815 | v pf | Johann Friedrich Ludwig Bobrik | 1895 | fragment | |
D.329a | Das Grab (“Das Grab ist tief und stille”) | C minor | 1815? | ch | Johann Gaudenz von Salis-Seewis | 1986 | canon; 1st setting; sketch | |
D.330 | Das Grab (“Das Grab ist tief und stille”) | G minor | 1815 | uch/ch pf | Johann Gaudenz von Salis-Seewis | 1895 | 2nd setting | |
D.331 | Der Entfernten (“Wohl denk’ ich allenthalben”) | C♯ major | 1816 ca. | 2ten 2bass | Johann Gaudenz von Salis-Seewis | 1866 | 1st setting; identical to D.332 | |
D.332 | see D.331 | |||||||
D.333 | now belongs to D.796/21a | |||||||
D.334 | Minuet with Trio | A major | 1815 | pf | 1897 | with Trio in E major | ||
D.335 | Minuet with Two Trios | E major | 1813? | pf | 1897 | |||
D.336 | now D.Anh.I/15 | |||||||
D.337 | Die Einsiedelei (“Es rieselt klar und wehend ein Quell”) | G minor | 1816 ca. | 2ten 2bass | Johann Gaudenz von Salis-Seewis | 1860 ca. | 1st setting | |
D.338 | An den Frühling (“Willkommen, schöner Jüngling!”) | G major | 1816 ca. | 2ten 2bass | Friedrich Schiller | 1891 | 2nd setting | |
D.339 | now D.Anh.I/20 | |||||||
D.340 | now D.Anh.I/21 | |||||||
D.341 | now D.Anh.I/22 | |||||||
D.342 | An mein Klavier (“Sanftes Klavier, welche Entzückungen schaffest du mir”), Seraphine an ihr Klavier | A major | 1816 ca. | v pf | Christian Friedrich Daniel Schubart | 1885 | ||
D.343 | Am Tage Aller Seelen (“Ruhn in Frieden alle Seelen”), Litanei auf das Fest Aller Seelen | E♭ major | 1816 | v pf | Johann Georg Jacobi | 1831 | 1st version | |
D.343 | Am Tage Aller Seelen (“Ruhn in Frieden alle Seelen”), Litanei auf das Fest Aller Seelen | E♭ major | 1816? | v pf | Johann Georg Jacobi | 2002 | 2nd version | |
D.344 | Am ersten Maimorgen (“Heute will ich fröhlich sein”) | G major | 1816? | v pf | Matthias Claudius | 1967 | ||
D.345 | Violin Concerto, Konzertstück | D major | 1816 | vn orch | 1897 | concerto piece in 1 movt. | ||
D.346 | Allegretto | C major | 1816? | pf | 1897 | fragment; probably movt. IV of D.279 | ||
D.347 | Allegro moderato | C major | 1813? | pf | 1897 | fragment | ||
D.348 | Andantino | C major | 1816? | pf | 1897 | fragment | ||
D.349 | Adagio | C major | 1816? | pf | 1897 | fragment | ||
D.350 | Der Entfernten (“Wohl denk’ ich allenthalben”) | E♭ major | 1816? | v pf | Johann Gaudenz von Salis-Seewis | 1885 | 2nd setting | |
D.351 | Fischerlied (“Das Fischergewerbe gibt rüstigen Mut”) | D major | 1816? | v pf | Johann Gaudenz von Salis-Seewis | 1895 | 1st setting | |
D.352 | Licht und Liebe (“Liebe ist ein süsses Licht”), Nachtgesang | G major | 1816? | sop ten pf | Matthäus von Collin | 1847 ca. | ||
D.353 | Op.125/2(p) | String Quartet (No.11) | E major | 1816 | 2vn va vc | 1840 | ||
D.354 | Comic Ländler (4) | D major | 1816 | 2vn | 1930 | |||
D.355 | Ländler (8) | F♯ minor | 1816 | vn? | 1928 | possibly for violin duet | ||
D.356 | Trinklied (“Funkelnd im Becher so helle, so hold”) | D major | 1816 | v mch pf | anonymous | 1844 | fragment; piano part is lost | |
D.357 | Goldner Schein (“Gold’ner Schein, deckt den Hain”) | G major/ D major | 1816 | 3vv | Friedrich von Matthisson | 1892 | canon | |
D.358 | Die Nacht (“Du verstörst uns nicht, o Nacht!”) | A♭ major | 1816? | v pf | Johann Peter Uz | 2002 | 1st version | |
D.358 | Die Nacht (“Du verstörst uns nicht, o Nacht!”) | A♭ major | v pf | Johann Peter Uz | 1849 ca. | 2nd version | ||
D.359 | Sehnsucht (“Nur wer die Sehnsucht kennt”), Lied der Mignon | D minor | 1816 | v pf | Johann Wolfgang von Goethe | 1872 | 2nd setting | |
D.360 | Op. | 65/1Lied eines Schiffers an die Dioskuren (“Dioskuren, Zwillingssterne”) | A♭ major | 1816 | v pf | Johann Mayrhofer | 1826 | |
D.361 | Op.109/1(p) | Am Bach im Frühlinge (“Du brachst sie nun, die kalte Rinde”) | D♭ major/ C♯ minor | 1816 | v pf | Franz von Schober | 1829 | 1st version |
D.361 | Am Bach im Frühlinge (“Du brachst sie nun, die kalte Rinde”) | D major/ D minor | 1816 or 1817(?) | v pf | Franz von Schober | 2002 | 2nd version | |
D.362 | Zufriedenheit (“Ich bin vergnügt”) | A major | 1815 or 1816(?) | v pf | Matthias Claudius | 1895 | 1st setting | |
D.363 | An Chloen (“Die Munterkeit ist meinen Wangen”) | G major | 1816? | v pf | Johann Peter Uz | 1963 | fragment | |
D.364 | Fischerlied (“Das Fischergewerbe gibt rüstigen Mut”) | G major | 1816 or 1817(?) | 2ten 2bass | Johann Gaudenz von Salis-Seewis | 1897 | 2nd setting | |
D.365 | Op. | 9Original Dances (36), Erste Walzer | 1818-21 | pf | 1821 | |||
D.366 | Ländler (17) | 1824 | pf | 1869 | D.814/1 is an arrangement of No.17 | |||
D.367 | Op. | 5/5Der König in Thule (“Es war ein König in Thule”) | D minor | 1816 | v pf | Johann Wolfgang von Goethe | 1821 | |
D.368 | Op. | 3/4Jägers Abendlied (“Im Felde schleich’ ich still und wild”) | D♭ major | 1816? | v pf | Johann Wolfgang von Goethe | 1821 | 2nd setting |
D.369 | Op. | 19/1An Schwager Kronos (“Spute dich, Kronos!”) | D minor/ D major | 1816 | v pf | Johann Wolfgang von Goethe | 1825 | |
D.370 | Ländler (9) | D major | 1816 | vn? | 1930 | possibly for violin duet | ||
D.371 [292] | Klage (“Trauer umfliesst mein Leben”) | B minor | 1816 | v pf | anonymous | 1895 | 1st version; sketch | |
D.371 | Klage (“Trauer umfliesst mein Leben”) | B minor | 1816 | v pf | anonymous | 1872 | 2nd version | |
D.372 | An die Natur (“Süsse, heilige Natur”) | F major | 1816? | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1895 | 1st version | |
D.372 | An die Natur (“Süsse, heilige Natur”) | A major | 1816? | v pf | Friedrich Leopold zu Stolberg-Stolberg | 2002 | 2nd version | |
D.373 | Lied (Mutter geht durch ihre Kammern) (“Mutter geht durch ihre Kammern”) | G minor | 1816? | v pf | Friedrich de la Motte Fouqué | 1895 | ||
D.374 | Ländler (11) | B♭ major | 1816? | vn? | 1902 | possibly for violin duet; Nos.1–3, 5, 7 and 11 also used in Nos.1–5 and 7 from D.378 | ||
D.375 | Der Tod Oskars (“Warum öffnest du wieder”) | C minor/ E♭ major | 1816 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1830 | ||
D.376 | Lorma (“Lorma sass in der Halle von Aldo”) | A minor | 1816 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1895 | 2nd setting; fragment | |
D.377 | Das Grab (“Das Grab ist tief und stille”) | C minor | 1816 | mch pf | Johann Gaudenz von Salis-Seewis | 1872 | 3rd setting | |
D.378 | Ländler (8) | B♭ major | 1816 | pf | 1889 | Nos.1–5 and 7 also used in Nos.1–3, 5, 7 and 11 from D.374 | ||
D.379 | Deutsches Salve Regina (“Sei, Mutter der Barmherzigkeit”) | F major | 1816 | ch org | anonymous | 1859 | antiphon | |
D.380 | Minuets (3) | 1816 | pf | 1897 | 3 Minuets, each with 2 Trios; fragment | |||
D.381 | Morgenlied (“Die frohe neubelebte Flur”) | C major | 1816 | v pf | anonymous | 1895 | ||
D.382 | Abendlied (“Sanft glänzt die Abendsonne”) | F major | 1816 | v pf | anonymous | 1895 | ||
D.383 | Stabat mater (“Jesus Christus schwebt am Kreuze”) | F minor | 1816 | sop alt ten bass ch orch | Friedrich Gottlieb Klopstock | 1888 | oratorio; 12 numbers | |
D.383 [992] | Stabat mater (“Wer wird sich nicht innig freuen”) | G major | 1816 | sop alt ten bass orch | Friedrich Gottlieb Klopstock | 1996 | sketches for Nos.5 and 6 from the oratorio | |
D.384 | Op.137/1(p) | Violin Sonata | D major | 1816 | vn pf | 1836 | 2 versions of movt. I | |
D.385 | Op.137/2(p) | Violin Sonata | A minor | 1816 | vn pf | 1836 | ||
D.386 | Salve Regina (“Salve Regina”) | B♭ major | 1816 | ch | 1833 | antiphon | ||
D.387 | Die Schlacht (“Schwer und dumpfig”) | B minor | 1816 | vv? ch pf | Friedrich Schiller | 1897 | 2nd setting; sketch | |
D.388 | Laura am Klavier (“Wenn dein Finger durch die Saiten meistert”) | E major/ B♭ major | 1816 | v pf | Friedrich Schiller | 1895 | 1st version | |
D.388 | Laura am Klavier (“Wenn dein Finger durch die Saiten meistert”) | A major | 1816 | v pf | Friedrich Schiller | 1895 | 2nd version | |
D.389 | Des Mädchens Klage (“Der Eichwald braust”) | C minor | 1816 | v pf | Friedrich Schiller | 1873 | 3rd setting | |
D.390 | Entzückung an Laura (“Laura, über diese Welt”) | A major | 1816 | v pf | Friedrich Schiller | 1895 | 1st setting; also appears as "Die Entzückung an Laura" | |
D.391 | Op.111/3(p) | Die vier Weltalter (“Wohl perlet im Glase”) | G major | 1816 | v pf | Friedrich Schiller | 1829 | |
D.392 | Pflügerlied (“Arbeitsam und wacker”) | C major | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1895 | ||
D.393 | Die Einsiedelei (“Es rieselt klar und wehend ein Quell”) | A major | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1845 | 2nd setting | |
D.394 | An die Harmonie (“Schöpferin beseelter Töne!”), Gesang an die Harmonie | A major | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1895 | ||
D.395 | Op.111/2(p) | Lebens-Melodien (“Auf den Wassern wohnt mein stilles Leben”) | G major/ E♭ major | 1816 | v pf | August Wilhelm Schlegel | 1829 | |
D.396 | Gruppe aus dem Tartarus (“Horch wie Murmeln des empörten Meeres”) | C minor | 1816 | v pf | Friedrich Schiller | 1975 | 1st setting; fragment | |
D.397 | Ritter Toggenburg (“Ritter, treue Schwesterliebe”) | F major/ B♭ minor | 1816 | v pf | Friedrich Schiller | 1895 | 1st version | |
D.397 | Ritter Toggenburg (“Ritter, treue Schwesterliebe”) | E♭ major/ A♭ major | v pf | Friedrich Schiller | 1832 | 2nd version | ||
D.398 | Frühlingslied (“Die Luft ist blau, das Tal ist grün”) | G major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1887 | 2nd setting | |
D.399 | Auf den Tod einer Nachtigall (“Sie ist dahin”) | A minor | 1816 | v pf | Ludwig Christoph Heinrich Hölty, Johann Heinrich Voss | 1895 | 2nd setting | |
D.400 | Die Knabenzeit (“Wie glücklich, wem das Knabenkleid”) | A major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1895 | ||
D.401 | Winterlied (“Keine Blumen blühn”) | A minor | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1895 | ||
D.402 | Der Flüchtling (“Frisch atmet des Morgens lebendiger Hauch”) | B♭ major | 1816 | v pf | Friedrich Schiller | 1872 | 2nd setting of D.67, with a different title | |
D.403 | Lied (Ins stille Land) (“Ins stille Land”) | G minor | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1845 | 1st version; the 1st edition has a 4-measure introduction composed by Anton Diabelli | |
D.403 | Lied (Ins stille Land) (“Ins stille Land”) | A minor | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1895 | 2nd version | |
D.403 | Lied (Ins stille Land) (“Ins stille Land”) | A minor | 1816? | v pf | Johann Gaudenz von Salis-Seewis | 2002 | 3rd version | |
D.403 | Lied (Ins stille Land) (“Ins stille Land”) | A minor | 1823 | v pf | Johann Gaudenz von Salis-Seewis | 2002 | 4th version | |
D.404 | Die Herbstnacht (“Mit leisen Harfentönen”) | F major | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1885 | 1st version | |
D.404 | Die Herbstnacht (“Mit leisen Harfentönen”) | F major | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 2002 | 2nd version | |
D.405 | Der Herbstabend (“Abendglockenhalle zittern”) | F minor | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1895 | 1st version | |
D.405 | Der Herbstabend (“Abendglockenhalle zittern”) | F minor | 1816? | v pf | Johann Gaudenz von Salis-Seewis | 2002 | 2nd version | |
D.406 | Abschied von der Harfe (“Noch einmal tön, o Harfe”) | E minor | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1887 | 1st version | |
D.406 | Abschied von der Harfe (“Noch einmal tön, o Harfe”) | E minor | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 2002 | 2nd version | |
D.407 | Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri | 1816 | 2ten 2bass pf | Franz Schubert | 1891 | |||
D.407/1 | Gütigster, Bester! Weisester Grösster! | B♭ major | 1816 | 2ten 2bass | Franz Schubert | 1891 | 1st setting | |
D.407/1 [441] | Gütigster, Bester! Weisester Grösster! | B♭ major | 1816 | 2ten bass pf | Franz Schubert | 1892 | 2nd setting | |
D.407/2 | So Güt' als Weisheit strömen mild | G major | 1816 | v pf | Franz Schubert | 1891 | ||
D.407/3 | Unser aller Grosspapa | G major | 1816 | 3vv | Franz Schubert | 1891 | canon | |
D.408 | Op.137/3(p) | Violin Sonata | G minor | 1816 | vn pf | 1836 | ||
D.409 | Die verfehlte Stunde (“Quälend ungestilltes Sehnen”) | F minor/ A♭ major | 1816 | v pf | August Wilhelm Schlegel | 1872 | 1st version | |
D.409 | Die verfehlte Stunde (“Quälend ungestilltes Sehnen”) | F minor/ A♭ major | 1816? | v pf | August Wilhelm Schlegel | 1895 | 2nd version | |
D.410 | Op.115/3(p) | Sprache der Liebe (“Lass dich mit gelinden Schlägen rühren”) | E major | 1816 | v pf | August Wilhelm Schlegel | 1829 | |
D.411 | Daphne am Bach (“Ich hab’ ein Bächlein funden”) | D major | 1816 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1887 | ||
D.412 | Stimme der Liebe (“Meine Selinde”) | E major | 1816 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 2002 | 1st version | |
D.412 | Stimme der Liebe (“Meine Selinde”) | D major | 1816 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1838 | 2nd version | |
D.413 | Entzückung (“Tag voll Himmel!”) | C major | 1816 | v pf | Friedrich von Matthisson | 1895 | ||
D.414 | Geist der Liebe (“Der Abend schleiert Flur und Hain”) | G major | 1816 | v pf | Friedrich von Matthisson | 1895 | 1st setting | |
D.415 | Klage (“Die Sonne steigt, die Sonne sinkt”) | C major/ A minor | 1816 | v pf | Friedrich von Matthisson | 1895 | fragment | |
D.416 | Lied in der Abwesenheit (“Ach, mir ist das Herz so schwer”) | B minor | 1816 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1925 | fragment | |
D.417 | Symphony No.4, Tragische (Tragic) | C minor | 1816 | orch | 1884 | |||
D.418 | Stimme der Liebe (“Abendgewölke schweben hell”), Abendgewölke | G major | 1816 | v pf | Friedrich von Matthisson | 1895 | 2nd setting | |
D.419 | Julius an Theone (“Nimmer, nimmer darf ich dir gestehen”) | G minor | 1816 | v pf | Friedrich von Matthisson | 1895 | ||
D.420 | German Dances (12) | 1816 | pf | 1871 | ||||
D.421 | Ecossaises (6) | 1816 | pf | 1889 | D.421/1 = D.145/34 | |||
D.422 | Op. | 16/2Naturgenuss (“Im Abendschimmer wallt der Quell”) | D major | 1822? | 2ten 2bass pf | Friedrich von Matthisson | 1823 | 2nd setting |
D.423 | Andenken (“Ich denke dein, wenn durch den Hain”) | G major | 1816 | 2ten bass | Friedrich von Matthisson | 1974 | 2nd setting | |
D.424 | Erinnerungen (“Am Seegestad, in lauen Vollmondnächten”) | G major | 1816 | 2ten bass | Friedrich von Matthisson | 1974 | 2nd setting | |
D.425 | Lebensbild (“Kommen und scheiden, suchen und meiden”) | 1816 | 2ten bass | Friedrich von Matthisson | lost | see also D.Anh.I/23 | ||
D.426 | Trinklied (“Herr Bacchus ist ein braver Mann”) | 1816 | 2ten bass | Gottfried August Bürger | lost | |||
D.427 | Trinklied im Mai (“Bekränzet die Tonnen”) | E major | 1816 | 2ten bass | Ludwig Christoph Heinrich Hölty | 1892 | ||
D.428 | Widerhall (“Auf ewig dein, wenn Berg und Meere trennen”) | C major | 1816 | 2ten bass | Friedrich von Matthisson | 1974 | ||
D.429 | Minnelied (“Holder klingt der Vogelsang”) | E major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1885 | ||
D.430 | Die frühe Liebe (“Schon im bunten Knabenkleide”) | E major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1895 | 1st version | |
D.430 | Die frühe Liebe (“Schon im bunten Knabenkleide”) | E major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 2002 | 2nd version | |
D.431 | Blumenlied (“Es ist ein halbes Himmelreich”) | E major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1887 | ||
D.432 | Der Leidende (“Nimmer trag’ ich länger”) | B minor | 1816 | v pf | anonymous | 1850 | 1st version | |
D.432 | Der Leidende (“Nimmer trag’ ich länger”) | A minor | 1816? | v pf | anonymous | 2002 | 2nd version | |
D.432 | Der Leidende (“Nimmer trag’ ich länger”) | B minor | v pf | anonymous | 1895 | 3rd version | ||
D.433 | Seligkeit (“Freuden sonder Zahl”) | E major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1895 | ||
D.434 | Erntelied (“Sicheln schallen, Ähren fallen”) | E major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1850 | ||
D.435 | Die Bürgschaft | 1816 | 4sop 3ten 3bass 2bar ch orch | anonymous | 1893 | opera in 3 acts; unfinished – Act I: 9 numbers, 5 numbers from Act II, and 1 number and 1 fragment from Act III are extant | ||
D.436 | Klage (“Dein Silber schien durch Eichengrün”) | F major/ D minor | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1850 | 1st version | |
D.436 | Klage (“Dein Silber schien durch Eichengrün”) | F major/ D minor | v pf | Ludwig Christoph Heinrich Hölty | 2002 | variant of the 1st version | ||
D.436 [437] | Klage (“Dein Silber schien durch Eichengrün”) | F major/ D minor | 1816? | v pf | Ludwig Christoph Heinrich Hölty | 2002 | 2nd version | |
D.437 | now D.436 (2nd version) | |||||||
D.438 | Rondo | A major | 1816 | vn str | 1897 | |||
D.439 | An die Sonne (“O Sonne, Königin der Welt”) | F major | 1816 | sop alt ten bass pf | Johann Peter Uz | 1872 | ||
D.440 | Chor der Engel (“Christ ist erstanden”) | C minor | 1816 | ch | Johann Wolfgang von Goethe | 1839 | ||
D.441 | now D.407/1 (2nd setting) | |||||||
D.442 | Das grosse Halleluja (“Ehre sei dem Hocherhabnen”) | E major | 1816 | v/ch pf | Friedrich Gottlieb Klopstock | 1847 ca. | ||
D.443 | Schlachtlied (“Mit unserm Arm ist nichts getan”), Schlachtgesang | E major | 1816 | v/ch pf | Friedrich Gottlieb Klopstock | 1895 | 1st setting | |
D.444 | Die Gestirne (“Es tönet sein Lob”) | F major | 1816 | v pf | Friedrich Gottlieb Klopstock | 1831 | ||
D.445 | Edone (“Dein süsses Bild, Edone”) | C minor | 1816 | v pf | Friedrich Gottlieb Klopstock | 1837 | ||
D.446 | Die Liebesgötter (“Cypris, meiner Phyllis gleich”) | C major | 1816 | v pf | Johann Peter Uz | 1887 | ||
D.447 | An den Schlaf (“Komm und senke die umflorten Schwingen”) | A major | 1816 | v pf | anonymous | 1895 | ||
D.448 | Gott im Frühlinge (“In seinem schimmernden Gewand”) | E major | 1816 | v pf | Johann Peter Uz | 1887 | 1st version | |
D.448 | Gott im Frühlinge (“In seinem schimmernden Gewand”) | E major | 1816? | v pf | Johann Peter Uz | 2002 | 2nd version | |
D.449 | Der gute Hirt (“Was sorgest du?”) | E major | 1816 | v pf | Johann Peter Uz | 1872 | original version | |
D.449 | Der gute Hirt (“Was sorgest du?”) | C major | v pf | Johann Peter Uz | 2002 | modified version | ||
D.450 | Fragment aus dem Aeschylus (“So wird der Mann”) | A♭ major | 1816 | v pf | Johann Mayrhofer, after Aeschylus | 1895 | 1st version | |
D.450 | Fragment aus dem Aeschylus (“So wird der Mann”) | A♭ major | 1816 | v pf | Johann Mayrhofer, after Aeschylus | 1832 | 2nd version | |
D.451 | Prometheus (“?”) | A minor? | 1816 | sop bass ch orch | Philipp Dräxler von Carin | lost | ||
D.452 | Op. | 48Mass (No.4) | C major | 1816 | sop alt ten bass ch org orch | 1825 | ||
D.452 [961] | Mass (No.4) No.5: Benedictus (“Benedictus qui venit in nomine Domini”) | A minor/ A major | 1828 | sop alt ten bass ch org orch | 1829 | 2nd setting of the "Benedictus" | ||
D.453 | Requiem | C minor | 1816 | ch orch | 1967 | fragment of movt. I is extant | ||
D.454 | Grablied auf einen Soldaten (“Zieh hin, du braver Krieger du!”) | C minor | 1816 | v pf | Christian Friedrich Daniel Schubart | 1872 | ||
D.455 | Freude der Kinderjahre (“Freude, die im frühen Lenze”) | C major | 1816 | v pf | Friedrich von Köpken | 1887 | ||
D.456 | Das Heimweh (“Oft in einsam stillen Stunden”) | F major | 1816 | v pf | Theodor Hell | 1887 | ||
D.457 | Op. | 44An die untergehende Sonne (“Sonne, du sinkst”) | E♭ major | 1817 | v pf | Ludwig Gotthard Kosegarten | 1827 | |
D.458 | Aus Diego Manazares. Ilmerine (“Wo irrst du durch einsame Schatten”) | F minor/ A♭ major | 1816 | v pf | Ernestine von Krosigk | 1872 | also appears as "Aus Diego Manzanares" | |
D.459 | Piano Sonata | E major | 1816 | pf | 1843 | in 2 movts.; also paired with D.459a to have a 5 movt. sonata or 5 piano pieces | ||
D.459a | Piano Pieces (3) | 1816? | pf | 1843 | also paired with D.459 to have a 5 movt. sonata or 5 piano pieces | |||
D.459a/1 | Piano Piece | C major | 1816? | pf | 1843 | |||
D.459a/2 | Piano Piece | A major | 1816? | pf | 1843 | |||
D.459a/3 | Piano Piece | E major | 1816? | pf | 1843 | |||
D.460 | Tantum ergo (“Tantum ergo”) | C major | 1816 | sop ch org orch | 1888 | |||
D.461 | Tantum ergo (“Tantum ergo”) | C major | 1816 | sop alt ten bass ch org orch | 1935 | |||
D.462 | An Chloen (“Bei der Liebe reinsten Flammen”) | A♭ major | 1816 | v pf | Johann Georg Jacobi | 1895 | ||
D.463 | Hochzeit-Lied (“Will singen euch im alten Ton”) | E♭ major | 1816 | v pf | Johann Georg Jacobi | 1895 | ||
D.464 | In der Mitternacht (“Todesstille deckt das Tal”) | E♭ major | 1816 | v pf | Johann Georg Jacobi | 1895 | ||
D.465 | Trauer der Liebe (“Wo die Taub’ in stillen Buchen”) | A♭ major | 1816 | v pf | Johann Georg Jacobi | 1885 | 1st version | |
D.465 | Trauer der Liebe (“Wo die Taub’ in stillen Buchen”) | A♭ major | 1816? | v pf | Johann Georg Jacobi | 2002 | 2nd version | |
D.466 | Die Perle (“Es ging ein Mann zur Frühlingszeit”) | D minor | 1816 | v pf | Johann Georg Jacobi | 1872 | ||
D.467 | Pflicht und Liebe (“Du, der ewig um mich trauert”) | C minor | 1816 | v pf | Friedrich Wilhelm Gotter | 1885 | fragment | |
D.468 | An den Mond (“Was schauest du so hell”) | A major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1895 | ||
D.469 | Mignon (“So lasst mich scheinen, bis ich werde”) | E♭ major/ G major(?) | 1816 | v pf | Johann Wolfgang von Goethe | 1897 | 1st setting; 2 fragments | |
D.470 | Overture | B♭ major | 1816 | orch | 1886 | version for orchestra; belongs to D.472? | ||
D.470 [601] | Overture | B♭ major | 2vn va vc | 1994 | version for string quartet; fragment; belongs to D.472? | |||
D.471 | String Trio | B♭ major | 1816 | vn va vc | 1890 | unfinished – movt. I and fragment of movt. II are extant | ||
D.472 | Op.128(p) | Kantate zu Ehren von Josef Spendou (“Da liegt er, starr”) | G minor/ B♭ major | 1816 | 2sop ten bass ch orch | Johann Baptist Hoheisel | 1830 | see also D.470 |
D.473 | Liedesend (“Auf seinem gold’nen Throne”) | C minor/ E minor | 1816 | v pf | Johann Mayrhofer | 1895 | 1st version | |
D.473 | Liedesend (“Auf seinem gold’nen Throne”) | C minor/ E minor | 1816 | v pf | Johann Mayrhofer | 1833 | 2nd version | |
D.474 | Lied des Orpheus, als er in die Hölle ging (“Wälze dich hinweg”) | G♭ major/ D major | 1816 | v pf | Johann Georg Jacobi | 1895 | 1st version | |
D.474 | Lied des Orpheus, als er in die Hölle ging (“Wälze dich hinweg”) | G♭ major/ B♭ major | 1817 or 1818(?) | v pf | Johann Georg Jacobi | 1832 | 2nd version | |
D.475 | Abschied (“Über die Berge zieht ihr fort”) | G major | 1816 | v pf | Johann Mayrhofer | 1885 | ||
D.476 | Rückweg (“Zum Donaustrom, zur Kaiserstadt”) | D minor | 1816 | v pf | Johann Mayrhofer | 1872 | ||
D.477 | Alte Liebe rostet nie (“Alte Liebe rostet nie”) | B major | 1816 | v pf | Johann Mayrhofer | 1895 | ||
D.478 | Op. | 12Gesänge des Harfners aus "Wilhelm Meister" | 1816 and 1822? | v pf | Johann Wolfgang von Goethe | 1822 | ||
D.478/1 | Harfenspieler I (“Wer sich der Einsamkeit ergibt”) | A minor | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 2nd setting - 1st version | |
D.478/1 | Op. | 12/1Harfenspieler I (“Wer sich der Einsamkeit ergibt”) | A minor | 1822? | v pf | Johann Wolfgang von Goethe | 1822 | 2nd setting - 2nd version |
D.478/1 | Harfenspieler I (“Wer sich der Einsamkeit ergibt”) | G minor | v pf | Johann Wolfgang von Goethe | 1970 | 2nd setting - modified 2nd version | ||
D.478/2 [480] | Harfenspieler III (“Wer nie sein Brot mit Tränen ass”) | A minor | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 1st setting | |
D.478/2 [480] | Harfenspieler III (“Wer nie sein Brot mit Tränen ass”) | A minor | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 2nd setting | |
D.478/2 [480] | Op. | 12/2Harfenspieler III (“Wer nie sein Brot mit Tränen ass”) | A minor | 1822? | v pf | Johann Wolfgang von Goethe | 1822 | 3rd setting |
D.478/2 [480] | Harfenspieler III (“Wer nie sein Brot mit Tränen ass”) | E minor | v pf | Johann Wolfgang von Goethe | 1970 | modified 3rd setting | ||
D.478/3 [479] | Harfenspieler II (“An die Türen will ich schleichen”) | A minor | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 1st version | |
D.478/3 [479] | Op. | 12/3Harfenspieler II (“An die Türen will ich schleichen”) | A minor | 1822? | v pf | Johann Wolfgang von Goethe | 1822 | 2nd version |
D.478/3 [479] | Harfenspieler II (“An die Türen will ich schleichen”) | F minor | v pf | Johann Wolfgang von Goethe | 1970 | modified 2nd version | ||
D.479 | now D.478/3 | |||||||
D.480 | now D.478/2 | |||||||
D.481 | Sehnsucht (“Nur wer die Sehnsucht kennt”), Lied der Mignon | A minor | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 3rd setting | |
D.482 | Der Sänger am Felsen (“Klage, meine Flöte, klage”) | E minor | 1816 | v pf | Karoline Pichler | 1895 | ||
D.483 | Lied (Ferne von der grossen Stadt) (“Ferne von der grossen Stadt”) | E major | 1816 | v pf | Karoline Pichler | 1895 | ||
D.484 | Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”) | E minor | 1816 | v pf | Johann Wolfgang von Goethe | 1895 | 1st setting; fragment | |
D.485 | Symphony No.5 | B♭ major | 1816 | orch | 1885 | |||
D.486 | Magnificat (“Magnificat anima mea Dominum”) | C major | 1815 | sop alt ten bass ch org orch | 1888 | |||
D.487 | Adagio e Rondo concertante | F major | 1816 | vn va vc pf | 1865 | |||
D.488 | Auguste jam coelestium (“Auguste jam coelestium”) | G major | 1816 | sop ten orch | 1888 | offertory | ||
D.489 | Der Wanderer (“Ich komme vom Gebirge her”), Der Unglückliche | C♯ minor/ E major | 1816 | v pf | George Philipp Schmidt | 1895 | 1st version | |
D.489 [493] | Der Wanderer (“Ich komme vom Gebirge her”), Der Unglückliche | B minor/ D major | 1818? | v pf | George Philipp Schmidt | 1970 | 2nd version | |
D.489 [493] | Op. | 4/1Der Wanderer (“Ich komme vom Gebirge her”), Der Unglückliche | C♯ minor/ E major | v pf | George Philipp Schmidt | 1821 | 3rd version | |
D.490 | Der Hirt (“Du Turm, zu meinem Leide”) | F major | 1816 | v pf | Johann Mayrhofer | 1895 | ||
D.491 | Geheimnis (“Sag an, wer lehrt dich Lieder”) | B♭ major/ F major | 1816 | v pf | Johann Mayrhofer | 1887 | ||
D.492 | Zum Punsche (“Woget brausend, Harmonien”) | D minor | 1816 | v pf | Johann Mayrhofer | 1849 | ||
D.493 | now D.489 (2nd and 3rd versions) | |||||||
D.494 | Der Geistertanz (“Die bretterne Kammer der Toten erbebt”) | C minor/ A♭ major | 1816 | 2ten 3bass | Friedrich von Matthisson | 1871 | 4th setting | |
D.495 | Abendlied der Fürstin (“Der Abend rötet nun das Tal”) | F major | 1816 | v pf | Johann Mayrhofer | 1868 | ||
D.496 | Bei dem Grabe meines Vaters (“Friede sei um diesen Grabstein her!”) | E♭ major | 1816 | v pf | Matthias Claudius | 1885 | ||
D.496a | Klage um Ali Bey (“Lasst mich! Lasst mich! ich will klagen”) | E♭ minor | 1816? | v pf | Matthias Claudius | 1968 | 2nd version | |
D.497 | Op. | 98/1An die Nachtigall (“Er liegt und schläft”) | G major | 1816 | v pf | Matthias Claudius | 1829 | |
D.498 | Op. | 98/2Wiegenlied (“Schlafe, schlafe, holder süsser Knabe”) | A♭ major | 1816 | v pf | anonymous | 1829 | |
D.499 | Abendlied (“Der Mond is aufgegangen”) | B♭ major | 1816 | v pf | Matthias Claudius | 1885 | ||
D.500 | Phidile (“Ich war erst sechzehn Sommer alt”) | G♭ major | 1816 | v pf | Matthias Claudius | 1895 | ||
D.501 | Zufriedenheit (“Ich bin vergnügt”) | E major | 1816 | v pf | Matthias Claudius | 1895 | 2nd setting - 1st version | |
D.501 | Zufriedenheit (“Ich bin vergnügt”) | G major | 1816? | v pf | Matthias Claudius | 1999 | 2nd setting - 2nd version | |
D.502 | Herbstlied (“Bunt sind schon die Wälder”) | G major | 1816 | v pf | Johann Gaudenz von Salis-Seewis | 1872 | ||
D.503 | Mailied (“Grüner wird die Au und der Himmel”) | G major | 1816 | v pf | Ludwig Christoph Heinrich Hölty | 1967 | 3rd setting | |
D.504 | Op. | 6/3Am Grabe Anselmos (“Dass ich dich verloren habe”) | E♭ minor | 1816 | v pf | Matthias Claudius | 1821 | 1st version |
D.504 | Am Grabe Anselmos (“Dass ich dich verloren habe”) | E♭ minor | 1816? | v pf | Matthias Claudius | 1970 | 2nd version | |
D.505 | Adagio | D♭ major | 1818? | pf | 1897 | probably movt. II of D.625 | ||
D.505 | Op.145/1(p) | Adagio | E major | pf | 1848 | published by Anton Diabelli in E major, in an abridged form | ||
D.506 | Op.145/2(p) | Rondo | E major | 1817? | pf | 1848 | probably movt. IV of D.566 | |
D.507 | Skolie (“Mädchen entsiegelten, Brüder, die Flaschen”) | G major | 1816 | v pf | Friedrich von Matthisson | 1895 | ||
D.508 | Lebenslied (“Kommen und scheiden, suchen und meiden”) | C major | 1816 | v pf | Friedrich von Matthisson | 1845 | 2nd setting | |
D.509 | Leiden der Trennung (“Vom Meere trennt sich die Welle”) | G minor/ B♭ major | 1816 | v pf | Heinrich von Collin, after Pietro Metastasio | 1999 | 1st version | |
D.509 | Leiden der Trennung (“Vom Meere trennt sich die Welle”) | G minor/ B♭ major | 1816 | v pf | Heinrich von Collin, after Pietro Metastasio | 1872 | 2nd version | |
D.510 | Vedi quanto t'adoro (“Vedi quanto t'adoro”) | E♭ major/ F minor | 1816? | sop pf | Pietro Metastasio | 1999 | 1st version; fragment | |
D.510 | Vedi quanto t'adoro (“Vedi quanto t'adoro”) | E♭ major/ F minor | 1816? | sop pf | Pietro Metastasio | 1960 ca. | 2nd version; fragment | |
D.510 | Vedi quanto adoro (“Vedi quanto adoro”) | E♭ major/ F minor | 1816 | sop pf | Pietro Metastasio | 1999 | 3rd version; fragment | |
D.510 | Vedi quanto adoro (“Vedi quanto adoro”) | E♭ major/ F minor | 1816 | sop pf | Pietro Metastasio | 1895 | 4th version | |
D.511 | Ecossaise | E♭ major | 1817 ca. | pf | 1956 | |||
D.512 | now D.Anh.I/28 | |||||||
D.513 | La pastorella al prato (“La pastorella al prato”), La Pastorella | C major | 1817? | 2ten 2bass pf | Carlo Goldoni | 1891 | 1st setting | |
D.513a | Nur wer die Liebe kennt (“Nur wer die Liebe kennt”) | A♭ major | 1817? | v pf | Friedrich Ludwig Zacharias Werner | 1974 | sketch | |
D.514 | Op. | 7/1Die abgeblühte Linde (“Wirst du halten, was du schwurst”) | A minor/ C major | 1817? | v pf | Ludwig von Széchényi | 1821 | |
D.515 | Op. | 7/2Der Flug der Zeit (“Es floh die Zeit im Wirbelfluge”) | A major | 1817? | v pf | Ludwig von Széchényi | 1821 | |
D.516 | Op. | 8/2Sehnsucht (“Der Lerche wolkennahe Lieder”) | C major/ G major | 1816? | v pf | Johann Mayrhofer | 1822 | |
D.517 | Der Schäfer und der Reiter (“Ein Schäfer sass im Grünen”) | E major/E minor | 1817 | v pf | Friedrich de la Motte Fouqué | 1972 | 1st version | |
D.517 | Op. | 13/1Der Schäfer und der Reiter (“Ein Schäfer sass im Grünen”) | E major/E minor | 1817 | v pf | Friedrich de la Motte Fouqué | 1822 | 2nd version |
D.518 | An den Tod (“Tod, du Schrecken der Natur”) | B major | 1816 or 1817 | bass pf | Christian Friedrich Daniel Schubart | 1824 | ||
D.519 | Op.173/5(p) | Die Blumensprache (“Es deuten die Blumen des Herzens Gefühle”) | B♭ major | 1817? | v pf | Eduard Platner? | 1867 | |
D.520 | Frohsinn (“Ich bin von lockerem Schlage”) | F major | 1817 | v pf | Ignaz Franz Castelli | 1895 | 1st version | |
D.520 | Frohsinn (“Ich bin von lockerem Schlage”) | F major | v pf | Ignaz Franz Castelli | 1850 | 2nd version | ||
D.521 | Jagdlied (“Trarah! Trarah! Wir kehren daheim”) | F major | 1817 | uch pf | Friedrich Ludwig Zacharias Werner | 1895 | ||
D.522 | Die Liebe (“Wo weht der Liebe hoher Geist?”) | G major | 1817 | v pf | Gottlieb von Leon | 1895 | ||
D.523 | Trost (“Nimmer lange weil’ ich hier”) | E major | 1817 | v pf | anonymous | 1885 | ||
D.524 | Der Alpenjäger (“Auf hohen Bergesrücken”) | E major | 1817 | v pf | Johann Mayrhofer | 1895 | 1st version | |
D.524 | Der Alpenjäger (“Auf hohen Bergesrücken”) | D major | 1818? | bass pf | Johann Mayrhofer | 1970 | 2nd version | |
D.524 | Op. | 13/3Der Alpenjäger (“Auf hohen Bergesrücken”) | F major | v pf | Johann Mayrhofer | 1822 | 3rd version | |
D.525 | Wie Ulfru fischt (“Der Angel zuckt, die Rute bebt”) | D minor | 1817 | bass pf | Johann Mayrhofer | 1970 | 1st version | |
D.525 | Op. | 21/3Wie Ulfru fischt (“Der Angel zuckt, die Rute bebt”) | D minor | 1817 | bass pf | Johann Mayrhofer | 1823 | 2nd version |
D.526 | Fahrt zum Hades (“Der Nachen dröhnt”) | F major | 1817 | bass pf | Johann Mayrhofer | 1832 | ||
D.527 | Schlaflied (“Es mahnt der Wald”), Abendlied or Schlummerlied | F major | 1817 | v pf | Johann Mayrhofer | 1975 | 1st version | |
D.527 | Op. | 24/2Schlaflied (“Es mahnt der Wald”), Abendlied or Schlummerlied | F major | 1817 | v pf | Johann Mayrhofer | 1823 | 2nd version |
D.528 | La pastorella al prato (“La pastorella al prato”), La Pastorella | G major | 1817 | sop pf | Carlo Goldoni | 1872 | 2nd setting | |
D.529 | Ecossaises (8) | 1817 | pf | 1871 | ||||
D.530 | Op.109/3(p) | An eine Quelle (“Du kleine grünumwachs’ne Quelle”) | A major | 1817 | v pf | Matthias Claudius | 1829 | |
D.531 | Op. | 7/3Der Tod und das Mädchen (“Vorüber, ach vorüber”) | D minor | 1817 | v pf | Matthias Claudius | 1821 | |
D.532 | Das Lied vom Reifen (“Seht meine lieben Bäume an”) | A♭ major | 1817 | v pf | Matthias Claudius | 1895 | fragment | |
D.533 | Täglich zu singen (“Ich danke Gott und freue mich”) | F major | 1817 | v pf | Matthias Claudius | 1895 | ||
D.534 | Die Nacht (“Die Nacht ist dumpfig und finster”) | G minor/ F major | 1817 | v pf | Edmund von Harold, after James Macpherson ("Ossian") | 1830 | ||
D.535 | Lied (Brüder, schrecklich brennt die Träne) (“Brüder, schrecklich brennt die Träne”) | G minor/ B♭ major | 1817 | sop orch | anonymous | 1895 | ||
D.536 | Der Schiffer (“Im winde, im Sturme”) | E♭ major | 1817? | bass pf | Johann Mayrhofer | 1970 | 1st version | |
D.536 | Op. | 21/2Der Schiffer (“Im winde, im Sturme”) | E♭ major | bass pf | Johann Mayrhofer | 1823 | 2nd version | |
D.537 | Op.164(p) | Piano Sonata | A minor | 1817 | pf | 1852 ca. | ||
D.538 | Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”) | A major | 1817 | 2ten 2bass | Johann Wolfgang von Goethe | 1891 | 2nd setting | |
D.539 | Op. | 8/4Am Strome (“Ist mir’s doch, als sei mein Leben”) | B major | 1817 | v pf | Johann Mayrhofer | 1822 | |
D.540 | Philoktet (“Da sitz’ ich ohne Bogen”) | B minor | 1817 | v pf | Johann Mayrhofer | 1831 | ||
D.541 | Op. | 6/1Memnon (“Den Tag hindurch nur einmal mag ich sprechen”) | D♭ major | 1817 | v pf | Johann Mayrhofer | 1821 | |
D.542 | Op. | 6/2Antigone und Oedip (“Ihr hohen Himmlischen”) | C major | 1817 | v pf | Johann Mayrhofer | 1821 | |
D.543 | Auf dem See (“Und frische Nahrung”) | E major | 1817 | v pf | Johann Wolfgang von Goethe | 1895 | 1st version | |
D.543 | Op. | 92/2Auf dem See (“Und frische Nahrung”) | E♭ major | 1817 | v pf | Johann Wolfgang von Goethe | 1828 | 2nd version |
D.544 | Op. | 19/3Ganymed (“Wie im Morgenglanze”) | A♭ major/ F major | 1817 | v pf | Johann Wolfgang von Goethe | 1825 | |
D.545 | Der Jüngling und der Tod (“Die Sonne sinkt, o könnt ich”) | C♯ minor/ B♭ major | 1817 | 2vv pf | Joseph von Spaun | 1895 | 1st version | |
D.545 | Der Jüngling und der Tod (“Die Sonne sinkt, o könnt ich”) | C♯ minor/ F major | 1817 | v pf | Joseph von Spaun | 1872 | 2nd version | |
D.546 | Trost im Liede (“Braust des Unglücks Sturm empor”) | F major | 1817 | v pf | Franz von Schober | 1985 | 1st version | |
D.546 | Op.101/3(p) | Trost im Liede (“Braust des Unglücks Sturm empor”) | F major | 1817 | v pf | Franz von Schober | 1827 | 2nd version |
D.547 | An die Musik (“Du holde Kunst”) | D major | 1817 | v pf | Franz von Schober | 1895 | 1st version | |
D.547 | Op. | 88/4An die Musik (“Du holde Kunst”) | D major | 1817 | v pf | Franz von Schober | 1827 | 2nd version |
D.548 | Orest (“Ist dies Tauris”) | E♭ major/ D major | 1817 | v pf | Johann Mayrhofer | 1831 | also appears as "Orest auf Tauris" | |
D.549 | Mahomets Gesang (“Seht den Felsenquell”) | E major | 1817 | v pf | Johann Wolfgang von Goethe | 1895 | 1st setting; fragment | |
D.550 | Die Forelle (“In einem Bächlein helle”) | D♭ major | 1816-17 | v pf | Christian Friedrich Daniel Schubart | 1895 | 1st version | |
D.550 | Die Forelle (“In einem Bächlein helle”) | D♭ major | 1816-17 | v pf | Christian Friedrich Daniel Schubart | 1895 | 2nd version | |
D.550 | Die Forelle (“In einem Bächlein helle”) | D♭ major | 1818 | v pf | Christian Friedrich Daniel Schubart | 1895 | 3rd version | |
D.550 | Op. | 32Die Forelle (“In einem Bächlein helle”) | D♭ major | 1820 | v pf | Christian Friedrich Daniel Schubart | 1820 | 4th version |
D.550 | Die Forelle (“In einem Bächlein helle”) | D♭ major | 1821 | v pf | Christian Friedrich Daniel Schubart | 1975 | 5th version | |
D.551 | Pax vobiscum (“Der Friede sei mit euch!”) | F major | 1817 | v pf | Franz von Schober | 1831 | ||
D.552 | Hänflings Liebeswerbung (“Ahidi! ich liebe”) | A major | 1817 | v pf | Friedrich Kind | 1970 | 1st version | |
D.552 | Op. | 20/3Hänflings Liebeswerbung (“Ahidi! ich liebe”) | A major | v pf | Friedrich Kind | 1823 | 2nd version | |
D.553 | Op. | 21/1Auf der Donau (“Auf der Wellen Spiegel”) | E♭ major/ F♯ minor | 1817 | bass pf | Johann Mayrhofer | 1823 | |
D.554 | Uraniens Flucht (“Lasst uns, ihr Himmlischen, ein Fest begehen!”) | D major/ B♭ major | 1817 | v pf | Johann Mayrhofer | 1895 | ||
D.555 | Song (“?”) | A minor | 1817? | v pf | 1934 | sketch without text | ||
D.556 | Overture | D major | 1817 | orch | 1886 | |||
D.557 | Piano Sonata | A♭ major | 1817 | pf | 1888 | |||
D.558 | Liebhaber in allen Gestalten (“Ich wollt’, ich wär’ ein Fisch”) | A major | 1817 | v pf | Johann Wolfgang von Goethe | 1887 | ||
D.559 | Schweizerlied (“Uf’m Bergli bin i g’sässe”) | F major | 1817 | v pf | Johann Wolfgang von Goethe | 1885 | ||
D.560 | Der Goldschmiedsgesell (“Es ist doch meine Nachbarin”) | F major | 1817 | v pf | Johann Wolfgang von Goethe | 1850 | ||
D.561 | Nach einem Gewitter (“Auf den Blumen”) | F major | 1817 | v pf | Johann Mayrhofer | 1872 | ||
D.562 | Fischerlied (“Das Fischergewerbe gibt rüstigen Mut”) | F major | 1817 | v pf | Johann Gaudenz von Salis-Seewis | 1895 | 3rd setting | |
D.563 | Die Einsiedelei (“Es rieselt klar und wehend ein Quell”) | C major | 1817 | v pf | Johann Gaudenz von Salis-Seewis | 1887 | 3rd setting | |
D.564 | Gretchen im Zwinger (“Ach neige, du Schmerzensreiche”), Gretchens Bitte | B♭ minor | 1817 | v pf | Johann Wolfgang von Goethe | 1838 | fragment | |
D.565 | Der Strom (“Mein Leben wälzt sich murrend fort”) | D minor | 1817 | bass pf | anonymous | 1876 | ||
D.566 | Piano Sonata | E minor | 1817 | pf | 1888 | unfinished? – movts. I-III are extant; D.506 is probably movt. IV | ||
D.567 | now D.568 (1st version) | |||||||
D.568 [567] | Piano Sonata | D♭ major | 1817 | pf | 1897 | 1st version; 2 versions of movt. I; movt. III is a fragment; related to D.593/2? | ||
D.568 | Op.122(p) | Piano Sonata | E♭ major | 1825-26(?) | pf | 1829 | 2nd version | |
D.569 | Das Grab (“Das Grab ist tief und stille”) | C♯ minor | 1817 | uch pf | Johann Gaudenz von Salis-Seewis | 1895 | 4th setting; for unison male chorus and piano | |
D.570 | Allegro and Scherzo | 1817 | pf | 1897 | the "Allegro" is a fragment; probably movts. III and IV of D.571 | |||
D.570/1 | Allegro | F♯ minor | 1817 | pf | 1897 | fragment; probably movt. IV of D.571 | ||
D.570/2 | Scherzo | D major | 1817 | pf | 1897 | probably movt. III of D.571 | ||
D.571 | Piano Sonata | F♯ minor | 1817 | pf | 1897 | fragment of movt. I is extant; D.604 and D.570 probably constitute the remaining movts. | ||
D.572 | Lied im Freien (“Wie schön ist’s im Freien”) | F major | 1817 | 2ten 2bass | Johann Gaudenz von Salis-Seewis | 1872 | 2nd setting | |
D.573 | Iphigenia (“Blüht denn hier an Tauris Strande”) | G♭ major/ D♭ major | 1817 | v pf | Johann Mayrhofer | 1895 | 1st version | |
D.573 | Iphigenia (“Blüht denn hier an Tauris Strande”) | E♭ major/ B♭ major | v pf | Johann Mayrhofer | 1985 | 2nd version | ||
D.573 | Op. | 98/3Iphigenia (“Blüht denn hier an Tauris Strande”) | F major/ C major | v pf | Johann Mayrhofer | 1829 | 3rd version | |
D.574 | Op.162(p) | Violin Sonata, Duo | A major | 1817 | vn pf | 1851 | ||
D.575 | Op.147(p) | Piano Sonata | B major | 1817 | pf | 1846 | ||
D.576 | Variations on a Theme by Anselm Hüttenbrenner (13) | A minor | 1817 | pf | 1867 | |||
D.577 | Entzückung an Laura (“Laura, über diese Welt”) | A major/ G major(?) | 1817 | v pf | Friedrich Schiller | 1895 | 2nd setting; 2 fragments of a sketch; also appears as "Die Entzückung an Laura" | |
D.578 | Abschied (“Lebe wohl! Du lieber Freund!”) | B minor | 1817 | v pf | Franz Schubert | 1838 | ||
D.579 | Der Knabe in der Wiege (“Er schläft so süss”) | C major | 1817 | v pf | Anton Ottenwalt | 1872 | 1st version | |
D.579 | Der Knabe in der Wiege (“Er schläft so süss”) | A♭ major | 1817 | v pf | Anton Ottenwalt | 1894 | 2nd version; fragment | |
D.579a [989] | Vollendung (“Wenn ich einst das Ziel errungen habe”) | A major | 1817? | v pf | Friedrich von Matthisson | 1970 | ||
D.579b [989a] | Die Erde (“Wenn sanft entzückt mein Auge sieht”) | E major | 1817? | v pf | Friedrich von Matthisson | 1970 | ||
D.580 | Polonaise | B♭ major | 1817 | vn orch | 1928 | |||
D.581 | String Trio | B♭ major | 1817 | vn va vc | 1897 | 1st version | ||
D.581 | String Trio | B♭ major | 1817? | vn va vc | 1981 | 2nd version | ||
D.582 | now D.990b | |||||||
D.583 | Op. | 24/1Gruppe aus dem Tartarus (“Horch wie Murmeln des empörten Meeres”) | C major | 1817 | v pf | Friedrich Schiller | 1823 | 2nd setting |
D.584 | Elysium (“Vorüber die stöhnende Klage!”) | E major/ A major | 1817 | v pf | Friedrich Schiller | 1830 | ||
D.585 | Atys (“Der Knabe seufzt übers grüne Meer”) | A minor | 1817 | v pf | Johann Mayrhofer | 1833 | ||
D.586 | Op. | 8/3Erlafsee (“Mir ist so wohl”) | F major | 1817 | v pf | Johann Mayrhofer | 1818 | |
D.587 | An den Frühling (“Willkommen, schöner Jüngling!”) | A major | 1817 | v pf | Friedrich Schiller | 1885 | 3rd setting - 1st version | |
D.587 [245] | An den Frühling (“Willkommen, schöner Jüngling!”) | B♭ major | 1819? | v pf | Friedrich Schiller | 1895 | 3rd setting - 2nd version | |
D.588 | Der Alpenjäger (“Willst du nicht das Lämmlein hüten?”) | E♭ major/ G major | 1817 | v pf | Friedrich Schiller | 1975 | 1st version | |
D.588 | Op. | 37/2Der Alpenjäger (“Willst du nicht das Lämmlein hüten?”) | C major/ A major | v pf | Friedrich Schiller | 1825 | 2nd version | |
D.589 | Symphony No.6, Kleine C-Dur-Sinfonie (Little C major Symphony) | C major | 1817–18 | orch | 1885 | |||
D.590 | Overture "in the Italian Style" | D major | 1817 | orch | 1886 | |||
D.591 | Op.170(p) | Overture "in the Italian Style" | C major | 1817 | orch | 1865 | ||
D.592 | Overture "in the Italian Style" | D major | 1817 | pf4h | 1872 | version for piano duet of D.590 | ||
D.593 | Scherzos (2) | 1817 | pf | 1871 | ||||
D.593/1 | Scherzo | B♭ major | 1817 | pf | 1871 | |||
D.593/2 | Scherzo | D♭ major | 1817 | pf | 1871 | related to D.568 (1st version)? | ||
D.594 | Op.110(p) | Der Kampf (“Nein, länger werd’ ich diesen Kampf nicht kämpfen”) | D minor | 1817 | bass pf | Friedrich Schiller | 1829 | |
D.595 | Thekla (eine Geisterstimme) (“Wo ich sei, und wo mich hingewendet”) | C♯ minor/ C♯ major | 1817 | v pf | Friedrich Schiller | 1895 | 2nd setting - 1st version | |
D.595 | Op. | 88/2Thekla (eine Geisterstimme) (“Wo ich sei und wo mich hingewendet”) | C minor/ C major | v pf | Friedrich Schiller | 1827 | 2nd setting - 2nd version | |
D.596 | Lied eines Kindes (“Lauter Freude fühl’ ich”) | B♭ major | 1817 | v pf | anonymous | 1895 | fragment | |
D.597 | Overture "in the Italian Style" | C major | 1817 | pf4h | 1872 | version for piano duet of D.591 | ||
D.597a | Variations | A major | 1817 | vn | lost | sketch | ||
D.598 | Das Dörfchen (“Ich rühme mir mein Dörfchen hier”) | D major | 1817 | 2ten 2bass pf | Gottfried August Bürger | 1891 | 1st version; sketch without the piano part | |
D.598 [641] | Op. | 11/1Das Dörfchen (“Ich rühme mir mein Dörfchen hier”) | D major | 2ten 2bass pf | Gottfried August Bürger | 1822 | 2nd version | |
D.598a | now D.Anh.I/32 | |||||||
D.599 | Op. | 75Polonaises (4) | 1818 | pf4h | 1827 | |||
D.600 | Minuet | C♯ minor | 1814? | pf | 1897 | the Trio, D.610 has been associated to this Minuet | ||
D.601 | now D.470 (version for string quartet) | |||||||
D.602 | Op. | 27Marches Héroiques (3) | 1818 or 1824 | pf4h | 1824 | |||
D.603 | now D.968a | |||||||
D.604 | Piano Piece | A major | 1816 or 1817 | pf | 1888 | also appears as "Andante"; probably movt. II of D.571 | ||
D.605 | Fantasy | C major | 1821–23 | pf | 1897 | fragment | ||
D.605a | Fantasy, Grazer Fantasie | C major | 1818? | pf | 1969 | |||
D.606 | March | E major | 1818? | pf | 1840 | |||
D.607 | Evangelium Johannis 6, Vers 55–58 (“In der Zeit sprach der Herr Jesus”) | E major | 1818 | v bc | Aegidius Albertinus, after The New Testament | 1983 | basso continuo usually realized for piano | |
D.608 | Rondo, Notre amitié est invariable | D major | 1818 | pf4h | 2007 | 1st version; fragment | ||
D.608 | Op.138(p) | Rondo, Notre amitié est invariable | D major | pf4h | 1834 | 2nd version | ||
D.609 | Die Geselligkeit (“Wer Lebenslust fühlet”), Lebenslust | D major | 1818 | sop alt ten bass pf | Johann Karl Unger | 1872 | ||
D.609 [665] | Die Geselligkeit (“Im traulichen Kreise”) | D major | 1818 | sop alt ten bass pf | Johann Karl Unger | 1872 | 2nd part of the first verse | |
D.610 | Trio, Zu betrachten als verlorener Sohn eines Menuetts (to be regarded as the lost son of a minuet) | E major | 1818 | pf | 1889 | the Minuet, D.600 has been associated to this Trio | ||
D.611 | Auf der Riesenkoppe (“Hoch auf dem Gipfel deiner Gebirge”) | D minor/ B♭ major | 1818 | v pf | Theodor Körner | 1850 ca. | ||
D.612 | Adagio | E major | 1818 | pf | 1869 | probably movt. II of D.613 | ||
D.613 | Piano Sonata | C major | 1818 | pf | 1897 | fragments of 2 movts. are extant; D.612 is probably movt. II | ||
D.614 | An den Mond in einer Herbstnacht (“Freundlich ist dein Antlitz”) | A major | 1818 | v pf | Aloys Wilhelm Schreiber | 1832 | ||
D.615 | Symphony | D major | 1818 | orch | 1978 | fragment; piano sketches of 2 movts. are extant | ||
D.616 | Grablied für die Mutter (“Hauche milder, Abendluft”) | B minor/ B major | 1818 | v pf | anonymous | 1838 | ||
D.617 | Op. | 30Sonata | B♭ major | 1818 | pf4h | 1823 | ||
D.618 | German Dance and Ländler (1,2) | 1818 | pf4h | 1909 | ||||
D.618a | Polonaise | B♭ major | 1818 | pf4h | 1972 | fragment; Trio also used in D.599/4 | ||
D.619 | Vocal Exercises | C major | 1818 | 2vv bc | 1965 | basso continuo usually realized for piano | ||
D.620 | Einsamkeit (“Gib mir die Fülle der Einsamkeit!”) | B♭ major/ G major | 1818 | v pf | Johann Mayrhofer | 1840 | ||
D.621 | Deutsche Trauermesse, Deutsches Requiem | G minor | 1818 | sop alt ten bass ch org | Christoph von Schmid | 1826 | ||
D.622 | Der Blumenbrief (“Euch Blümlein will ich senden”) | D major | 1818 | v pf | Aloys Wilhelm Schreiber | 1833 | ||
D.623 | Das Marienbild (“Sei gegrüsst, du Frau der Huld”) | C major | 1818 | v pf | Aloys Wilhelm Schreiber | 1831 | ||
D.624 | Op. | 10Variations on a French Song (8) | E minor | 1818 | pf4h | 1822 | 2 versions of the Theme | |
D.625 | Piano Sonata | F minor | 1818 | pf | 1897 | unfinished – a complete movt. and 2 fragments are extant; D.505 is probably movt. II | ||
D.626 | Blondel zu Marien (“In düstrer Nacht”) | E♭ minor/ E♭ major | 1818 | v pf | anonymous | 1842 | ||
D.627 | Op.173/6(p) | Das Abendrot (“Du heilig, glühend Abendrot!”) | E major | 1818 | bass pf | Aloys Wilhelm Schreiber | 1867 | |
D.628 | Sonnet (“Apollo, lebet noch dein hold Verlangen”) | B♭ major | 1818 | v pf | August Wilhelm Schlegel, after Francesco Petrarca | 1895 | also appears as "Sonett I" | |
D.629 | Sonnet (“Allein, nachdenklich, wie gelähmt vom Krampfe”) | G minor | 1818 | v pf | August Wilhelm Schlegel, after Francesco Petrarca | 1895 | also appears as "Sonett II" | |
D.630 | Sonnet (“Nunmehr, da Himmel, Erde schweigt”) | C major | 1818 | v pf | Johann Diederich Gries, after Francesco Petrarca | 1895 | also appears as "Sonett III" | |
D.631 | Blanka (“Wenn mich einsam Lüfte fächeln”), Das Mädchen | A minor | 1818 | v pf | Friedrich Schlegel | 1885 | ||
D.632 | Vom Mitleiden Mariä (“Als bei dem Kreuz Maria stand”) | G minor | 1818 | v pf | Friedrich Schlegel | 1831 | ||
D.633 | Op. | 57/1Der Schmetterling (“Wie soll ich nicht tanzen”) | F major | 1819-23(?) | v pf | Friedrich Schlegel | 1826 | |
D.634 | Op. | 57/2Die Berge (“Sieht uns der Blick gehoben”) | G major | 1819-23(?) | v pf | Friedrich Schlegel | 1826 | |
D.635 | Leise, leise lasst uns singen (“Leise, leise lasst uns singen”), Ruhe | C major | 1819 ca. | 2ten 2bass | anonymous | 1906 | ||
D.636 | Sehnsucht (“Ach, aus dieses Tales Gründen”) | B minor/ E major | 1821? | v pf | Friedrich Schiller | 1975 | 2nd setting - 1st version | |
D.636 | Sehnsucht (“Ach, aus dieses Tales Gründen”) | B minor/ E major | v pf | Friedrich Schiller | 1895 | 2nd setting - 2nd version | ||
D.636 | Op. | 39Sehnsucht (“Ach, aus dieses Tales Gründen”) | B minor/ E major | v pf | Friedrich Schiller | 1826 | 2nd setting - 3rd version | |
D.637 | Op. | 87/2Hoffnung (“Es reden und träumen die Menschen viel”) | B♭ major | v pf | Friedrich Schiller | 1827 | 2nd setting | |
D.638 | Der Jüngling am Bache (“An der Quelle sass der Knabe”) | D minor | 1819 | v pf | Friedrich Schiller | 1895 | 3rd setting - 1st version | |
D.638 | Op. | 87/3Der Jüngling am Bache (“An der Quelle sass der Knabe”) | C minor | v pf | Friedrich Schiller | 1827 | 3rd setting - 2nd version | |
D.639 | Widerschein (“Fischer harrt am Brückenbogen”) | D major | v pf | Franz Xaver von Schlechta | 1820 | 1st version | ||
D.639 [949] | Widerschein (“Fischer harrt am Brückenbogen”) | B♭ major | 1828? | v pf | Franz Xaver von Schlechta | 1985 | 2nd version - original text | |
D.639 [949] | Widerschein (“Tom lehnt harrend auf der Brücke”) | B♭ major | 1828? | v pf | Franz Xaver von Schlechta | 1832 | 2nd version - 1st text revision | |
D.639 [949] | Widerschein (“Harrt ein Fischer auf der Brücke”) | B♭ major | v pf | Franz Xaver von Schlechta | 1895 | 2nd version - 2nd text revision | ||
D.640 | now D.980a | |||||||
D.641 | now D.598 (2nd version) | |||||||
D.642 | Viel tausend Sterne prangen (“Viel tausend Sterne prangen”) | D major | 1812? | sop alt ten bass pf | August Gottlob Eberhard | 1937 | ||
D.643 | German Dance and Ecossaise | 1819 | pf | 1889 | ||||
D.643a | Das Grab (“Das Grab ist tief und stille”) | E♭ major | 1819 | sop alt ten bass | Johann Gaudenz von Salis-Seewis | 1972 | 5th setting | |
D.644 | Die Zauberharfe | 1820 | ten 6nar ch orch | Georg von Hofmann | 1855 ca. | music for zauberspiel in 3 acts: overtures to the 1st and 3rd acts, and 13 numbers; overture to Act I, known as the "Rosamunde" overture, also used in D.797 | ||
D.645 | Abend (“Wie ist es denn, dass trüb und schwer”) | G minor | 1819 | v pf | Johann Ludwig Tieck | 1983 ca. | fragment of a sketch | |
D.646 | Die Gebüsche (“Es wehet kühl und leise”) | G major | 1819 | v pf | Friedrich Schlegel | 1885 | ||
D.647 | Die Zwillingsbrüder | 1819 | sop ten 3bass ch orch | Georg von Hofmann | 1889 | singspiel in 1 act: overture and 10 numbers | ||
D.648 | Overture | E minor | 1819 | orch | 1886 | |||
D.649 | Der Wanderer (“Wie deutlich des Mondes Licht zu mir spricht”) | D major | 1819 | v pf | Friedrich Schlegel | 1982 | 1st version | |
D.649 | Op. | 65/2Der Wanderer (“Wie deutlich des Mondes Licht zu mir spricht”) | D major | 1819 | v pf | Friedrich Schlegel | 1826 | 2nd version |
D.650 | Abendbilder (“Still beginnt’s im Hain zu tauen”) | A minor/ A major | 1819 | v pf | Johann Peter Silbert | 1831 | ||
D.651 | Himmelsfunken (“Der Odem Gottes weht”) | B♭ major | 1819 | v pf | Johann Peter Silbert | 1831 | first published in G major | |
D.652 | Das Mädchen (“Wie so innig, möcht ich sagen”) | A major | 1819 | v pf | Friedrich Schlegel | 1842 ca. | 1st version | |
D.652 | Das Mädchen (“Wie so innig, möcht ich sagen”) | A major | v pf | Friedrich Schlegel | 1996 | 2nd version | ||
D.653 | Bertas Lied in der Nacht (“Nacht umhüllt mit wehendem Flügel”) | G♭ major/ F♯ major | 1819 | v pf | Franz Grillparzer | 1842 ca. | ||
D.654 | An die Freunde (“Im Wald, im Wald, da grabt mich ein”) | A minor/ A major | 1819 | v pf | Johann Mayrhofer | 1842 ca. | ||
D.655 | Piano Sonata | C♯ minor | 1819 | pf | 1897 | fragment of movt. I is extant | ||
D.656 | Sehnsucht (“Nur wer die Sehnsucht kennt”) | E major | 1819 | 2ten 3bass | Johann Wolfgang von Goethe | 1867 | 4th setting | |
D.657 | Ruhe, schönstes Glück der Erde (“Ruhe, schönstes Glück der Erde”) | C major | 1819 | 2ten 2bass | anonymous | 1871 | ||
D.658 | Geistliches Lied (“Ich sehe dich in tausend Bildern”) | D major | 1819? | v pf | Friedrich von Hardenberg | 1895 | formerly titled "Marie" | |
D.659 | Hymne (“Wenige wissen das Geheimnis der Liebe”) | A minor/ F major | 1819 | v pf | Friedrich von Hardenberg | 1872 | also appears as "Hymne I" | |
D.660 | Geistliches Lied (“Wenn ich ihn nur habe”) | B♭ minor/ B♭ major | 1819 | v pf | Friedrich von Hardenberg | 1872 | also appears as "Hymne II" | |
D.661 | Geistliches Lied (“Wenn alle untreu werden”) | B♭ minor/ B♭ major | 1819 | v pf | Friedrich von Hardenberg | 1872 | also appears as "Hymne III" | |
D.662 | Geistliches Lied (“Ich sag’ es jedem, dass er lebt”) | A major | 1819 | v pf | Friedrich von Hardenberg | 1872 | also appears as "Hymne IV" | |
D.663 | Der 13. Psalm (“Ach Herr, wie lange willst du mein so ganz vergessen?”) | B♭ minor | 1819 | v pf | Moses Mendelssohn, after The Old Testament | 1927 ca. | fragment | |
D.664 | Op.120(p) | Piano Sonata | A major | 1819 or 1825 | pf | 1829 | ||
D.665 | now belongs to D.609 | |||||||
D.666 | Op.158(p) | Kantate zum Geburtstag des Sängers Johann Michael Vogl (“Sänger, der von Herzen singet”), Der Frühlingsmorgen | C major | 1819 | sop ten bass pf | Albert Stadler | 1849 | |
D.667 | Op.114(p) | Piano Quintet, Forellenquintett (Trout Quintet) | A major | 1819? | vn va vc db pf | 1829 | ||
D.668 | Overture | G minor | 1819 | pf4h | 1897 | |||
D.669 | Beim Winde (“Es traümen die Wolken”) | G minor/ G major | 1819 | v pf | Johann Mayrhofer | 1829 | ||
D.670 | Die Sternennächte (“In monderhellten Nächten”) | D♭ major | 1819 | v pf | Johann Mayrhofer | 1895 | 1st version | |
D.670 | Op.165/2(p) | Die Sternennächte (“In monderhellten Nächten”) | B♭ major | v pf | Johann Mayrhofer | 1862 | 2nd version | |
D.671 | Trost (“Hörnerklänge rufen klagend”) | E♭ major | 1819 | v pf | Johann Mayrhofer | 1849 | ||
D.672 | Nachtstück (“Wenn über Berge sich der Nebel breitet”) | C♯ minor | 1819 | v pf | Johann Mayrhofer | 1895 | 1st version | |
D.672 | Op. | 36/2Nachtstück (“Wenn über Berge sich der Nebel breitet”) | C minor | v pf | Johann Mayrhofer | 1825 | 2nd version | |
D.673 | Die Liebende schreibt (“Ein Blick von deinen Augen”) | B♭ major | 1819 | v pf | Johann Wolfgang von Goethe | 1895 | 1st version | |
D.673 | Op.165/1(p) | Die Liebende schreibt (“Ein Blick von deinen Augen”) | A major | v pf | Johann Wolfgang von Goethe | 1832 | 2nd version | |
D.674 | Prometheus (“Bedecke deinen Himmel, Zeus”) | G minor/ C major | 1819 | bass pf | Johann Wolfgang von Goethe | 1850 | ||
D.675 | Op. | 34Overture | F major | 1819? | pf4h | 1825 | ||
D.676 | Op.153(p) | Salve Regina (“Salve Regina”), Drittes Offertorium | A major | 1819 | sop str | 1845 | offertory | |
D.677 | Strophe aus ‘Die Götter Griechenlands' (“Schöne Welt, wo bist du?”) | A minor | 1819 | v pf | Friedrich Schiller | 1895 | 1st version | |
D.677 | Strophe aus ‘Die Götter Griechenlands' (“Schöne Welt, wo bist du?”) | A minor | 1819 | v pf | Friedrich Schiller | 1848 | 2nd version | |
D.678 | Mass (No.5) | A♭ major | 1819 | sop alt ten bass ch org orch | 1875 | 1st version | ||
D.678 | Mass (No.5) | A♭ major | 1822 | sop alt ten bass ch org orch | 1887 | 2nd version | ||
D.679 | now D.980b | |||||||
D.680 | now D.980c | |||||||
D.681 | Ländler (12) | 1815 ca. | pf | 1930 | Nos.5–12 are extant | |||
D.682 | Über allen Zauber Liebe (“Sie hüpfte mit mir auf grünem Plan”) | G major | 1820? | v pf | Johann Mayrhofer | 1895 | fragment | |
D.683 | now belongs to D.732/11 | |||||||
D.684 | Die Sterne (“Du staunest, o Mensch”) | E♭ major | 1820 | v pf | Friedrich Schlegel | 1850 | ||
D.685 | Op. | 4/2Morgenlied (“Eh’ die Sonne früh aufersteht”) | A minor/ A major | 1820 | v pf | Zacharias Werner | 1821 | |
D.686 | Frühlingsglaube (“Die linden Lüfte sind erwacht”) | B♭ major | 1820 | v pf | Ludwig Uhland | 1970 | 1st version | |
D.686 | Frühlingsglaube (“Die linden Lüfte sind erwacht”) | B♭ major | 1820? | v pf | Ludwig Uhland | 1895 | 2nd version | |
D.686 | Op. | 20/2Frühlingsglaube (“Die linden Lüfte sind erwacht”) | A♭ major | 1822 | v pf | Ludwig Uhland | 1823 | 3rd version |
D.687 | Nachthymne (“Hinüber wall’ ich”) | D major | 1820 | v pf | Friedrich von Hardenberg | 1872 | ||
D.688 | Canzonen (4) | 1820 | v pf | Jacopo Vittorelli and Pietro Metastasio | 1871 | |||
D.688/1 | Non t'accostar all'urna (“Non t'accostar all'urna”) | C major | 1820 | v pf | Jacopo Vittorelli | 1871 | ||
D.688/2 | Guarda, che bianca luna (“Guarda, che bianca luna”) | G major | 1820 | v pf | Jacopo Vittorelli | 1871 | ||
D.688/3 | Da quel sembiante appresi (“Da quel sembiante appresi”) | B♭ major | 1820 | v pf | Pietro Metastasio | 1871 | ||
D.688/4 | Mio ben, ricordati (“Mio ben, ricordati”) | B♭ minor/ B♭ major | 1820 | v pf | Pietro Metastasio | 1871 | ||
D.689 | Lazarus, oder: Die Feier der Auferstehung | 1820 | 3sop 2ten bass ch orch | August Hermann Niemeyer | 1865 | oratorio in 3 acts; unfinished – Act I: 21 numbers, and 8 numbers from Act II are extant | ||
D.690 | Abendröte (“Tiefer sinket schon die Sonne”) | A major | 1823 | v pf | Friedrich Schlegel | 1830 | ||
D.691 | Op.172/6(p) | Die Vögel (“Wie lieblich und fröhlich”) | A major | 1820 | v pf | Friedrich Schlegel | 1865 | |
D.692 | Der Knabe (“Wenn ich nur ein Vöglein wäre”) | A major | 1820 | v pf | Friedrich Schlegel | 1872 | ||
D.693 | Der Fluss (“Wie rein Gesang sich windet”) | B major | 1820 | v pf | Friedrich Schlegel | 1872 | ||
D.694 | Der Schiffer (“Friedlich lieg’ ich hingegossen”) | D major | 1820 | v pf | Friedrich Schlegel | 1842 | ||
D.695 | Namenstagslied (“Vater, schenk’ mir diese Stunde”) | A major | 1820 | v pf | Albert Stadler | 1895 | ||
D.696 | Op.113(p) | Antiphonen zum Palmsonntag (6) | 1820 | ch | 1829 | |||
D.696/1 | Op.113/1(p) | Hosanna filio David (“Hosanna filio David”) | C major | 1820 | ch | 1829 | ||
D.696/2 | Op.113/2(p) | In monte Oliveti (“In monte Oliveti”) | A minor | 1820 | ch | 1829 | ||
D.696/3 | Op.113/3(p) | Sanctus (“Sanctus, sanctus, sanctus”) | F major | 1820 | ch | 1829 | ||
D.696/4 | Op.113/4(p) | Pueri Hebraeorum (“Pueri Hebraeorum”) | G major | 1820 | ch | 1829 | ||
D.696/5 | Op.113/5(p) | Cum angelis et pueris (“Cum angelis et pueris”) | C major | 1820 | ch | 1829 | ||
D.696/6 | Op.113/6(p) | Ingrediente Domino (“Ingrediente Domino”) | C major | 1820 | ch | 1829 | ||
D.697 | Ecossaises (6) | A♭ major | 1820 | pf | 1823 | D.697/5 = D.145/35 | ||
D.698 | Des Fräuleins Liebeslauschen (“Hier unten steht ein Ritter”) | A major | 1820 | v pf | Franz Xaver von Schlechta | 1832 | also appears as "Liebeslauschen" | |
D.699 | Der entsühnte Orest (“Zu meinen Füssen brichst du dich”) | C major | 1820 | v pf | Johann Mayrhofer | 1831 | ||
D.700 | Freiwilliges Versinken (“Wohin? o Helios!”) | D minor | 1820 | v pf | Johann Mayrhofer | 1831 | ||
D.701 | Sacontala | 1820 | 7sop 6ten 6bass 2nar ch orch | Johann Philipp Neumann | 1929 | opera in 3 acts; unfinished – sketches of 11 numbers from Acts I and II are extant; also appears as "Sakontala" or "Sakuntala" | ||
D.702 | Op. | 8/1Der Jüngling auf dem Hügel (“Ein Jüngling auf dem Hügel”) | G major | 1820 | v pf | Heinrich Hüttenbrenner | 1822 | |
D.703 | String Quartet (No.12), Quartettsatz | C minor | 1820 | 2vn va vc | 1870 | unfinished – a complete movt. I and a fragment of movt. II are extant | ||
D.704 | now D.714 (1st version) | |||||||
D.705 | Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”) | C♯ minor | 1820 | 2ten 2bass pf | Johann Wolfgang von Goethe | 1897 | 3rd setting; sketch | |
D.706 | Op.132(p) | Der 23. Psalm (“Gott ist mein Hirt, mir wird nichts mangeln”) | A♭ major | 1820 | 2sop 2alt pf | Moses Mendelssohn, after The Old Testament | 1832 | |
D.707 | Der zürnenden Diana (“Ja, spanne nur den Bogen”) | A major | 1820 | v pf | Johann Mayrhofer | 1895 | 1st version | |
D.707 | Op. | 36/1Der zürnenden Diana (“Ja, spanne nur den Bogen”) | A♭ major | 1820 | v pf | Johann Mayrhofer | 1825 | 2nd version |
D.708 | Im Walde (“Windes Rauschen, Gottes Flügel”), Waldesnacht | E major | 1820 | v pf | Friedrich Schlegel | 1832 | ||
D.708a | Symphony | D major | 1820 post | orch | 1978 | fragment; piano sketches of all 4 movts. are extant | ||
D.709 | Frühlingsgesang (“Schmücket die Locken mit duftigen Kränzen”) | D major | 1822 | 2ten 2bass | Franz von Schober | 1891 | 1st setting | |
D.710 | Im Gegenwärtigen Vergangenes (“Ros und Lilie morgentaulich”) | D♭ major | 1821? | 2ten 2bass pf | Johann Wolfgang von Goethe | 1849 | ||
D.711 | Lob der Tränen (“Laue Lüfte, Blumendüfte”) | D major | 1818? | v pf | August Wilhelm Schlegel | 1970 | 1st version | |
D.711 | Op. | 13/2Lob der Tränen (“Laue Lüfte, Blumendüfte”) | D major | v pf | August Wilhelm Schlegel | 1822 | 2nd version | |
D.712 | Die gefangenen Sänger (“Hörst du von den Nachtigallen”) | G major | 1821 | v pf | August Wilhelm Schlegel | 1842 | ||
D.713 | Der Unglückliche (“Die Nacht bricht an”) | B minor | 1821 | v pf | Karoline Pichler | 1895 | 1st version | |
D.713 | Op. | 87/1Der Unglückliche (“Die Nacht bricht an”) | B minor | 1821 | v pf | Karoline Pichler | 1827 | 2nd version |
D.714 [704] | Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”) | C major | 1820 | 4ten 4bass 2va 2vc bass | Johann Wolfgang von Goethe | 1891 | 4th setting - 1st version; fragment | |
D.714 | Op.167(p) | Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”) | C major | 1821 | 4ten 4bass 2va 2vc bass | Johann Wolfgang von Goethe | 1858 | 4th setting - 2nd version |
D.715 | Versunken (“Voll Locken kraus ein Haupt so rund”) | A♭ major | 1821 | v pf | Johann Wolfgang von Goethe | 1845 | 1st version | |
D.715 | Versunken (“Voll Locken kraus ein Haupt so rund”) | F major | 1825 | v pf | Johann Wolfgang von Goethe | 1992 | 2nd version | |
D.716 | Grenzen der Menschheit (“Wenn der uralte heilige Vater”) | E major | 1821 | bass pf | Johann Wolfgang von Goethe | 1832 | ||
D.717 | Op. | 31Suleika II (“Ach um deine feuchten Schwingen”) | B♭ major | 1821 | v pf | Marianne von Willemer | 1825 | |
D.718 | Variation on a Waltz by Anton Diabelli | C minor | 1821 | pf | 1824 | written for "Vaterländischer Künstlerverein" | ||
D.719 | Op. | 14/2Geheimes (“Über meines Liebchens Äugeln”) | A♭ major | 1821 | v pf | Johann Wolfgang von Goethe | 1822 | |
D.720 | Suleika I (“Was bedeutet die Bewegung?”) | B minor/ B major | 1821 | v pf | Marianne von Willemer | 1970 | 1st version | |
D.720 | Op. | 14/1Suleika I (“Was bedeutet die Bewegung?”) | B minor/ B major | 1821 | v pf | Marianne von Willemer | 1822 | 2nd version |
D.721 | Mahomets Gesang (“Seht den Felsenquell”) | C♯ minor | 1821 | bass pf | Johann Wolfgang von Goethe | 1895 | 2nd setting; fragment | |
D.722 | German Dance | G♭ major | 1821 | pf | 1889 | |||
D.723 | Einlagen für Das Zauberglöckchen von Louis Joseph Ferdinand Hérold | 1821 | 2ten bass orch | Georg Friedrich Treitschke, after Emmanuel Théaulon | 1893 | 2 additional numbers for "Das Zauberglöckchen", by Ferdinand Hérold | ||
D.724 | Op. | 11/2Die Nachtigall (“Bescheiden verborgen im buschigten Gang”) | D major | 1821? | 2ten 2bass pf | Johann Karl Unger | 1822 | |
D.725 | Linde Weste wehen (“Linde Weste wehen”) | B minor | 1821 | mez ten pf | anonymous | 1929 | fragment; also appears as “Linde Lüfte wehen” | |
D.726 | Mignon I (“Heiss mich nicht reden, heiss mich schweigen”) | B minor | 1821 | v pf | Johann Wolfgang von Goethe | 1870 | 1st setting | |
D.727 | Mignon II (“So lasst mich scheinen, bis ich werde”) | B minor/ B major | 1821 | v pf | Johann Wolfgang von Goethe | 1850 | 2nd setting | |
D.728 | Johanna Sebus (“Der Damm zerreisst”) | D minor | 1821 | v pf | Johann Wolfgang von Goethe | 1895 | fragment | |
D.729 | Symphony No.7 | E major | 1821 | orch | 1885 | fragment; sketches of all 4 movts. are extant. 1885 publication was a piano reduction of J.F. Barnett's completion | ||
D.730 | Tantum ergo (“Tantum ergo”) | B♭ major | 1821 | sop alt ten bass ch org orch | 1926 | |||
D.731 | Op.173/4(p) | Der Blumen Schmerz (“Wie tönt es mir so schaurig”) | E minor | 1821 | v pf | Johann Graf von Majláth | 1821 | |
D.732 | Alfonso und Estrella | 1821–22 | 2sop 2ten bass 2bar ch orch | Franz von Schober | 1867 | opera in 3 acts: overture and 34 numbers; overture arranged for piano as D.759a, for piano duet as D.773 | ||
D.732 | Alfonso und Estrella No.8 "Arie: Doch im Getümmel der Schlacht" | E♭ minor | 1822? | bass pf | Franz von Schober | 1833 ca. | version for bass and piano of No.8 from the opera | |
D.732 [683] | Alfonso und Estrella No.11 "Arie: Der Jäger ruhte hingegossen" | G major | 1821–22 | bryt orch | Franz von Schober | 1867 | ||
D.732 | Alfonso und Estrella No.13 "Arie: Wenn ich dich, Holde, sehe" | C major | 1822? | ten pf | Franz von Schober | 1834 ca. | version for tenor and piano of No.13 from the opera | |
D.733 | Op. | 51Marches Militaires (3) | 1818? | pf4h | 1826 | |||
D.734 | Op. | 67Ländler and Ecossaises (16, 2), Wiener Damen-Ländler | pf | 1826 | ||||
D.735 | Op. | 49Galop and Ecossaises (1, 8) | pf | 1825 | ||||
D.736 | Ihr Grab (“Dort ist ihr Grab”) | E♭ major | 1822? | v pf | Karl August Engelhardt | 1842 | ||
D.737 | Op. | 56/2An die Leier (“Ich will von Atreus Söhnen”) | E♭ major | 1822 or 1823(?) | v pf | Franz von Bruchmann, after Anakreon | 1826 | |
D.738 | Op. | 56/3Im Haine (“Sonnenstrahlen durch die Tannen”) | A major | 1822 or 1823(?) | v pf | Franz von Bruchmann | 1826 | |
D.739 | Op. | 45Tantum ergo (“Tantum ergo”) | C major | 1814 | ch org orch | 1825 | ||
D.740 | Op. | 16/1Frühlingsgesang (“Schmücket die Locken mit duftigen Kränzen”) | D major | 1822 | 2ten 2bass pf | Franz von Schober | 1823 | 2nd setting |
D.741 | Op. | 20/1Sei mir gegrüsst (“O du Entriss’ne mir”) | B♭ major | 1821–22 | v pf | Friedrich Rückert | 1823 | |
D.742 | Op. | 68Der Wachtelschlag (“Ach! mir schallt’s dorten”) | A major | v pf | Samuel Friedrich Sauter | 1822 | ||
D.743 | Op. | 23/2Selige Welt (“Ich treibe auf des Lebens Meer”) | A♭ major | 1822? | bass pf | Johann Senn | 1823 | |
D.744 | Op. | 23/3Schwanengesang (“Wie klag’ ich’s aus das Sterbegefühl”) | A♭ major | 1822? | v pf | Johann Senn | 1823 | |
D.745 | Op. | 73Die Rose (“Es lockte schöne Wärme”) | G major | 1822 | v pf | Friedrich Schlegel | 1822 | 1st version |
D.745 | Die Rose (“Es lockte schöne Wärme”) | F major | 1822 | v pf | Friedrich Schlegel | 1895 | 2nd version | |
D.746 | Am See (“In des Sees Wogenspiele”) | E♭ major | 1822 or 1823(?) | v pf | Franz von Bruchmann | 1831 | ||
D.747 | Op. | 11/3Geist der Liebe (“Der Abend schleiert Flur und Hain”) | C major | 1822 | 2ten 2bass pf | Friedrich von Matthisson | 1822 | 2nd setting |
D.748 | Op.157(p) | Am Geburtstage des Kaisers (“Steig empor, umblüht von Segen”) | B♭ major | 1822 | sop alt ten bass ch orch | Johann Ludwig Ferdinand von Deinhardstein | 1822 | |
D.749 | Herrn Josef Spaun, Assessor in Linz (“Und nimmer schreibst du?”) | F minor/ C minor | 1822 | v pf | Matthäus von Collin | 1850 | ||
D.750 | Tantum ergo (“Tantum ergo”) | D major | 1822 | ch org orch | 1888 | |||
D.751 | Op. | 23/1Die Liebe hat gelogen (“Die Liebe hat gelogen, die Sorge lastet schwer”) | C minor | 1822 | v pf | August von Platen | 1823 | |
D.752 | Nachtviolen (“Nachtviolen, Nachtviolen”) | C major | 1822 | v pf | Johann Mayrhofer | 1872 | ||
D.753 | Op. | 65/3Heliopolis I (“Im kalten, rauhen Norden ist Kunde mir geworden”), Aus Heliopolis I or Im Hochgebirge | E minor/ E major |
1822 | v pf | Johann Mayrhofer | 1826 | |
D.754 | Heliopolis II (“Fels auf Felsen hingewälzet”) | C minor/ C major | 1822 | bass pf | Johann Mayrhofer | 1842 | ||
D.755 | Mass | A minor | 1822 | sop alt ten bass ch org str | 1998 | sketch of the "Kyrie" is extant | ||
D.756 | Du liebst mich nicht (“Mein Herz ist zerrissen, du liebst mich nicht!”) | G♯ minor | 1822 | v pf | August von Platen | 1895 | 1st version | |
D.756 | Op. | 59/1Du liebst mich nicht (“Mein Herz ist zerrissen, du liebst mich nicht!”) | A minor | 1822 | v pf | August von Platen | 1826 | 2nd version |
D.757 | Op.133(p) | Gott in der Natur (“Gross ist der Herr!”) | C major | 1822 | 2sop 2alt pf | Ewald Christian von Kleist | 1839 | |
D.757a | March | B minor | 1822 | pf | 1988 | |||
D.758 | Todesmusik (“In des Todes Feierstunde”) | G♭ major | 1822 | v pf | Franz von Schober | 1985 | 1st version | |
D.758 | Op.108/2 | Todesmusik (“In des Todes Feierstunde”) | G major | 1828? | v pf | Franz von Schober | 1829 | 2nd version |
D.759 | Symphony No.8, Unvollendete (Unfinished) | B minor | 1822 | orch | 1867 | unfinished – 2 complete movts. and a fragment of movt. III are extant; D.797/1 is possibly movt. IV | ||
D.759a | Op. | 69Overture to the Opera "Alfonso und Estrella" | D minor/ D major | 1822 | pf | 1839 ca. | version for piano of the overture from D.732 | |
D.760 | Op. | 15Fantasy, Wandererfantasie (Wanderer Fantasy) | C major | 1822 | pf | 1823 | ||
D.761 | Schatzgräbers Begehr (“In tiefster Erde ruht ein alt Gesetz”) | D minor/ D major | 1822 | v pf | Franz von Schober | 1895 | 1st version | |
D.761 | Op. | 23/4Schatzgräbers Begehr (“In tiefster Erde ruht ein alt Gesetz”) | D minor/ D major | 1822 | v pf | Franz von Schober | 1823 | 2nd version |
D.762 | Schwestergruss (“Im Mondenschein’ wall’ ich auf und ab”) | F♯ minor | 1822 | v pf | Franz von Bruchmann | 1833 | ||
D.763 | Op.146(p) | Schicksalslenker, blicke nieder (“Schicksalslenker, blicke nieder”) | A♭ major | 1822 | sop alt ten bass pf | anonymous | 1842 | also appears as "Des Tages Weihe" |
D.764 | Der Musensohn (“Durch Feld und Wald zu schweifen”) | A♭ major | 1822 | v pf | Johann Wolfgang von Goethe | 1895 | 1st version | |
D.764 | Op. | 92/1Der Musensohn (“Durch Feld und Wald zu schweifen”) | G major | v pf | Johann Wolfgang von Goethe | 1828 | 2nd version | |
D.765 | An die Entfernte (“So hab’ ich wirklich dich verloren?”) | G major | 1822 | v pf | Johann Wolfgang von Goethe | 1868 | ||
D.766 | Am Flusse (“Verfliesset, vielgeliebte Lieder”) | D major | 1822 | v pf | Johann Wolfgang von Goethe | 1872 | 2nd setting | |
D.767 | Willkommen und Abschied (“Es schlug mein Herz”) | D major | 1822 | v pf | Johann Wolfgang von Goethe | 1895 | 1st version | |
D.767 | Op. | 56/1Willkommen und Abschied (“Es schlug mein Herz”) | C major | v pf | Johann Wolfgang von Goethe | 1826 | 2nd version | |
D.768 | Op. | 96/3Wandrers Nachtlied (“Über allen Gipfeln ist Ruh”) | B♭ major | 1824 | v pf | Johann Wolfgang von Goethe | 1827 | |
D.769 | German Dances (2) | 1823?-24 | pf | 1823 | ||||
D.769a [994] | Piano Sonata | E minor | 1823 ca. | pf | 1958 | fragment of movt. I is extant | ||
D.770 | Op. | 71Drang in die Ferne (“Vater, du glaubst es nicht”) | A minor/ A major | 1823 | v pf | Karl Gottfried von Leitner | 1823 | |
D.771 | Op. | 22/1Der Zwerg (“Im trüben Licht verschwinden schon die Berge”) | A minor | 1822? | v pf | Matthäus von Collin | 1823 | |
D.772 | Op. | 22/2Wehmut (“Wenn ich durch Wald und Fluren geh’ ”) | D minor | 1822 or 1823(?) | v pf | Matthäus von Collin | 1823 | |
D.773 | Op. | 69Overture to the Opera "Alfonso und Estrella" | D minor/ D major | 1823 | pf4h | 1826 | version for piano duet of the overture from D.732 | |
D.774 | Op. | 72Auf dem Wasser zu singen (“Mitten im Schimmer der spiegelnden Wellen”) | A♭ major | 1823 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1823 | |
D.775 | Op. | 59/2Dass sie hier gewesen (“Dass der Ostwind Düfte hauchet”) | C major | 1823? | v pf | Friedrich Rückert | 1826 | |
D.776 | Op. | 59/3Du bist die Ruh (“Du bist die Ruh, der Friede mild”) | E♭ major | 1823 | v pf | Friedrich Rückert | 1826 | |
D.777 | Op. | 59/4Lachen und Weinen (“Lachen und Weinen zu jeglicher Stunde”) | A♭ major | 1823? | v pf | Friedrich Rückert | 1826 | |
D.778 | Greisengesang (“Der Frost hat mir bereifet”) | B minor | 1823? | bass pf | Friedrich Rückert | 1982 | 1st version | |
D.778 | Greisengesang (“Der Frost hat mir bereifet”) | B minor | 1826? | bass pf | Friedrich Rückert | 1982 | 2nd version | |
D.778 | Op. | 60/1Greisengesang (“Der Frost hat mir bereifet”) | B minor | bass pf | Friedrich Rückert | 1826 | 3rd version | |
D.778a | Die Wallfahrt (“Meine Tränen im Bussgewand”) | F minor | 1823? | bass pf | Friedrich Rückert | 1969 | ||
D.778b | Ich hab in mich gesogen (“Ich hab’ in mich gesogen den Frühling treu und lieb”) | C major | 1823? | 2ten 2bass | Friedrich Rückert | 1963 | sketch | |
D.779 | Op. | 50Valses sentimentales (34) | 1823? | pf | 1825 | 2 versions for Nos.1-2, 4, 8-9, 12, 14 and 33 | ||
D.780 | Op. | 94Moments Musicaux (6) | 1823–24(?) | pf | 1828 | |||
D.780/1 | Op. | 94/1Moment Musical | C major | pf | 1828 | |||
D.780/2 | Op. | 94/2Moment Musical | A♭ major | pf | 1828 | |||
D.780/3 | Op. | 94/3Moment Musical, Air russe | F minor | 1823 | pf | 1828 | ||
D.780/4 | Op. | 94/4Moment Musical | C♯ minor | pf | 1828 | |||
D.780/5 | Op. | 94/5Moment Musical | F minor | pf | 1828 | |||
D.780/6 | Op. | 94/6Moment Musical, Plaintes d'un Troubadour | A♭ major | 1824 | pf | 1828 | ||
D.781 | Ecossaises (12) | 1823 | pf | 1824 | D.781/1 = D.783/18 | |||
D.782 | Ecossaise | D major | pf | 1824 | ||||
D.783 | Op. | 33German Dances and Ecossaises (16, 2) | 1823–24 | pf | 1825 | 2 versions for No.6; D.783/18 = D.781/1 | ||
D.784 | Op.143(p) | Piano Sonata, Grande Sonate | A minor | 1823 | pf | 1839 | ||
D.785 | Der zürnende Barde (“Wer wagt’s, wer wagt’s”) | G minor/ G major | 1823 | bass pf | Franz von Bruchmann | 1831 | ||
D.786 | Op.123(p) | Viola (“Schneeglöcklein, o Schneeglöcklein”) | A♭ major | 1823 | v pf | Franz von Schober | 1830 | |
D.787 | Die Verschworenen, Der haüsliche Krieg | 1823 | 4/5sop 2alt 2/3ten 2bass ch orch | Ignaz Franz Castelli | 1889 | singspiel in 1 act: overture (unfinished) and 11 numbers | ||
D.788 | Lied (Des Lebens Tag ist schwer und schwül) (“Des Lebens Tag ist schwer und schwül”), Die Mutter Erde | A minor/ A major | 1823 | v pf | Friedrich Leopold zu Stolberg-Stolberg | 1838 | ||
D.789 | Pilgerweise (“Ich bin ein Waller auf der Erde”) | F♯ minor | 1823 | v pf | Franz von Schober | 1832 | ||
D.790 | Op.171(p) | German Dances (12) | 1823 | pf | 1864 | also appears as "12 Ländler" | ||
D.791 | Rüdiger | 1823 | 2ten ch orch | Ignaz Franz von Mosel? | 1867 | opera; sketches of 2 numbers are extant | ||
D.792 | Vergissmeinnicht (“Als der Frühling”) | A♭ major/ E major | 1823 | v pf | Franz von Schober | 1833 | ||
D.793 | Op.173/2(p) | Das Geheimnis (“Sie konnte mir kein Wörtchen sagen”) | G major | 1823 | v pf | Friedrich Schiller | 1867 | 2nd setting |
D.794 | Der Pilgrim (“Noch in meines Lebens Lenze”) | E major/ C♯ minor | 1823 | v pf | Friedrich Schiller | 1909 | 1st version | |
D.794 | Op. | 37/1Der Pilgrim (“Noch in meines Lebens Lenze”) | D major/ B minor | v pf | Friedrich Schiller | 1825 | 2nd version | |
D.795 | Op. | 25Die schöne Müllerin | 1823 | v pf | Wilhelm Müller | 1824 | ||
D.795/ | 1Op. | 25/ 1Das Wandern (“Das Wandern ist des Müllers Lust”) | B♭ major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 2Op. | 25/ 2Wohin? (“Ich hört’ ein Bächlein rauschen”) | G major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 3Op. | 25/ 3Halt! (“Eine Mühle seh’ ich blinken”) | C major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 4Op. | 25/ 4Danksagung an den Bach (“War es also gemeint”) | G major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 5Op. | 25/ 5Am Feierabend (“Hätt’ ich tausend Arme zu rühren”) | A minor | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 6Op. | 25/ 6Der Neugierige (“Ich frage keine Blume”) | B major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 7Op. | 25/ 7Ungeduld (“Ich schnitt’ es gern in alle Rinden ein”) | A major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 8Op. | 25/ 8Morgengruss (“Guten Morgen, schöne Müllerin”) | C major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/ | 9Op. | 25/ 9Des Müllers Blumen (“Am Bach viel kleine Blumen stehn’ ”) | A major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/10 | Op. | 25/10Tränenregen (“Wir sassen so traulich beisammen”) | A major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/11 | Op. | 25/11Mein! (“Bächlein, lass dein Rauschen sein”) | D major | 1823 | v pf | Wilhelm Müller | 1824 | original version |
D.795/11 | Mein! (“Bächlein, lass dein Rauschen sein”) | D major | v pf | Wilhelm Müller | 1975 | modified version | ||
D.795/12 | Op. | 25/12Pause (“Meine Laute hab’ ich gehängt an die Wand”) | B♭ major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/13 | Op. | 25/13Mit dem grünen Lautenbande (“Schad’ um das schöne grüne Band”) | B♭ major | 1823 | v pf | Wilhelm Müller | 1824 | original version |
D.795/13 | Mit dem grünen Lautenbande (“Schad’ um das schöne grüne Band”) | B♭ major | v pf | Wilhelm Müller | 1975 | modified version | ||
D.795/14 | Op. | 25/14Der Jäger (“Was sucht denn der Jäger”) | C minor | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/15 | Op. | 25/15Eifersucht und Stolz (“Wohin so schnell”) | G minor/ G major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/16 | Op. | 25/16Die liebe Farbe (“In Grün will ich mich kleiden”) | B minor | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/17 | Op. | 25/17Die böse Farbe (“Ich möchte zieh’n in die Welt hinaus”) | B major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.795/18 | Op. | 25/18Trockne Blumen (“Ihr Blümlein alle”) | E minor | 1823 | v pf | Wilhelm Müller | 1824 | original version |
D.795/18 | Trockne Blumen (“Ihr Blümlein alle”) | C minor | v pf | Wilhelm Müller | 1975 | modified version | ||
D.795/19 | Op. | 25/19Der Müller und der Bach (“Wo ein treues Herze”) | G minor/ G major | 1823 | v pf | Wilhelm Müller | 1824 | original version |
D.795/19 | Der Müller und der Bach (“Wo ein treues Herze”) | F minor/ F major |
v pf | Wilhelm Müller | 1975 | modified version | ||
D.795/20 | Op. | 25/20Des Baches Wiegenlied (“Gute Ruh’, gute Ruh’ ”) | E major | 1823 | v pf | Wilhelm Müller | 1824 | |
D.796 | Fierabras | 1823 | 3sop 3ten 3bass bar nar ch orch | Joseph Kupelwieser | 1867 | opera in 3 acts: overture and 23 numbers; also appears as "Fierrabras"; overture arranged for piano duet as D.798 | ||
D.796 [333] | Fierabras No.21a "Chor: Lass dein Vertrauen nicht schwinden" | F major | 1823 | mch orch | Joseph Kupelwieser | 1840 | ||
D.797 | Op. | 26Rosamunde, Fürstin von Zypern | 1823 | alt ch orch | Helmina von Chézy | 1824 | music for schauspiel: overture (from D.644) and 9 numbers | |
D.798 | Op. | 76Overture to the Opera "Fierabras" | F major | 1823 | pf4h | 1827 | version for piano duet of the overture from D.796; setting by Carl Czerny published as Op.76 | |
D.799 | Im Abendrot (“Oh, wie schön ist deine Welt”) | A♭ major | 1825 | v pf | Karl Lappe | 1992 | 1st version | |
D.799 | Im Abendrot (“Oh, wie schön ist deine Welt”) | A♭ major | 1827 | v pf | Karl Lappe | 1832 | 2nd version | |
D.800 | Op. | 41Der Einsame (“Wann meine Grillen schwirren”) | G major | 1825 | v pf | Karl Lappe | 1827 | 2 published "versions", although Deutsch and the Neue Schubert-Ausgabe only list 1 version (Op.41) |
D.801 | Dithyrambe (“Nimmer, das glaubt mir, erscheinen die Götter”) | A major | bass pf | Friedrich Schiller | 1982 | 2nd setting - 1st version | ||
D.801 | Op. | 60/2Dithyrambe (“Nimmer, das glaub mir, erscheinen die Götter”) | A major | bass pf | Friedrich Schiller | 1826 | 2nd setting - 2nd version | |
D.802 | Op.160(p) | Variations, Trockne Blumen | E minor/ E major |
1824 | fl pf | 1850 | 2 versions of Variation V | |
D.803 | Op.166(p) | Octet | F major | 1824 | cl bn hn 2vn va vc db | 1853 | ||
D.804 | Op. | 29String Quartet (No.13), Rosamunde | A minor | 1824 | 2vn va vc | 1824 | ||
D.805 | Der Sieg (“O unbewölktes Leben”) | F major | 1824 | bass pf | Johann Mayrhofer | 1833 | ||
D.806 | Abendstern (“Was weilst du einsam an dem Himmel”) | A minor | 1824 | v pf | Johann Mayrhofer | 1833 | ||
D.807 | Auflösung (“Verbirg dich, Sonne”) | G major | 1824 | v pf | Johann Mayrhofer | 1842 | ||
D.808 | Gondelfahrer (“Es tanzen Mond und Sterne”) | C major | 1824 | v pf | Johann Mayrhofer | 1872 | 1st setting | |
D.809 | Op. | 28Gondelfahrer (“Es tanzen Mond und Sterne”) | C major | 1824 | 2ten 2bass pf | Johann Mayrhofer | 1824 | 2nd setting |
D.810 | String Quartet (No.14), Der Tod und das Mädchen (Death and the Maiden) | D minor | 1824 | 2vn va vc | 1831 | |||
D.811 | Op.149(p) | Salve Regina (“Salve Regina”) | C major | 1824 | 2ten 2bass | 1850 | antiphon | |
D.812 | Op.140(p) | Sonata, Grand Duo | C major | 1824 | pf4h | 1837 | ||
D.813 | Op. | 35Variations on an Original Theme (8) | A♭ major | 1824 | pf4h | 1825 | ||
D.814 | Ländler (4) | 1824 | pf4h | 1869 | D.814/1 arranged for piano as D.366/17 | |||
D.815 | Op.139/1(p) | Gebet (“Du Urquell aller Güte”) | A♭ major | 1824 | sop alt ten bass pf | Friedrich de la Motte Fouqué | 1840 | |
D.816 | Ecossaises (3) | 1824 | pf | 1956 | ||||
D.817 | Ungarische Melodie | B minor | 1824 | pf | 1928 | |||
D.818 | Op. | 54Divertissement à l’hongroise | G minor | 1824? | pf4h | 1826 | ||
D.819 | Op. | 40Grandes Marches (6) | 1818 or 1824 | pf4h | 1825 | |||
D.820 | German Dances (6) | 1824 | pf | 1931 | ||||
D.821 | Sonata, Arpeggione Sonata | A minor | 1824 | arp pf | 1871 | |||
D.822 | Lied eines Kriegers (“Des stolzen Männerlebens schönste Zeichen”) | A major/ A minor | 1824 | bass uch pf | anonymous | 1842 | for bass, unison male chorus and piano | |
D.823 | Divertissement sur des motifs originaux français | E minor | pf4h | 1826 | ||||
D.823/1 | Op. | 63Tempo de Marcia | E minor | pf4h | 1826 | this movt. first published as Op.63 | ||
D.823/2 | Op. | 84/1Andantino varié | B minor | pf4h | 1827 | this movt. first published as Op.84/1 | ||
D.823/3 | Op. | 84/2Rondeau brillant | E minor | pf4h | 1827 | this movt. first published as Op.84/2 | ||
D.824 | Op. | 61Polonaises (6) | 1826 | pf4h | 1826 | |||
D.825 | Op. | 64/1Wehmut (“Die Abendglocke tönet”) | B♭ major | 1826 | 2ten 2bass | Heinrich Hüttenbrenner | 1828 | |
D.825a | Op. | 64/2Ewige Liebe (“Ertönet, ihr Saiten, in nächtlicher Ruh”) | C major | 1826 | 2ten 2bass | Ernst Schulze | 1828 | |
D.825b | Op. | 64/3Flucht (“In der Freie will ich leben”) | C major | 1825 | 2ten 2bass | Karl Lappe | 1828 | |
D.826 | Der Tanz (“Es redet und träumet die Jugend so viel”) | C major | 1828 | sop alt ten bass pf | Karl Kolumban Schnitzer von Meerau? | 1892 | ||
D.827 | Nacht und Träume (“Heil’ge Nacht, du sinkest nieder!”) | B major | v pf | Matthäus von Collin | 1975 | 1st version | ||
D.827 | Op. | 43/2Nacht und Träume (“Heil’ge Nacht, du sinkest nieder!”) | B major | 1823 | v pf | Matthäus von Collin | 1825 | 2nd version |
D.828 | Op. | 43/1Die junge Nonne (“Wie braust durch die Wipfel”) | F minor/ F major |
1825 | v pf | Jacob Nicolaus Craigher de Jachelutta | 1825 | |
D.829 | Leb’ wohl du schöne Erde (“Leb’ wohl du schöne Erde”) | F major | 1826 | nar pf | Adolf Pratobevera von Wiesborn | 1873 | melodrama; also appears as "Abschied" or "Abschied von der Erde" | |
D.830 | Op. | 85/1Lied der Anne Lyle (“Wärst du bei mir im Lebenstal”) | C minor | 1825? | v pf | Wilhelm Adolf Lindau, after Andrew MacDonald | 1828 | |
D.831 | Op. | 85/2Gesang der Norna (“Mich führt mein Weg wohl meilenlang”) | F minor | 1825 | v pf | Samuel Heinrich Spiker, after Walter Scott | 1828 | |
D.832 | Des Sängers Habe (“Schlagt mein ganzes Glück in Splitter”) | B♭ major | 1825 | v pf | Franz Xaver von Schlechta | 1830 | ||
D.833 | Der blinde Knabe (“O sagt, ihr Lieben, mir einmal”) | B♭ major | 1825 | v pf | Jacob Nicolaus Craigher de Jachelutta, after Colley Cibber | 1895 | 1st version | |
D.833 | Op.101/2(p) | Der blinde Knabe (“O sagt, ihr Lieben, mir einmal”) | B♭ major | 1825 | v pf | Jacob Nicolaus Craigher de Jachelutta, after Colley Cibber | 1827 | 2nd version |
D.833 | Der blinde Knabe (“O sagt, ihr Lieben, mir einmal”) | B♭ major | v pf | Jacob Nicolaus Craigher de Jachelutta, after Colley Cibber | 1985 | modified 2nd version | ||
D.834 | Im Walde (“Ich wandre über Berg und Tal”) | G minor | 1825 | v pf | Ernst Schulze | 1835 | 1st version | |
D.834 | Op. | 93/1Im Walde (“Ich wandre über Berg und Tal”) | B♭ minor | 1827? | v pf | Ernst Schulze | 1828 | 2nd version |
D.835 | Op. | 52/3Bootgesang (“Triumph, er naht”) | C minor | 1825 | 2ten 2bass pf | Adam Storck, after Walter Scott | 1826 | |
D.836 | Op. | 52/4Coronach (“Er ist uns geschieden”), Totengesang der Frauen und Mädchen | F minor | 1825 | fch pf | Adam Storck, after Walter Scott | 1826 | |
D.837 | Op. | 52/1Ellens Gesang I (“Raste, Krieger, Krieg ist aus”) | D♭ major | 1825 | v pf | Adam Storck, after Walter Scott | 1826 | |
D.838 | Op. | 52/2Ellens Gesang II (“Jäger, ruhe von der Jagd!”) | E♭ major | 1825 | v pf | Adam Storck, after Walter Scott | 1826 | |
D.839 | Op. | 52/6Ellens Gesang III (“Ave Maria! Jungfrau mild”), Ave Maria or Hymne an die Jungfrau | B♭ major | 1825 | v pf | Adam Storck, after Walter Scott | 1826 | |
D.840 | Piano Sonata, Reliquie | C major | 1825 | pf | 1861 | unfinished – movts. I and II are complete; movts. III and IV are fragments | ||
D.841 | German Dances (2) | 1825 | pf | 1930 | ||||
D.842 | Totengräbers Heimwehe (“O Menschheit, o Leben, was soll’s?”) | F minor/ F major |
1825 | v pf | Jacob Nicolaus Craigher de Jachelutta | 1833 | ||
D.843 | Op. | 52/7Lied des gefangenen Jägers (“Mein Ross so müd”) | D minor | 1825 | v pf | Adam Storck, after Walter Scott | 1826 | |
D.844 | Waltz, Albumblatt | G major | 1825 | pf | 1897 | |||
D.845 | Op. | 42Piano Sonata | A minor | 1825 | pf | 1826 | ||
D.846 | Op. | 52/5Normans Gesang (“Die Nacht bricht bald herein”) | C minor/ C major | 1825 | v pf | Adam Storck, after Walter Scott | 1826 | |
D.847 | Op.155(p) | Trinklied aus dem 16. Jahrhundert (“Edit Nonna, edit Clerus”) | C major | 1825 | 2ten 2bass | Franz Gräffer | 1849 | |
D.848 | Op.156(p) | Nachtmusik (“Wir stimmen dir mit Flötensang”) | C major | 1825 | 2ten 2bass | Karl Siegmund von Seckendorff | 1849 | |
D.849 | see D.944 | |||||||
D.850 | Op. | 53Piano Sonata, Gasteiner | D major | 1825 | pf | 1826 | ||
D.851 | Das Heimweh (“Ach, der Gebirgssohn”) | A minor | 1825 | v pf | Johann Ladislaus Pyrker | 1895 | 1st version | |
D.851 | Op. | 79/1Das Heimweh (“Ach, der Gebirgssohn”) | A minor | 1825 | v pf | Johann Ladislaus Pyrker | 1827 | 2nd version |
D.852 | Op. | 79/2Die Allmacht (“Gross ist Jehova, der Herr”) | C major | 1825 | v pf | Johann Ladislaus Pyrker | 1827 | 1st setting - original version |
D.852 | Die Allmacht (“Gross ist Jehova, der Herr”) | A major | v pf | Johann Ladislaus Pyrker | 1982 | 1st setting - modified version | ||
D.853 | Auf der Bruck (“Frisch trabe sonder Ruh’ und Rast”) | G major | 1825 | v pf | Ernst Schulze | 1835 | 1st version | |
D.853 | Op. | 93/2Auf der Bruck (“Frisch trabe sonder Ruh’ und Rast”) | A♭ major | 1827? | v pf | Ernst Schulze | 1828 | 2nd version |
D.854 | Fülle der Liebe (“Ein sehnend Streben teilt mir das Herz”) | A♭ major | 1825 | v pf | Friedrich Schlegel | 1830 | ||
D.855 | Wiedersehn (“Der Frühlingssonne holdes Lächeln”) | G major | 1825 | v pf | August Wilhelm Schlegel | 1842 | ||
D.856 | Op. | 88/1Abendlied für die Entfernte (“Hinaus mein Blick, hinaus ins Tal”) | F major | 1825 | v pf | August Wilhelm Schlegel | 1827 | |
D.857 | Op.124(p) | Szenen aus dem Schauspiel ‘Lacrimas' (2) | 1825 | v pf | Christian Wilhelm von Schütz | 1829 | ||
D.857/1 | Op.124/1(p) | Lied der Delphine (“Ach, was soll ich beginnen vor Liebe?”) | A major | 1825 | v pf | Christian Wilhelm von Schütz | 1829 | |
D.857/2 | Op.124/2(p) | Lied des Florio (“Nun, da Schatten niedergleiten”) | E major | 1825 | v pf | Christian Wilhelm von Schütz | 1829 | |
D.858 | now D.Anh.I/7 | |||||||
D.859 | Op. | 55Grande Marche Funèbre | C minor | 1825 | pf4h | 1826 | ||
D.860 | An mein Herz (“O Herz, sei endlich stille”) | A minor/ A major | 1825 | v pf | Ernst Schulze | 1832 | ||
D.861 | Der liebliche Stern (“Ihr Sternlein, still in der Höhe”) | G major | 1825 | v pf | Ernst Schulze | 1832 | ||
D.862 | Um Mitternacht (“Keine Stimme hör’ ich schallen”) | B♭ major | 1825 | v pf | Ernst Schulze | 1979 | 1st version | |
D.862 | Op. | 88/3Um Mitternacht (“Keine Stimme hör’ ich schallen”) | B♭ major | 1826? | v pf | Ernst Schulze | 1827 | 2nd version |
D.863 | An Gott (“Kein Auge hat dein Angesicht geschaut”) | 1827 or earlier | v pf | Christoph Christian Hohlfeld | lost | |||
D.864 | Das Totenhemdchen (“Starb das Kindlein”) | 1827? | v pf | Eduard von Bauernfeld | lost | |||
D.865 | Op.105/1 | Widerspruch (“Wenn ich durch Busch und Zweig”) | D major | 1828 | v/[2ten 2bass] pf | Johann Gabriel Seidl | 1828 | |
D.866 | Op. | 95Refrainlieder (4) | 1828? | v pf | Johann Gabriel Seidl | 1828 | ||
D.866/1 | Op. | 95/1Die Unterscheidung (“Die Mutter hat mich jüngst gescholten”) | G major | 1828? | v pf | Johann Gabriel Seidl | 1828 | |
D.866/2 | Op. | 95/2Bei dir allein (“Bei dir allein empfind ich, dass ich lebe”) | A♭ major | 1828? | v pf | Johann Gabriel Seidl | 1828 | |
D.866/3 | Op. | 95/3Die Männer sind méchant (“Du sagtest mir es, Mutter”) | A minor | 1828? | v pf | Johann Gabriel Seidl | 1828 | |
D.866/4 | Op. | 95/4Irdisches Glück (“So mancher sieht mit finstrer Miene”) | D minor/ D major | 1828? | v pf | Johann Gabriel Seidl | 1828 | |
D.867 | Op.105/2 | Wiegenlied (“Wie sich der Äuglein kindlicher Himmel”) | A♭ major | v pf | Johann Gabriel Seidl | 1828 | ||
D.868 | now D.990c | |||||||
D.869 | Totengräber-Weise (“Nicht so düster und so bleich”) | F♯ minor/ F♯ major | 1826 | v pf | Franz Xaver von Schlechta | 1832 | ||
D.870 | Op. | 80/1Der Wanderer an den Mond (“Ich auf der Erd’, am Himmel du”) | G minor/ G major | 1826 | v pf | Johann Gabriel Seidl | 1827 | |
D.871 | Das Zügenglöcklein (“Kling die Nacht durch, klinge”) | A♭ major | 1826 | v pf | Johann Gabriel Seidl | 1979 | 1st version | |
D.871 | Op. | 80/2Das Zügenglöcklein (“Kling die Nacht durch, klinge”) | A♭ major | 1826 | v pf | Johann Gabriel Seidl | 1827 | 2nd version |
D.872 | Gesänge zur Feier des heiligen Opfers der Messe ("Deutsche Messe") | F major/ E minor |
1827 | ch org | Johann Philipp Neumann | 2001 | 1st version | |
D.872 | Gesänge zur Feier des heiligen Opfers der Messe ("Deutsche Messe") | F major/ E minor |
1827 | ww br timp db ch org | Johann Philipp Neumann | 1870 | 2nd version | |
D.873 | Canone a sei (“?”) | A major | 1826 | 6vv | 1974 | canon; sketch without text | ||
D.873a | Nachklänge (“?”) | C major | 1826 | 2ten 2bass | 1974 | sketch without text | ||
D.874 | O Quell, was strömst du rasch und wild (“O Quell, was strömst du rasch und wild”) | G major | 1826? | v pf | Ernst Schulze | 1967 | sketch | |
D.875 | Op.102 | Mondenschein (“Des Mondes Zauberblume lacht”) | A♭ major | 1826 | 2ten 3bass pf | Franz von Schober | 1831 | |
D.875a | Die Allmacht (“Gross ist Jehova, der Herr”) | C major | 1826 | ch pf | Johann Ladislaus Pyrker | 1965 | 2nd setting; sketch | |
D.876 | Im Jänner 1817 (“Ich bin von aller Ruh’ geschieden”), Tiefes Leid | E minor/ E major |
1826 | v pf | Ernst Schulze | 1838 | ||
D.877 | Op. | 62Gesänge aus "Wilhelm Meister" (4) | 1826 | v pf | Johann Wolfgang von Goethe | 1827 | ||
D.877/1 | Op. | 62/1Mignon und der Harfner (“Nur wer die Sehnsucht kennt”) | B minor | 1826 | 2vv pf | Johann Wolfgang von Goethe | 1827 | 5th setting |
D.877/2 | Op. | 62/2Lied der Mignon (“Heiss mich nicht reden, heiss mich schweigen”) | E minor | 1826 | v pf | Johann Wolfgang von Goethe | 1827 | 2nd setting – original version |
D.877/2 | Lied der Mignon (“Heiss mich nicht reden, heiss mich schweigen”) | D minor | v pf | Johann Wolfgang von Goethe | 1982 | 2nd setting – modified version; fragment | ||
D.877/3 | Op. | 62/3Lied der Mignon (“So lasst mich scheinen, bis ich werde”) | B major | 1826 | v pf | Johann Wolfgang von Goethe | 1827 | 3rd setting |
D.877/4 | Op. | 62/4Lied der Mignon (“Nur wer die Sehnsucht kennt”) | A minor | 1826 | v pf | Johann Wolfgang von Goethe | 1827 | 6th setting |
D.878 | Op.105/3 | Am Fenster (“Ihr lieben Mauern hold und traut”) | F major | 1826 | v pf | Johann Gabriel Seidl | 1828 | |
D.879 | Op.105/4 | Sehnsucht (“Die Scheibe friert, der Wind ist rauh”) | D minor/ D major | 1826 | v pf | Johann Gabriel Seidl | 1828 | |
D.880 | Op. | 80/3Im Freien (“Draussen in der weiten Nacht”) | E♭ major | 1826 | v pf | Johann Gabriel Seidl | 1827 | |
D.881 | Fischerweise (“Den Fischer fechten Sorgen und Gram und Leid nicht an”) | D major | 1826 | v pf | Franz Xaver von Schlechta | 1895 | 1st version | |
D.881 | Op. | 96/4Fischerweise (“Den Fischer fechten Sorgen und Gram und Leid nicht an”) | D major | 1826 | v pf | Franz Xaver von Schlechta | 1828 | 2nd version |
D.882 | Im Frühling (“Still sitz’ ich an des Hügels Hang”) | G major | 1826 | v pf | Ernst Schulze | 1985 | 1st version | |
D.882 | Op.101/1(p) | Im Frühling (“Still sitz’ ich an des Hügels Hang”) | G major | 1826 | v pf | Ernst Schulze | 1828 | 2nd version |
D.883 | Lebensmut (“O wie dringt das junge Leben”) | B♭ major | 1826 | v pf | Ernst Schulze | 1832 | ||
D.884 | Op.108/1 | Über Wildemann (“Die Winde sausen am Tannenhang”) | D minor | 1826 | v pf | Ernst Schulze | 1829 | |
D.885 | Op. | 66Grande Marche Héroique | A minor | 1826 | pf4h | 1826 | ||
D.886 | now D.968b | |||||||
D.887 | Op.161(p) | String Quartet (No.15) | G major | 1826 | 2vn va vc | 1851 | ||
D.888 | Trinklied (“Bacchus, feister Fürst des Weins”) | C major | 1826 | v pf | Ferdinand Mayerhofer von Grünbühl and Eduard von Bauernfeld, after William Shakespeare | 1850 | ||
D.889 | Ständchen (“Horch, horch! die Lerch im Ätherblau”) | C major | 1826 | v pf | August Wilhelm Schlegel, after William Shakespeare | 1830 | ||
D.890 | Hippolits Lied (“Lasst mich, ob ich auch still verglüh”) | A minor | 1826 | v pf | Georg Friedrich von Gerstenberg | 1830 | ||
D.891 | Op.106/4 | An Silvia (“Was ist Silvia, saget an”), Gesang | A major | 1826 | v pf | Eduard von Bauernfeld, after William Shakespeare | 1828 | also appears as "Gesang (An Sylvia)" |
D.892 | Op.134(p) | Nachthelle (“Die Nacht ist heiter”) | B♭ major | 1826 | 3ten 2bass pf | Johann Gabriel Seidl | 1839 ca. | |
D.893 | Grab und Mond (“Silberblauer Mondenschein fällt herab”) | A minor | 1826 | 2ten 2bass | Johann Gabriel Seidl | 1827 | ||
D.894 | Op. | 78Piano Sonata, Fantasie | G major | 1826 | pf | 1827 | a discarded 1st version of movt. II is also extant | |
D.895 | Op. | 70Rondo, Rondeau brillant | B minor | 1826 | vn pf | 1827 | ||
D.896 | Fröhliches Scheiden (“Gar fröhlich kann ich scheiden”) | F major | 1827–28 | v pf | Karl Gottfried von Leitner | 1980 ca. | sketch | |
D.896a | Sie in jedem Liede (“Nehm ich die Harfe”) | B♭ major | 1827–28 | v pf | Karl Gottfried von Leitner | 1980 ca. | sketch | |
D.896b | Wolke und Quelle (“Auf meinen heimischen Bergen”) | C major | 1827–28 | v pf | Karl Gottfried von Leitner | 1980 ca. | sketch | |
D.897 | Op.148(p) | Piano Trio, Notturno | E♭ major | 1828? | vn vc pf | 1846 | an "Adagio" movt. is extant | |
D.898 | Op. | 99(p)Piano Trio | B♭ major | 1828? | vn vc pf | 1836 | ||
D.899 | Op. | 90Impromptus (4) | 1827? | pf | 1827 | |||
D.899/1 | Op. | 90/1Impromptu | C minor | 1827? | pf | 1827 | ||
D.899/2 | Op. | 90/2Impromptu | E♭ major | 1827? | pf | 1827 | ||
D.899/3 | Op. | 90/3Impromptu | G♭ major | 1827? | pf | 1857 | ||
D.899/4 | Op. | 90/4Impromptu | A♭ major | 1827? | pf | 1857 | ||
D.900 | Allegretto | C minor | 1822 post | pf | 1897 | fragment | ||
D.901 | Wein und Liebe (“Liebchen und der Saft der Reben”) | D major | 1827 | 2ten 2bass | Friedrich Haug | 1827 | ||
D.902 | Op. | 83Gesänge (3) | 1827 | bass pf | Pietro Metastasio (Nos.1-2) | 1827 | ||
D.902/1 | Op. | 83/1L'incanto degli occhi; Die Macht der Augen (“Da voi, cari lumi”; “Nur euch, schöne Sterne”) | C major | 1827 | v pf | Pietro Metastasio | 1827 | 2nd setting |
D.902/2 | Op. | 83/2Il traditor deluso; Der getäuschte Verräter (“Ahimè, io tremo!”; “Weh mir, ich bebe!”) | E minor | 1827 | v pf | Pietro Metastasio | 1827 | |
D.902/3 | Op. | 83/3Il modo di prender moglie; Die Art ein Weib zu nehmen (“Orsù! non ci pensiamo”; “Wohlan! und ohne Zagen”) | C major | 1827 | v pf | anonymous | 1827 | |
D.903 | Op. | 81/3Zur guten Nacht (“Horch auf! Es schlägt die Stunde”) | D major | 1827 | bar mch pf | Friedrich Rochlitz | 1827 | |
D.904 | Op. | 81/1Alinde (“Die Sonne sinkt in’s tiefe Meer”) | A major | 1827 | v pf | Friedrich Rochlitz | 1827 | |
D.905 | Op. | 81/2An die Laute (“Leiser, leiser, kleine Laute”) | D major | 1827 | v pf | Friedrich Rochlitz | 1827 | |
D.906 | Der Vater mit dem Kind (“Dem Vater liegt das kind in Arm”) | D major | 1827 | v pf | Eduard von Bauernfeld | 1832 | ||
D.907 | Romanze des Richard Löwenherz (“Grosser Taten tat der Ritter fern im heiligen Lande viel”) | B♭ minor/ B♭ major | 1826? | v pf | Karl Ludwig Methusalem Müller, after Walter Scott | 1979 | 1st version | |
D.907 | Op. | 86Romanze des Richard Löwenherz (“Grosser Taten tat der Ritter fern im heiligen Lande viel”) | B minor/ B major | 1826? | v pf | Karl Ludwig Methusalem Müller, after Walter Scott | 1828 | 2nd version |
D.908 | Op. | 82/1Variations on a Theme from Hérold's Opera "Marie" (8) | C major | 1827 | pf4h | 1827 | ||
D.909 | Op. | 96/2Jägers Liebeslied (“Ich schiess’ den Hirsch im grünen Forst”) | D major | 1827 | v pf | Franz von Schober | 1828 | |
D.910 | Schiffers Scheidelied (“Die Wogen am Gestade schwellen”) | E minor | 1827 | v pf | Franz von Schober | 1833 | ||
D.911 | Op. | 89Winterreise | 1827 | v pf | Wilhelm Müller | 1828 | ||
D.911/ | 1Op. | 89/ 1Gute Nacht (“Fremd bin ich eingezogen”) | D minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/ | 2Op. | 89/ 2Die Wetterfahne (“Der Wind spielt mit der Wetterfahne”) | A minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/ | 3Op. | 89/ 3Gefror'ne Thränen (“Gefror’ne Tropfen fallen”) | F minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/ | 4Op. | 89/ 4Erstarrung (“Ich such’ im Schnee vergebens”) | C minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/ | 5Op. | 89/ 5Der Lindenbaum (“Am Brunnen vor dem Tore”) | E major | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/ | 6Op. | 89/ 6Wasserflut (“Manche Trän’ aus meinen Augen”) | E minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/ | 7Auf dem Flusse (“Der du so lustig rauschtest”) | E minor | v pf | Wilhelm Müller | 1979 | 1st version | ||
D.911/ | 7Op. | 89/ 7Auf dem Flusse (“Der du so lustig rauschtest”) | E minor | 1827 | v pf | Wilhelm Müller | 1828 | 2nd version |
D.911/ | 8Op. | 89/ 8Rückblick (“Es brennt mir unter beiden Sohlen”) | G minor/ G major | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/ | 9Op. | 89/ 9Irrlicht (“In die tiefsten Felsengründe”) | B minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/10 | Rast (“Nun merk’ ich erst, wie müd ich bin”) | D minor | v pf | Wilhelm Müller | 1895 | 1st version | ||
D.911/10 | Op. | 89/10Rast (“Nun merk’ ich erst, wie müd ich bin”) | C minor | 1827 | v pf | Wilhelm Müller | 1828 | 2nd version |
D.911/11 | Frühlingstraum (“Ich träumte von bunten Blumen”) | A major | v pf | Wilhelm Müller | 1979 | 1st version | ||
D.911/11 | Op. | 89/11Frühlingstraum (“Ich träumte von bunten Blumen”) | A major | 1827 | v pf | Wilhelm Müller | 1828 | 2nd version |
D.911/12 | Op. | 89/12Einsamkeit (“Wie eine trübe Wolke”) | B minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/13 | Op. | 89/13Die Post (“Von der Strasse her ein Posthorn klingt”) | E♭ major | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/14 | Op. | 89/14Der greise Kopf (“Der Reif hat einen weissen Schein”) | C minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/15 | Op. | 89/15Die Krähe (“Eine Krähe war mit mir aus der Stadt gezogen”) | C minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/16 | Op. | 89/16Letzte Hoffnung (“Hie und da ist an den Bäumen”) | E♭ major | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/17 | Op. | 89/17Im Dorfe (“Es bellen die Hunde”) | D major | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/18 | Op. | 89/18Der stürmische Morgen (“Wie hat der Sturm zerrissen”) | D minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/19 | Op. | 89/19Täuschung (“Ein Licht tanzt freundlich vor mir her”) | A major | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/20 | Op. | 89/20Der Wegweiser (“Was vermeid’ ich denn die Wege”) | G minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/21 | Op. | 89/21Das Wirtshaus (“Auf einen Totenacker hat mich mein Weg gebracht”) | F major | 1827 | v pf | Wilhelm Müller | 1828 | |
D.911/22 | Mut (“Fliegt der Schnee mir ins Gesicht”) | A minor/ A major | v pf | Wilhelm Müller | 1895 | 1st version | ||
D.911/22 | Op. | 89/22Mut (“Fliegt der Schnee mir ins Gesicht”) | G minor/ G major | 1827 | v pf | Wilhelm Müller | 1828 | 2nd version |
D.911/23 | Die Nebensonnen (“Drei Sonnen sah ich”) | A major | v pf | Wilhelm Müller | 1979 | 1st version | ||
D.911/23 | Op. | 89/23Die Nebensonnen (“Drei Sonnen sah ich”) | A major | 1827 | v pf | Wilhelm Müller | 1828 | 2nd version |
D.911/24 | Op. | 89/24Der Leiermann (“Drüben hinterm Dorfe steht ein Leiermann”) | A minor | 1827 | v pf | Wilhelm Müller | 1828 | |
D.912 | Op.151(p) | Schlachtlied (“Mit unserm Arm ist nichts getan”) | D major | 1827 | 2mch | Friedrich Gottlieb Klopstock | 1845 ca. | 2nd setting |
D.913 | Op.139/2(p) | Nachtgesang im Walde (“Sei uns stets gegrüsst, o Nacht!”) | E major | 1827 | 2ten 2bass 4hn | Johann Gabriel Seidl | 1846 | |
D.914 | Frühlingslied (“Geöffnet sind des Winters Riegel”) | C major | 1827 | 2ten 2bass | Aaron Pollak | 1897 | 1st setting | |
D.915 | Allegretto | C minor | 1827 | pf | 1870 | |||
D.916 | Das stille Lied (“Schweige nur, süsser Mund”) | E♭ major | 1827 | 2ten 2bass | Johann Georg Seegemund | 1961 | ||
D.916a | Song (“?”) | C major | 1827? | v pf | 1988 | sketch without text | ||
D.916b | Piano Piece | C major | 1827? | pf | 1978 | sketch | ||
D.916c | Piano Piece | C minor | 1827? | pf | 1978 | sketch | ||
D.917 | Op.115/1(p) | Das Lied im Grünen (“Ins Grüne, ins Grüne, da lockt uns der Frühling”) | A major | 1827 | v pf | Johann Anton Friedrich Reil | 1829 | |
D.918 | Der Graf von Gleichen | 1827 | 5sop 3ten 6bass nar ch orch | Eduard von Bauernfeld | 1868 | opera in 2 acts; unfinished – sketches of 11 numbers for Act I and 9 numbers for Act II are extant | ||
D.919 | Frühlingslied (“Geöffnet sind des Winters Riegel”) | A♭ major | 1827 | v pf | Aaron Pollak | 1897 | 2nd setting | |
D.920 | Ständchen (“Zögernd leise, in des Dunkels nächt'ger Hülle”), Notturno | F major | 1827 | alt mch pf | Franz Grillparzer | 1891 | 1st version | |
D.920 [921] | Op.135(p) | Ständchen (“Zögernd leise, in des Dunkels nächt'ger Hülle”), Notturno | F major | 1827 | alt fch pf | Franz Grillparzer | 1840 | 2nd version |
D.921 | now D.920 (2nd version) | |||||||
D.922 | Heimliches Lieben (“O du, wenn deine Lippen mich berühren”) | B♭ major | 1827 | v pf | Caroline Louise von Klencke | 1895 | 1st version | |
D.922 | Op.106/1 | Heimliches Lieben (“O du, wenn deine Lippen mich berühren”) | B♭ major | 1827 | v pf | Caroline Louise von Klencke | 1828 | 2nd version |
D.923 | Op.165/5(p) | Ein altschottische Ballade (“Dein Schwert, wie ist’s von Blut so rot”), Edward | G minor | 1827 | 2vv pf | Johann Gottfried Herder, after Thomas Percy | 1862 | 1st version; for male voice, female voice and piano |
D.923 | Ein altschottische Ballade (“Dein Schwert, wie ist’s von Blut so rot”), Edward | G minor | 1827 | v pf | Johann Gottfried Herder, after Thomas Percy | 1895 | 2nd version; for voice and piano | |
D.923 | Ein altschottische Ballade (“Dein Schwert, wie ist’s von Blut so rot”), Edward | G minor | 1828 | 2vv pf | Johann Gottfried Herder, after Thomas Percy | 1971 | 3rd version; for male voice, female voice and piano | |
D.924 | Op. | 91Grazer Walzer (12) | 1827? | pf | 1828 | |||
D.925 | Grazer Galopp | C major | 1827? | pf | 1828 | |||
D.926 | Op.106/2 | Das Weinen (“Gar tröstlich kommt geronnen”) | D major | 1828? | v pf | Karl Gottfried von Leitner | 1828 | |
D.927 | Op.106/3 | Vor meiner Wiege (“Das also, das ist der enge Schrein”) | B minor | 1827–28 | v pf | Karl Gottfried von Leitner | 1828 | |
D.928 | March, Kindermarsch | G major | 1827 | pf4h | 1870 | |||
D.929 | Op.100 | Piano Trio | E♭ major | 1827 | vn vc pf | 1828 | ||
D.930 | Op.104(p) | Der Hochzeitsbraten (“Ach liebes Herz, ach Theobald, lass dir nur diesmal raten”) | G major | 1827 | sop ten bass pf | Franz von Schober | 1829 | |
D.931 | Der Wallensteiner Lanzknecht beim Trunk (“He! schenket mir im Helme ein!”) | G minor | 1827 | v pf | Karl Gottfried von Leitner | 1830 | ||
D.932 | Der Kreuzzug (“Ein Münich steht in seiner Zell”) | D major | 1827 | v pf | Karl Gottfried von Leitner | 1832 | ||
D.933 | Des Fischers Liebesglück (“Dort blinket durch Weiden”) | A minor | 1827 | v pf | Karl Gottfried von Leitner | 1835 | ||
D.934 | Op.159(p) | Fantasy | C major | 1827 | vn pf | 1850 | ||
D.935 | Op.142(p) | Impromptus (4) | 1827 | pf | 1839 | |||
D.935/1 | Op.142/1(p) | Impromptu | F minor | 1827 | pf | 1839 | ||
D.935/2 | Op.142/2(p) | Impromptu | A♭ major | 1827 | pf | 1839 | ||
D.935/3 | Op.142/3(p) | Impromptu, Rosamunde | B♭ major | 1827 | pf | 1839 | ||
D.935/4 | Op.142/4(p) | Impromptu | F minor | 1827 | pf | 1839 | ||
D.936 | Kantate für Irene Kiesewetter (“Al par del ruscelletto chiaro”) | C major | 1827 | 2ten 2bass ch pf4h | anonymous | 1892 | also appears as "Kantate zur Feier der Genesung der Irene Kiesewetter" | |
D.936a | Symphony No.10 | D major | 1828? | orch | 1978 | fragment; piano sketches of all 3 movts. are extant | ||
D.937 | Lebensmut (“Fröhlicher Lebensmut braust in dem raschen Blut”) | B♭ major | 1828? | v pf | Ludwig Rellstab | 1872 | fragment | |
D.938 | Der Winterabend (“Es ist so still, so heimlich um mich”) | B♭ major | 1828 | v pf | Karl Gottfried von Leitner | 1835 | ||
D.939 | Op. | 96/1Die Sterne (“Wie blitzen die Sterne so hell durch die Nacht”) | E♭ major | 1828 | v pf | Karl Gottfried von Leitner | 1828 | |
D.940 | Op.103 | Fantasy | F minor | 1828 | pf4h | 1829 | ||
D.941 | now D.948 (1st version) | |||||||
D.942 | Op.136(p) | Mirjams Siegesgesang (“Rührt die Zimbel, schlagt die Saiten”) | C major | 1828 | sop ch pf | Franz Grillparzer | 1839 ca. | |
D.943 | Op.119(p) | Auf dem Strom (“Nimm die letzten Abschiedsküsse”) | E major | 1828 | v hn/vc pf | Ludwig Rellstab | 1829 | |
D.944 | Symphony No.9, Grosse C-dur-Sinfonie (Great C major Symphony) | C major | 1825 and 1828 | orch | 1840 | identical to the "Gmunden-Gastein" Symphony, D.849 | ||
D.944a | German Dance | 1828 | pf | lost | ||||
D.945 | Herbst (“Es rauschen die Winde so herbstlich und kalt”) | E minor | 1828 | v pf | Ludwig Rellstab | 1895 | ||
D.946 | Piano Pieces (3) | 1828 | pf | 1868 | ||||
D.946/1 | Piano Piece | E♭ minor | 1828 | pf | 1868 | |||
D.946/2 | Piano Piece | E♭ major | 1828 | pf | 1868 | |||
D.946/3 | Piano Piece | C major | 1828 | pf | 1868 | |||
D.947 | Op.144(p) | Allegro, Lebensstürme | A minor | 1828 | pf4h | 1840 | ||
D.948 [941] | Hymnus an den heiligen Geist (“Komm, heil’ger Geist, erhöre unser Flehen”) | C major | 1828 | 2ten 2bass mch | Anton Adolf Schmidl | 1891 | 1st version | |
D.948 [964] | Op.154(p) | Hymnus an den heiligen Geist (“Komm, heil’ger Geist, erhöre unser Flehen”) | C major | 1828 | 2ten 2bass mch ww br | Anton Adolf Schmidl | 1849 | 2nd version |
D.949 | now D.639 (2nd version) | |||||||
D.950 | Mass (No.6) | E♭ major | 1828 | sop alt ten bass ch orch | 1865 | |||
D.951 | Op.107 | Rondo, Grand Rondeau | A major | 1828 | pf4h | 1828 | ||
D.952 | Op.152(p) | Fugue | E minor | 1828 | pf4h/org4h | 1848 | ||
D.953 | Der 92. Psalm (“tôw l’hôdôs ladônoj”) | C major | 1828 | sop alt ten bar bass ch | The Old Testament | 1841 | ||
D.954 | Glaube, Hoffnung und Liebe (“Gott, lass die Glocke glücklich steigen”) | B♭ major | 1828 | 2ten 2bass ch [ww br]/pf | Johann Anton Friedrich Reil | 1828 | ||
D.955 | Op. | 97Glaube, Hoffnung und Liebe (“Glaube, hoffe, liebe!”) | E♭ major | 1828 | v pf | Christoph Kuffner | 1828 | |
D.956 | Op.163(p) | String Quintet | C major | 1828 | 2vn va 2vc | 1853 | ||
D.957 | Lieder nach Gedichten von Rellstab und Heine ("Schwanengesang") (13) | 1828 | v pf | Ludwig Rellstab and Heinrich Heine | 1829 | first published as having 14 songs; D.957/14 is now D.965a | ||
D.957/ | 1Liebesbotschaft (“Rauschendes Bächlein, so silber und hell”) | G major | 1828 | v pf | Ludwig Rellstab | 1829 | ||
D.957/ | 2Kriegers Ahnung (“In tiefer Ruh liegt um mich her”) | C minor | 1828 | v pf | Ludwig Rellstab | 1829 | ||
D.957/ | 3Frühlingssehnsucht (“Säuselnde Lüfte wehen so mild”) | B♭ major | 1828 | v pf | Ludwig Rellstab | 1829 | ||
D.957/ | 4Ständchen (“Leise flehen meine Lieder”), Serenade | D minor | 1828 | v pf | Ludwig Rellstab | 1829 | original version | |
D.957/ | 4Ständchen (“Leise flehen meine Lieder”), Serenade | C minor | v pf | Ludwig Rellstab | 1988 | modified version | ||
D.957/ | 5Aufenthalt (“Rauschender Strom, brausender Wald”) | E minor | 1828 | v pf | Ludwig Rellstab | 1829 | ||
D.957/ | 6In der Ferne (“Wehe dem Fliehenden”) | B minor | 1828 | v pf | Ludwig Rellstab | 1829 | ||
D.957/ | 7Abschied (“Ade! du muntre, du fröhliche Stadt”) | E♭ major | 1828 | v pf | Ludwig Rellstab | 1829 | ||
D.957/ | 8Der Atlas (“Ich unglückselger Atlas”) | G minor | 1828 | v pf | Heinrich Heine | 1829 | ||
D.957/ | 9Ihr Bild (“Ich stand in dunkeln Träumen”) | B♭ minor/ D♭ major | 1828 | v pf | Heinrich Heine | 1829 | ||
D.957/10 | Das Fischermädchen (“Du schönes Fischermädchen”) | A♭ major | 1828 | v pf | Heinrich Heine | 1829 | ||
D.957/11 | Die Stadt (“Am fernen Horizonte”) | C minor | 1828 | v pf | Heinrich Heine | 1829 | ||
D.957/12 | Am Meer (“Das Meer erglänzte weit hinaus”) | C major | 1828 | v pf | Heinrich Heine | 1829 | ||
D.957/13 | Der Doppelgänger (“Still ist die Nacht, es ruhen die Gassen”) | B minor | 1828 | v pf | Heinrich Heine | 1829 | ||
D.957/14 | now D.965a | |||||||
D.958 | Piano Sonata | C minor | 1828 | pf | 1839 | |||
D.959 | Piano Sonata | A major | 1828 | pf | 1839 | |||
D.960 | Piano Sonata | B♭ major | 1828 | pf | 1839 | |||
D.961 | now belongs to D.452 | |||||||
D.962 | Tantum ergo (“Tantum ergo”) | E♭ major | 1828 | sop alt ten bass ch orch | 1890 | |||
D.963 | Intende voci (“Intende voci orationis meae”) | B♭ major | 1828 | ten ch orch | 1890 | offertory (Tenor-Aria) | ||
D.964 | now D.948 (2nd version) | |||||||
D.965 | Op.129(p) | Der Hirt auf dem Felsen (“Wenn auf dem höchsten Fels ich steh”) | B♭ major | 1828 | v cl pf | Karl August Varnhagen von Ense, Wilhelm Müller and Franz Schubert | 1830 | |
D.965a [957/14] | Die Taubenpost (“Ich hab’ eine Brieftaub in meinem Sold”) | G major | 1828 | v pf | Johann Gabriel Seidl | 1829 | first published as belonging to D.957 | |
D.965b | Fugal Exercises (18) | 1828 | 1986 | 18 two-voice fugal expositions | ||||
D.966 | now D.11/3 | |||||||
D.966a | now D.71c | |||||||
D.966b | Orchestra Piece | A major | 1823? | orch | 2012 | sketch | ||
D.967 | now D.37a | |||||||
D.968 | Allegro moderato and Andante, Sonatine | 1815-19(?) | pf4h | 1888 | ||||
D.968/1 | Allegro moderato | C major | 1815-19(?) | pf4h | 1888 | |||
D.968/2 | Andante | A minor | 1815-19(?) | pf4h | 1888 | |||
D.968a [603] | Op. | 82/2(p)Introduction, Variations on an Original Theme and Finale (4) | B♭ major | pf4h | 1860 | |||
D.968b [886] | Op.121(p) | Marches Caractéristiques (2) | C major | pf4h | 1829 | |||
D.969 | Op. | 77Waltzes (12), Valses nobles | pf | 1827 | ||||
D.970 | Ländler (6) | pf | 1889 | also appears as "6 German Dances"; D.970/2 = D.145/7 | ||||
D.971 | German Dances (3) | pf | 1823 | |||||
D.972 | German Dances (3) | 1817 ante | pf | 1889 | ||||
D.973 | German Dances (3) | 1823? | pf | 1889 | ||||
D.974 | German Dances (2) | D♭ major | 1822? | pf | 1889 | |||
D.975 | German Dance | D major | 1824? | pf | 1889 | |||
D.976 | Cotillon | E♭ major | pf | 1825 | ||||
D.977 | Ecossaises (8) | 1816? | pf | 1889 | ||||
D.978 | Waltz | A♭ major | pf | 1825 | ||||
D.979 | Waltz | G major | pf | 1826 | ||||
D.980 | Waltzes (2) | pf | 1826 | |||||
D.980a [640] | Dance Sketches (2) | 1821 ante | pf? | 1956 | fragment | |||
D.980b [679] | Ländler (2) | E♭ major | 1816? | pf | 1925 | |||
D.980c [680] | Ländler (2) | D♭ major | 1821 ante | pf | 1930 | fragment | ||
D.980d | Waltz, Krähwinkler Tanz | C major | pf | 1828 | ||||
D.980e | Dance Sketches (2) | 1818 post | pf? | 1989 | fragment | |||
D.980f | March | G major | pf | piano reduction of a lost march for orchestra? | ||||
D.981 | Der Minnesänger | vv ch orch (?) | anonymous | lost | singspiel; fragment | |||
D.982 | Opera "?" | 1820? | 2sop ten bass orch | sketches of 3 numbers are extant; title and text author unknown; also appears as "Sophie" | ||||
D.983 [983/1] | Op. | 17/1Jünglingswonne (“So lang im deutschen Eichentale”) | C major | 2ten 2bass | Friedrich von Matthisson | 1823 | ||
D.983a [983/2] | Op. | 17/2Liebe (“Liebe rauscht der Silberbach”) | D major | 2ten 2bass | Friedrich Schiller | 1823 | ||
D.983b [983/3] | Op. | 17/3Zum Rundetanz (“Auf! es dunkelt; silbern funkelt”) | E major | 2ten 2bass | Johann Gaudenz von Salis-Seewis | 1823 | ||
D.983c [983/4] | Op. | 17/4Die Nacht (“Wie schön bist du, freundliche Stille”) | D major | 2ten 2bass | Friedrich Adolf Krummacher | 1823 | ||
D.984 | Op.169(p) | Der Wintertag (“In schöner heller Winterzeit ward eine Maid geboren”), Geburtstaglied | A minor/ A major | 1820 post | 2ten 2bass pf | anonymous | 1865 ca. | fragment; piano part is lost |
D.985 | Op.112/1(p) | Gott im Ungewitter (“Du Schrecklicher, wer kann vor dir und deinem Donner stehn?”) | C minor/ E♭ major | 1815? | sop alt ten bass pf | Johann Peter Uz | 1829 | |
D.986 | Op.112/2(p) | Gott der Weltschöpfer (“Zu Gott, zu Gott flieg auf”) | C major | 1815? | sop alt ten bass pf | Johann Peter Uz | 1829 | |
D.987 | now D.168a | |||||||
D.988 | Liebe säuseln die Blätter (“Liebe säuseln die Blätter”) | G major | 1815? | 3vv | Ludwig Christoph Heinrich Hölty | 1873 | canon | |
D.988a | Piano Accompaniment | B♭ major | 1820 post | vv? pf | fragment; for a multi-part vocal composition? | |||
D.989 | now D.579a | |||||||
D.989a | now D.579b | |||||||
D.990 | Der Graf von Habsburg (“Zu Aachen in seiner Kaiserpracht”) | G major | v pf | Friedrich Schiller | 1853 | |||
D.990a | Kaiser Maximilian auf der Martinswand in Tirol (“Hinauf! hinauf! in Sprung und Lauf”) | B♭ major | v pf | Heinrich von Collin | 1853 | also appears as "Kaiser Maximilian auf der Martinswand" | ||
D.990b [582] | Augenblicke in Elysium (“Vor der in Ehrfurcht all mein Wesen kniet”) | v pf | Franz von Schober | lost | ||||
D.990c [868] | Op.130(p) | Das Echo (“Herzliebe gute Mutter, o grolle nicht mit mir”) | B♭ major | 1828? | v pf | Ignaz Franz Castelli | 1830 | |
D.990d | Die Schiffende (“Sie wankt dahin; die Abendwinde spielen”) | v pf | Ludwig Christoph Heinrich Hölty | lost | ||||
D.990e | L'incanto degli occhi (“Da voi, cari lumi”) | B♭ major | 1816? | sop pf | Pietro Metastasio | 1979 | 1st setting; fragment | |
D.990f | Ombre amene (“Ombre amene”), La serenata | A major | 1816? | v pf | Pietro Metastasio | 1999 | fragment; listed incorrectly by Deutsch as an early version of the song "Il traditor deluso" | |
D.991 | now belongs to D.323 | |||||||
D.992 | now belongs to D.383 | |||||||
D.993 | now D.2e | |||||||
D.994 | now D.769a | |||||||
D.995 | now D.2d | |||||||
D.996 | now D.2a | |||||||
D.997 | now D.2b | |||||||
D.998 | now D.2c | |||||||
D.Anh.I/ | 1 [40]String Quartet | E♭ major | 1813 | 2vn va vc | lost | possibly identical to D.87 | ||
D.Anh.I/ | 2String Quartet | F major | 1816 | 2vn va vc | lost | possibly identical to D.353 or D.487 | ||
D.Anh.I/ | 3Fugue | C major | 1812? | 2vn va vc (?) | 1986 | fragment; only viola part is extant | ||
D.Anh.I/ | 4 [2]String Quartet Movement | G major | 2vn va vc | fragment; composition by Albert Stadler | ||||
D.Anh.I/ | 5String Quartet | E♭ major | 1818 | 2vn va vc | sketch of movt. I is extant; composition by Anselm Hüttenbrenner | |||
D.Anh.I/ | 6Duet | D major | 1816 | 2vn | fragment; not by Schubert | |||
D.Anh.I/ | 6aSymphony, 1825 | E major | orch | 1982 | not by Schubert; composition by Gunter Elsholz | |||
D.Anh.I/ | 7 [858]March | 1825 | pf8h | lost | ||||
D.Anh.I/ | 8Piano Sonata | F major | 1815 | pf | lost | possibly identical to D.157 | ||
D.Anh.I/ | 9Piano Sonata | F major | 1816 | pf | lost | possibly identical to D.459 | ||
D.Anh.I/10 | Fantasy | E♭ major | 1825? | pf | lost | |||
D.Anh.I/11 | Allegro and Minuet | 1813 | pf | 1967 | also appears as "Sonatina"; not by Schubert | |||
D.Anh.I/11/1 | Allegro | G major | 1813 | pf | 1967 | not by Schubert | ||
D.Anh.I/11/2 | Minuet | C major | 1813 | pf | 1967 | Trio is lost; not by Schubert | ||
D.Anh.I/12 | Easy Variations (7) | G major | 1810? | pf | 1810 | presumably not by Schubert | ||
D.Anh.I/13 | German Dances (6) | 1814 | pf | lost | ||||
D.Anh.I/14 | Waltz, Kupelwieser-Walzer | G♭ major | 1826 | pf | 1970 | transcribed by Richard Strauss | ||
D.Anh.I/15 [336] | Minuet with Trio | D major | pf | 1897 | presumably not by Schubert | |||
D.Anh.I/16 | Ecossaise de Vienne | A♭ major | 1821? | pf | 1975 | composition by Anselm Hüttenbrenner? | ||
D.Anh.I/17 | Tantum ergo (“Tantum ergo”) | B♭ major | vv? | fragment; only 1 soprano part is extant; presumably not by Schubert | ||||
D.Anh.I/18 [132] | Lied beim Rundetanz (“Auf, es dunkelt, silbern funkelt”) | C major | 1815-16(?) | 2ten bass/2bass | Johann Gaudenz von Salis-Seewis | 1974 | fragment; only 1 tenor part is extant | |
D.Anh.I/19 [133] | Lied im Freien (“Wie schön ist’s im Freien”) | G major | 1815-16(?) | 2ten bass/2bass | Johann Gaudenz von Salis-Seewis | 1974 | 1st setting; fragment; only 1 tenor part is extant | |
D.Anh.I/20 [339] | Amors Macht (“Wo Amors Flügel weben”) | B♭ major | 1815-16(?) | 2ten bass/2bass | Friedrich von Matthisson | 1974 | fragment; only 1 tenor part is extant | |
D.Anh.I/21 [340] | Badelied (“Zur Elbe, zur Elbe, des Äthers Gewölbe”) | C major | 1815-16(?) | 2ten bass/2bass | Friedrich von Matthisson | 1974 | fragment; only 1 tenor part is extant | |
D.Anh.I/22 [341] | Sylphen (“Was unterm Monde gleicht uns Sylphen flink und leicht”) | C major | 1815-16(?) | 2ten bass/2bass | Friedrich von Matthisson | 1974 | fragment; only 1 tenor part is extant | |
D.Anh.I/23 | Lebenslied (“Kommen und scheiden, suchen und meiden”) | C major | 1816 | 2ten bass/2bass | Friedrich von Matthisson | 1974 | 1st setting; fragment; only 1 tenor part is extant; first published as D.425, which is now considered lost | |
D.Anh.I/24 | Kantate auf den Vater (“?”) | 1816 | vv pf (?) | lost | ||||
D.Anh.I/25 | Drum Schwester und Brüder (“Drum Schwester und Brüder singt fröhliche Lieder”) | A major | 1819 | v ch vn vc (?) | anonymous | fragment; only violin and cello parts are extant | ||
D.Anh.I/26 | Sturmbeschwörung (“Nirgends Rettung, nirgends Land”) | A minor? | 2sop alt/2alt(?) | anonymous | fragment; only 1 soprano part is extant | |||
D.Anh.I/27 | Choruses with Winds (3) | mch 2hn 2bn | anonymous | fragment; not by Schubert | ||||
D.Anh.I/27/1 | Lieblich ist, wenn sanftes Grau (“Lieblich ist, wenn sanftes Grau”) | F major | mch 2hn 2bn | anonymous | fragment; not by Schubert | |||
D.Anh.I/27/2 | Leb wohl, geliebte Freundin (“Leb wohl, geliebte Freundin”) | F major | mch 2hn 2bn | anonymous | fragment; not by Schubert | |||
D.Anh.I/27/3 | O Zeit, wie manchen herben Schmerz (“O Zeit, wie manchen herben Schmerz”) | E♭ major | mch 2hn 2bn | anonymous | fragment; not by Schubert | |||
D.Anh.I/28 [512] | Klage (Nimmer länger trag ich) (“Nimmer länger trag ich dieser Leiden Last”) | G minor | 1817 ca. | v pf | anonymous | 1967 | also appears as "Nimmer länger trag ich"; presumably not by Schubert | |
D.Anh.I/29 | Kaiser Ferdinand II. (“Was reget die Stadt sich in freudiger Hast?”) | A major | v pf | Karoline Pichler | 1853 | Schubert’s authorship doubtful | ||
D.Anh.I/30 | Mein Frieden (“Ferne, ferne flammen helle Sterne”) | E♭ major | 1817? | v pf | C. Heine | 1823 | composition by Franz Anton Schubert | |
D.Anh.I/31 | Adieu! (Lebe wohl!) (“Voici l'instant suprême; Schon naht, um uns zu scheiden”) | C minor | 1824 | v pf | Edouard? Bélanger | 1835 ca. | composition by August Heinrich von Weyrauch | |
D.Anh.I/32 [598a] | General Bass Exercises (16?) | 1810-12 | 1986 | 6 composition exercises: 3 complete and 3 fragments are extant in manuscript; Neue Schubert-Ausgabe published only 2 of them: Nos.15 and 16 | ||||
D.Anh.II/1 | Overture to the Opera "Iphigenie in Aulis" | C major | 1810 | pf4h | arrangement of the overture to the opera Iphigénie en Aulide, Wq.40, by Christoph Willibald Gluck; fragment | |||
D.Anh.II/2 [96] | Quartet | G major | 1814 | fl gtr va vc | 1926 | arrangement of the Notturno for Flute, Viola and Guitar, Op.21, by Wenzel Thomas Matiegka; Trio II in movt. II "Menuetto", by Schubert | ||
D.Anh.II/3 | Arias from the Opera "Echo et Narcisse" (2) | 1816 | v pf | Jean-Baptiste-Louis-Théodore de Tschudi | arrangement of 2 arias from the opera Écho et Narcisse, Wq.47, by Christoph Willibald Gluck | |||
D.Anh.II/3/1 | Rien de la nature (“Rien de la nature”) | A major | 1816 | v pf | Jean-Baptiste-Louis-Théodore de Tschudi | |||
D.Anh.II/3/2 | O combats, o désordre extrème! (“O combats, o désordre extrème!”) | C major | 1816 | v pf | Jean-Baptiste-Louis-Théodore de Tschudi | |||
D.Anh.II/4 | Der 8. Psalm (“Unendlicher, Gott, unser Herr”) | B♭ major | 1823 | v 2ob 2cl timp str org | Moses Mendelssohn, after The Old Testament | 1960 | arrangement of "Der 8. Psalm für Solostimme und Klavier", from 18 Psalmen David's by Maximilian Stadler; instrumentation by Schubert | |
D.Anh.III/ | 1Canons (9) | vv | 1810 ca. copy; written by various composers | |||||
D.Anh.III/ | 1/1Es packe dich das Glück beim Kragen, MH 577 (“Es packe dich das Glück beim Kragen”) | F major | 1795-1802 ca. | 5vv | Michael Haydn? | 1810 ca. copy; composition by Michael Haydn | ||
D.Anh.III/ | 1/2Vom Glück sei alles dir beschert, MH 619 (“Vom Glück sei alles dir beschert”) | B♭ major | 1795-1802 ca. | 4vv | Michael Haydn? | 1810 ca. copy; composition by Michael Haydn (or possibly Joseph Haydn) | ||
D.Anh.III/ | 1/3Glück fehl dir vor allem, MH 582 (“Glück fehl dir vor allem”) | G major | 1795-1802 ca. | 4vv | Michael Haydn? | 1810 ca. copy; composition by Michael Haydn | ||
D.Anh.III/ | 1/4Wohlsein und Freude, MH 584 (“Wohlsein und Freude”) | C major | 1795-1802 ca. | 5vv | Michael Haydn? | 1810 ca. copy; composition by Michael Haydn | ||
D.Anh.III/ | 1/5Drum habe Dank, o Vater Hayden (“Drum habe Dank, o Vater Hayden”) | F major | 9vv | Franz Joseph Otter? | 1810 ca. copy; composition by Franz Joseph Otter | |||
D.Anh.III/ | 1/6Adam hat siebn Söhn, MH 699 (“Adam hat siebn Söhn”) | F major | 1795-1802 ca. | 4vv | Michael Haydn? | 1810 ca. copy; composition by Michael Haydn | ||
D.Anh.III/ | 1/7Cato, Plato, Cicero, MH 714 (“Cato, Plato, Cicero”) | F major | 1795-1802 ca. | 10vv | Michael Haydn? | 1810 ca. copy; composition by Michael Haydn | ||
D.Anh.III/ | 1/8Was i beim Tag mit der Leiern gwinn, MH 723 (“Was i beim Tag mit der Leiern gwinn”) | E minor | 1795-1802 ca. | vv? | Michael Haydn? | 1810 ca. copy; composition by Michael Haydn | ||
D.Anh.III/ | 1/9Alleluia, KV.553 (“Alleluia”) | C major | 1788 | 4vv | 1810 ca. copy; composition by Wolfgang Amadeus Mozart | |||
D.Anh.III/ | 2Die Teilung der Erde (“Nehmt hin die Welt! rief Zeus aus seinen Höhen”) | C major/ B♭ major | v pf | Friedrich Schiller | 1932 | 1810 ca. copy; composition by Franz Roser | ||
D.Anh.III/ | 3Symphony, KV.551 | C major | 1788 | orch | 1793 | 1813 copy; composition by Wolfgang Amadeus Mozart | ||
D.Anh.III/ | 4Canon (Hoffnung Kind des Himmels) (“Hoffnung Kind des Himmels”) | 2sop ten bass pf | Friedrich Haug | 1802 | canon; 1813 copy; from the singspiel "Elbondocani"; composition by Johann Rudolf Zumsteeg | |||
D.Anh.III/ | 5Chor der Derwische (“Ein Gott, ein wahrer Gott ist nur”) | 2ten bass | August Wilhelm Iffland | 1802 | 1813? copy; composition by Johann Rudolf Zumsteeg | |||
D.Anh.III/ | 6 [85]Offertory, Op.16 (“Clamavi ad te”) | C major | vv? | 1798 | 1813 copy; fragment; solo soprano part is extant; composition by Joseph Preindl | |||
D.Anh.III/ | 7Monolog aus Goethes 'Iphigenie' (“Heraus in eure Schatten”) | E♭ major/ A♭ major | 1798 | v fch pf | Johann Wolfgang von Goethe | 1798 | 1815 copy; composition by Johann Friedrich Reichardt | |
D.Anh.III/ | 8Symphony No.4, Op.60 | B♭ major | 1806 | orch | 1808 | copy from 1820 or later; composition by Ludwig van Beethoven | ||
D.Anh.III/ | 9Deutsches Hochamt, MH.560 (“Hier liegt vor deiner Majestät”) | B♭ major | 1795 | vv? org | Franz Seraph von Kohlbrenner | 1800 | copy of the organ part; lost; composition by Michael Haydn | |
D.Anh.III/10 | Mass | C major | vv ch orch (?) | 1820 copy; composition by Joseph Preindl | ||||
D.Anh.III/11 [92] | Lass immer in der Jugend Glanz, KV.484d (“Lass immer in der Jugend Glanz”) | F major | 1785 | 2vv | anonymous | 1804 | canon; copy lost; composition by Wolfgang Amadeus Mozart | |
D.Anh.III/12 [127] | Selig alle, die im Herrn entschliefen, KV.382b (“Selig alle, die im Herrn entschliefen”) | C minor | 1782 | 2vv | Ludwig Christoph Heinrich Hölty | 1821 ante | canon; copy lost; composition by Wolfgang Amadeus Mozart | |
D.Anh.III/13 | Abendlied unter'm gestirnten Himmel, WoO 150 (“Wenn die Sonne niedersinket”) | D major | 1820 | v pf | Otto Heinrich von Loeben | 1820 | 1820 copy; composition by Ludwig van Beethoven | |
D.deest | Piece (“?”) | 1811 | vv orch (?) | erased sketch; fragment without text | ||||
D.deest | Vocal Trio (“Mala musica, bona musica?”), Scherz-Terzett | B♭ major | 1812 | 3alt | anonymous | Schubert’s authorship doubtful | ||
D.deest | Aria (“?”) | D major | 1812 | bass pf (?) | 1960 | sketch without text; also appears as "Allegretto" | ||
D.deest | Fantasy | 1813 | 2vn va vc | lost | ||||
D.deest | Fugue | 1813 | pf | lost | ||||
D.deest | Fugue | F major | 1813 | pf | sketch | |||
D.deest | Piano Piece | F major | 1813 | pf | sketch | |||
D.deest | Minuets (2) | 1813? | pf? | 1963 | sketches; only themes are extant | |||
D.deest | Song (“?”) | 1815? | v pf (?) | lost? | possibly identical to D.284 | |||
D.deest | String Quartet | B♭ major | 1816 | 2vn va vc | lost | |||
D.deest | Canon a trè (“?”) | B♭ major | 1816? | 3vv | canon; fragment without text | |||
D.deest | Dances (9) | A major | pf | 1983 | sketches; only incipits are extant | |||
D.deest | Die Nacht (“Die Nacht bricht an”) | G major | 1816 post | v gtr | Karoline Pichler | 1990 | Schubert’s authorship doubtful; guitar part by Franz Xaver von Schlechta; voice part by Schubert? | |
D.deest | Duets from "Singfundament" (8) | 2vn | 1986 | arrangement of 8 exercises from the singing method Singfundament by Johann Joseph Fux; fragment | ||||
D.deest | Winterlied (“Das Glas gefüllt!”), Winterabend | F♯ minor | 1820? | v pf | Ludwig Christoph Heinrich Hölty | 2009 | 2nd setting of D.242, with a different title | |
D.deest | Canon (“?”) | C major | 1826? | 5vv | 1986 | canon; composition exercise; sketch without text | ||
D.deest | Song (“?”) | 1827 ca. | v pf | lost | fragment | |||
D.deest | Counterpoint Exercises | C major | 1828 | 1986 | 3 two-part imitation exercises; sketches | |||
D.deest | Seliges Genügen (“?”) | v/vv (?) | Johanna Claudine von Ziglowski | lost | ||||
D.deest | doch stärker ist die Mutterliebe (“?”) | v? orch | lost | fragment | ||||
D.deest | Overture | orch | lost | |||||
D.deest | Lieder für das Pianoforte (“?”) | v?/pf? | lost | |||||
D.deest | String Sextet | 3vn va vc db | lost | fragment |