Angelo (Cui, César)

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Sheet Music

Vocal Scores

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Lyle Neff (2019/6/25)

Editor Revised edition
Language Russian / German
Translator Yury Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1900]. Plate 634.
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Lyle Neff (2008/7/3)

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Lyle Neff (2008/7/3)

Editor Revised edition
Language Russian / German
Translator Yury Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1900]. Plate 634.
Copyright
Misc. Notes The revised edition is not a reprint of the first edition, and was issued in 1900. (Fortunately, the others here do not say "Revised edition" and therefore are from the first edition- right? Of course right)
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Lyle Neff (2008/7/4)

8 more: Act I, Scene 2 • Act I, Scene 3 • Act I, Scene 4 • Act I, Scene 5 • Act I, Scene 6 • Act I, Scene 7 • Act I, Scene 8 • Act I, Scene 9

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Lyle Neff (2008/7/4)

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Lyle Neff (2008/7/4)

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Lyle Neff (2008/7/4)

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Lyle Neff (2008/7/4)

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Lyle Neff (2008/7/12)

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Lyle Neff (2008/7/12)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/12)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/12)

Language Russian / German
Translator Yury Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1876]. Plates 635–643.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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Lyle Neff (2008/7/13)

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Lyle Neff (2008/7/13)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/13)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/13)

Language Russian / German
Translator Yury Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d. (1876). Plates 644–649.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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Lyle Neff (2008/7/16)

5 more: Act III, Scene 2 • Act III, Scene 3 • Act III, Scene 4 • Act III, Scene 5 • Act III, Scene 6

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Lyle Neff (2008/7/16)

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Lyle Neff (2008/7/16)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/16)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/16)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/16)

Language Russian / German
Translator Yury Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1876]. Plates 650–656.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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Lyle Neff (2008/7/17)

10 more: Act IV, Tableau 1, Scene 1 • Act IV, Tableau 1, Scene 2 • Act IV, Tableau 1, Scene 3 • Act IV, Tableau 1, Scene 4 • Act IV, Tableau 1, Scene 5 • Act IV, Tableau 1, Scene 6 • Act IV, Tableau 1, Scene 7 • Act IV, Tableau 2, Scene 1 • Act IV, Tableau 2, Scene 2 • Act IV, Tableau 2, Scene 3

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Lyle Neff (2008/7/17)

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Lyle Neff (2008/7/17)

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Lyle Neff (2008/7/17)

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Lyle Neff (2008/7/17)

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Lyle Neff (2008/7/17)

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Lyle Neff (2008/7/17)

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Lyle Neff (2008/7/17)

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Lyle Neff (2008/7/17)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/17)

PDF scanned by Lyle Neff
Lyle Neff (2008/7/17)

Language Russian / German
Translator Yury Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1876]. Plates 657a–664.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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Arrangements and Transcriptions

Introduction

For Orchestra (Glazunov)

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Lyle Neff (2007/9/12)

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Schissel (2010/9/7)

Arranger Aleksandr Glazunov (1865-1936)
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1906]. Plate 4900.
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Misc. Notes Re-orchestrated and transposed to F minor. Glazunov not credited on publication.
This file is part of the Sibley Mirroring Project.
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For Piano 4 hands

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Morel (2010/3/25)

Publisher. Info. St. Petersburg: Bessel, n.d. Plate 634.
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Misc. Notes Original key (F minor).
This file is part of the Sibley Mirroring Project.
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Barcarolle (Act III)

For Voice and Piano

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Lyle Neff (2008/10/28)

Language Russian / German / French
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d. (1876). Plate 643a.
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Misc. Notes For solo voice (without chorus).
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General Information

Work Title Анджело
Alternative. Title Angelo
Name Translations アンジェーロ
Authorities Wikipedia
Composer Cui, César
I-Catalogue NumberI-Cat. No. ICC 3
Movements/SectionsMov'ts/Sec's 4 acts
1. Introduction (orchestra)
  • Act I.
2. Scene 1 (chorus)
3. Scene 2 (Rodolfo, Ascanio, conspirators)
4. Scene 3: (Song and chorus)
a. Galeofa's Song
b. Fortune-Telling (Galeofa, Rodolf, maskers)
5. Scene 4 (Rodolfo, Galeofa)
6. Scene 5 (Tisbe, chorus of maskers)
7. Scene 6 (Tisba, Rodolfo)
8. Scene 7 (Galeofa)
9. Scene 8 (Tisbe, Galeofa)
10. Scene 9 (Tisba, Angelo, maskers):
a. Barcarolle (tenor with chorus)
b. Tisbe's Narrative
  • Act II.
11. Scene 1 (Catarina, Dafne, Rodolfo, women's chorus):
a. Women's Chorus («Однажды царь»)
b. Women's Chorus («Далеко, на самом море»)
c. Rodolfo's Song
12. Scene 2 (Catarina, Rodolfo)
13. Scene 3 (Catarina, Tisbe)
14. Scene 4 (Catarina, Tisbe, Angelo)
  • Act III.
15. Scene 1
a. Chorus – Nocturne
b. Chorus – Tarantella
16. Scene 2 (Ascanio, conspirators)
17. Scene 3 (Ascanio, conspirators, people)
18. Scene 4 (Rodolfo, Ascanio, conspirators, people)
a. Oath (Rodolfo, Ascanio, chorus)
b. Prayer (chorus)
19. Scene 5 (Galeofa, Rodolfo, conspirators, people)
20. Scene 6 (Angelo, Galeofa, conspirators, people)
  • Act IV.
Tableau 1
21. Entr'acte (orchestra)
22. Scene 1 (Angelo, Fra Paolo)
23. Scene 2 (Tisbe)
24. Scene 3 (Tisbe, Angelo, Fra Paolo)
25. Scene 4 (Catarina, Angelo)
26. Scene 5 (Catarina)
27. Scene 6 (Catarina, Tisbe, Angelo)
28. Scene 7 (Tisbe, Angelo, two sbirri)
Tableau 2
29. Scene 1 (Tisbe, the two sbirri)
30. Scene 2 (Tisbe)
31. Scene 3 (Tisba, Catarina, Rodolfo, chorus of monks)
Year/Date of CompositionY/D of Comp. 1871–75
First Performance. 1876-02-13 – St. Petersburg, Maryinsky Theatre
Eduard Nápravník, conductor
First Publication. 1876 - St. Petersburg: W. Bessel & Co., Plates 634-664.*
*Complete work published only as vocal score. Introduction published in full score.
Librettist Viktor Burenin (1841–1926), after Victor Hugo (1802–1885)
Language Russian
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices, Chorus, Orchestra
3 Flutes, Oboe, English Horn, 2 Clarinets in A, Bass-Clarinet in A, 2 Bassoons,
4 Horns in F, 2 Trumpets in A, 3 Trombones, Tuba, Timpani, Cymbals, Drum, Strings
External Links Wikipedia article
Extra Information This opera uses the same subject (by Hugo) as La Gioconda by Amilcare Ponchielli which premiered in the same year. The orchestral introduction re-orchestrated later by Aleksandr Glazunov, possibly for the 1901 revival in Moscow.

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Vocal score noted in HMB here - Hofmeister's Monatsbericht (1882), p.238 with revision noted in 1900.


Operas by César Cui