Movements/SectionsMov'ts/Sec's | 1 hymn (Moderato, 74 bars) |
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Composition Year | 1853 |
Genre Categories | Ave Maria; Hymns; Sacred hymns; |
Related Works | Based on the Prelude of Prelude and Fugue in C major, BWV 846 by Bach |
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Complete Performance
*#147024 - 4.65MB - 5:05 - -) ( - !N/!N/!N - 14236×⇩ - MP3 - Sven Apitz
MP3 file (audio)
Sven Apitz (2011/11/6)
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⇒ 5 more: Organ • Voice • Violin • Cello (alternate to Violin Part) • Color Covers
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Complete Score
*#93022 - 0.15MB, 19 pp. - -) (- !N/!N/!N - 55923×⇩ - Tom Potter
PDF typeset by editor
Tom Potter (2011/2/15)
⇒ 5 more: Violin • Cello 1 • Cello 2 • Organ • Piano
PDF typeset by editor
Tom Potter (2011/2/15)
PDF typeset by editor
Tom Potter (2011/2/15)
PDF typeset by editor
Tom Potter (2011/2/15)
PDF typeset by editor
Tom Potter (2011/2/15)
PDF typeset by editor
Tom Potter (2011/2/15)
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Work Title | Ave Maria |
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Alternative. Title | Méditation sur le Premier Prélude de Piano de S. Bach (original title) |
Name Translations | アヴェ・マリア (グノー); آفي ماريا; อาเว มารีอา; 아베 마리아; Ave Maria (Gounod); |
Name Aliases | Ave Maria de Bach/Gounod; Ave Maria (Bach/Gounod); อาเว มารีอา (กูโน); Méditation sur le Premier Prélude de Piano de S. Bach |
Authorities | WorldCat; Wikipedia; VIAF: 186237080; BNF: 139126203 |
Composer | Gounod, Charles |
Opus/Catalogue NumberOp./Cat. No. | CG 89a |
I-Catalogue NumberI-Cat. No. | ICG 18 |
Key | C major |
Movements/SectionsMov'ts/Sec's | 1 hymn (Moderato, 74 bars) |
Year/Date of CompositionY/D of Comp. | 1853 |
First Publication. | 1853 - Paris: Heugel |
Composer Time PeriodComp. Period | Romantic |
Piece Style | Romantic |
Instrumentation | violin (or cello) and piano (organ, 2nd cello ad lib.) |
Related Works | Based on the Prelude of Prelude and Fugue in C major, BWV 846 by Bach |
External Links | Wikipedia article |
Extra Information | Bach's original is 35 bars. The earliest setting was in C major, for 6-part chorus, organ, piano and orchestra (Méditation, CG 89), or perhaps the same for voice and piano (CG 89c), with a French text by Lamartine. Gounod expended the work into its present form along with the Latin text setting the same year. As noted in Wikipedia, it's not to be confused with his 7 other settings of the same Latin text for various vocal and choral forces, including one based on a different Bach original (BWV 999). |